settima

chishūryū

簪​ [Kanzashi / Ornamental Hairpin] (Hiroshi Shimizu, 1941)

Mar

3

melon

Kanzashi (1941)

A traditional Japanese room with tatami mats. Boys at a table eat melon slices. A woman makes a phone call. The view through the window reveals a gnarly tree and a mountain in the background. DP: Suketarō Inokai.

 

簪​ [Kanzashi / Ornamental Hairpin] (Hiroshi Shimizu, 1941)

Jul

24

relaxation

簪 (1941)

Men relaxing at a roten-buro, an outdoor onsen. DP: Suketarō Inokai.

Someone goes to a spa, beach, or retreat*

“There’s something almost poetic about finding a hairpin in the bath. It’s like the sole of my foot has been pierced by poetry.”

– Nanmura, via

Relaxing at an onsen, a young man steps on the titular kanzashi. Now injured with too much time on his hands, he and his fellow nosy patrons start speculating about its owner. Then a telegram announces her arrival.

 

父ありき [Chichi ariki / There Was a Father] (Yasujirō Ozu, 1942)

Mar

31

a father

父ありき (1942)

Father and son fishing in a creek. DP: Yūharu Atsuta.

A father for OP's father's birthday.

 

A father, and proud teacher, raises his son alone. When the boy is an adult and a teacher himself, the elder's traditional concept of societal hierarchy affirms the balance between the generations.