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    <title>quincyjones &amp;mdash; settima</title>
    <link>https://write.underworld.fr/settima/tag:quincyjones</link>
    <description>@settima@zirk.us</description>
    <pubDate>Mon, 20 Apr 2026 14:32:23 +0200</pubDate>
    <item>
      <title>In the Heat of the Night (Norman Jewison, 1967)</title>
      <link>https://write.underworld.fr/settima/in-the-heat-of-the-night-1967</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;In the Heat of the Night (Norman Jewison, 1967)/div&#xA;div class=&#34;month&#34;&#xA;Sep/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;13/div&#xA;div class=&#34;X&#34;&#xA;/div&#xA;div class=&#34;img&#34;&#xA;In the Heat of the Night (1967)/div&#xA;div class=&#34;caption&#34;&#xA;Det. Virgil Tibbs (Sidney Poitier) and Chief Bill Gillespie (Rod Steiger) at the train station. The timetable is written by hand on a blackboard. DP: Haskell Wexler./div&#xA;div class=&#34;txt&#34;&#xA;&#34;They call me MISTER TIBBS.&#34;&#xA;  ### – Det. Virgil Tibbs&#xA;&#xA;/div&#xA;div class=&#34;tags&#34;&#xA;##### #FilmDuJour #September #NormanJewison #JohnBall #SidneyPoitier #RodSteiger #WarrenOates #LeeGrant #QuincyJones #HaskellWexler #BookAdaptation #crime #racism #USA #1960s ★★★★☆/div&#xA;/section ]]&gt;</description>
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<h4 id="in-the-heat-of-the-night-norman-jewison-1967-div" id="in-the-heat-of-the-night-norman-jewison-1967-div">In the Heat of the Night (Norman Jewison, 1967)</div></h4>

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<h2 id="sep-div" id="sep-div">Sep</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="13-div" id="13-div">13</div></h1>

<p><div class="X"></p>

<h2 id="div" id="div"></div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/cL4Zdwyd/0913-In-The-Heat-Of-The-Night.png" alt="In the Heat of the Night (1967)"></div>
<div class="caption"></p>

<h6 id="det-virgil-tibbs-sidney-poitier-and-chief-bill-gillespie-rod-steiger-at-the-train-station-the-timetable-is-written-by-hand-on-a-blackboard-dp-haskell-wexler-div" id="det-virgil-tibbs-sidney-poitier-and-chief-bill-gillespie-rod-steiger-at-the-train-station-the-timetable-is-written-by-hand-on-a-blackboard-dp-haskell-wexler-div">Det. Virgil Tibbs (Sidney Poitier) and Chief Bill Gillespie (Rod Steiger) at the train station. The timetable is written by hand on a blackboard. DP: Haskell Wexler.</div></h6>

<p><div class="txt"></p>

<blockquote><p>“They call me MISTER TIBBS.”</p>

<h3 id="det-virgil-tibbs" id="det-virgil-tibbs">– Det. Virgil Tibbs</h3>
</blockquote>

<h5 id="div-1" id="div-1"></div></h5>

<p><div class="tags"></p>

<h5 id="filmdujour-september-normanjewison-johnball-sidneypoitier-rodsteiger-warrenoates-leegrant-quincyjones-haskellwexler-bookadaptation-crime-racism-usa-1960s-div" id="filmdujour-september-normanjewison-johnball-sidneypoitier-rodsteiger-warrenoates-leegrant-quincyjones-haskellwexler-bookadaptation-crime-racism-usa-1960s-div"><a href="/settima/tag:FilmDuJour" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FilmDuJour</span></a> <a href="/settima/tag:September" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">September</span></a> <a href="/settima/tag:NormanJewison" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">NormanJewison</span></a> <a href="/settima/tag:JohnBall" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JohnBall</span></a> <a href="/settima/tag:SidneyPoitier" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SidneyPoitier</span></a> <a href="/settima/tag:RodSteiger" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">RodSteiger</span></a> <a href="/settima/tag:WarrenOates" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">WarrenOates</span></a> <a href="/settima/tag:LeeGrant" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">LeeGrant</span></a> <a href="/settima/tag:QuincyJones" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">QuincyJones</span></a> <a href="/settima/tag:HaskellWexler" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">HaskellWexler</span></a> <a href="/settima/tag:BookAdaptation" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BookAdaptation</span></a> <a href="/settima/tag:crime" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">crime</span></a> <a href="/settima/tag:racism" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">racism</span></a> <a href="/settima/tag:USA" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">USA</span></a> <a href="/settima/tag:1960s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1960s</span></a> ★★★★☆</div></h5>

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      <guid>https://write.underworld.fr/settima/in-the-heat-of-the-night-1967</guid>
      <pubDate>Sat, 13 Sep 2025 09:00:00 +0200</pubDate>
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    <item>
      <title>The Slender Thread (Sydney Pollack, 1965)</title>
      <link>https://write.underworld.fr/settima/the-slender-thread-1965</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;The Slender Thread (Sydney Pollack, 1965)/div&#xA;div class=&#34;month&#34;&#xA;May/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;10/div&#xA;div class=&#34;occasion&#34;&#xA;National Washington Day/div&#xA;div class=&#34;img&#34;&#xA;The Slender Thread (1965)/div&#xA;div class=&#34;caption&#34;&#xA;Lobby card. Psychology student Alan Newell (Sidney Poitier), hands in pockets, phone tucked between ear and shoulder, pacing up and down his office in the Crisis Clinic. DP: Loyal Griggs./div&#xA;div class=&#34;txt&#34;&#xA;Expecting an uneventful night at the Seattle Crisis Clinic, volunteering psychology student Alan Newell is left to his own devices. Alan takes his books to study, it is quiet after all. Then a call, a woman. We learn she&#39;s called Inga (Anne Bancroft). She&#39;s drowsy. She has taken barbiturates and wants to talk while slipping away. While Alan fights to keep the woman on the line, attempts are made to trace the call.\&#xA;&#xA;  &#34;Do you think that not getting caught in a lie is the same as telling the truth?&#34;&#xA;  ### – Mark Dyson\&#xA;&#xA;##### The Slender Thread is an excellent example of picturing the invisible. The two leads never meet, both bound to their setting. The call tracing scene, a very technical affair, bears echos of Soviet Montage. The warm #jazz soundtrack by Seattle&#39;s own Quincy Jones tones down the mechanics, making the human aspect even more harrowing, almost physical./div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2023FilmChallenge #NationalWashingtonDay #SydneyPollack #ShanaAlexander #SidneyPoitier #AnneBancroft #TellySavalas #StevenHill #QuincyJones #LoyalGriggs #jazz #drama #suicide #Seattle #USA #1960s ★★★★☆/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
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<h4 id="the-slender-thread-sydney-pollack-1965-div" id="the-slender-thread-sydney-pollack-1965-div">The Slender Thread (Sydney Pollack, 1965)</div></h4>

<p><div class="month"></p>

<h2 id="may-div" id="may-div">May</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="10-div" id="10-div">10</div></h1>

<p><div class="occasion"></p>

<h2 id="national-washington-day-div" id="national-washington-day-div">National Washington Day</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/J72f4HBz/0510-Washington.jpg" alt="The Slender Thread (1965)"></div>
<div class="caption"></p>

<h6 id="lobby-card-psychology-student-alan-newell-sidney-poitier-hands-in-pockets-phone-tucked-between-ear-and-shoulder-pacing-up-and-down-his-office-in-the-crisis-clinic-dp-loyal-griggs-div" id="lobby-card-psychology-student-alan-newell-sidney-poitier-hands-in-pockets-phone-tucked-between-ear-and-shoulder-pacing-up-and-down-his-office-in-the-crisis-clinic-dp-loyal-griggs-div">Lobby card. Psychology student Alan Newell (Sidney Poitier), hands in pockets, phone tucked between ear and shoulder, pacing up and down his office in the Crisis Clinic. DP: Loyal Griggs.</div></h6>

<p><div class="txt"></p>

<h5 id="expecting-an-uneventful-night-at-the-seattle-crisis-clinic-volunteering-psychology-student-alan-newell-is-left-to-his-own-devices-alan-takes-his-books-to-study-it-is-quiet-after-all-then-a-call-a-woman-we-learn-she-s-called-inga-anne-bancroft-she-s-drowsy-she-has-taken-barbiturates-and-wants-to-talk-while-slipping-away-while-alan-fights-to-keep-the-woman-on-the-line-attempts-are-made-to-trace-the-call" id="expecting-an-uneventful-night-at-the-seattle-crisis-clinic-volunteering-psychology-student-alan-newell-is-left-to-his-own-devices-alan-takes-his-books-to-study-it-is-quiet-after-all-then-a-call-a-woman-we-learn-she-s-called-inga-anne-bancroft-she-s-drowsy-she-has-taken-barbiturates-and-wants-to-talk-while-slipping-away-while-alan-fights-to-keep-the-woman-on-the-line-attempts-are-made-to-trace-the-call">Expecting an uneventful night at the Seattle Crisis Clinic, volunteering psychology student Alan Newell is left to his own devices. Alan takes his books to study, it is quiet after all. Then a call, a woman. We learn she&#39;s called Inga (Anne Bancroft). She&#39;s drowsy. She has taken barbiturates and wants to talk while slipping away. While Alan fights to keep the woman on the line, attempts are made to trace the call.</h5>

<blockquote><p>“Do you think that not getting caught in a lie is the same as telling the truth?”</p>

<h3 id="mark-dyson" id="mark-dyson">– Mark Dyson</h3>
</blockquote>

<h5 id="the-slender-thread-is-an-excellent-example-of-picturing-the-invisible-the-two-leads-never-meet-both-bound-to-their-setting-the-call-tracing-scene-a-very-technical-affair-bears-echos-of-soviet-montage-the-warm-jazz-soundtrack-by-seattle-s-own-quincy-jones-tones-down-the-mechanics-making-the-human-aspect-even-more-harrowing-almost-physical-div" id="the-slender-thread-is-an-excellent-example-of-picturing-the-invisible-the-two-leads-never-meet-both-bound-to-their-setting-the-call-tracing-scene-a-very-technical-affair-bears-echos-of-soviet-montage-the-warm-jazz-soundtrack-by-seattle-s-own-quincy-jones-tones-down-the-mechanics-making-the-human-aspect-even-more-harrowing-almost-physical-div"><em>The Slender Thread</em> is an excellent example of picturing the invisible. The two leads never meet, both bound to their setting. The call tracing scene, a very technical affair, bears echos of Soviet Montage. The warm <a href="/settima/tag:jazz" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">jazz</span></a> soundtrack by Seattle&#39;s own Quincy Jones tones down the mechanics, making the human aspect even more harrowing, almost physical.</div></h5>

<p><div class="tags"></p>

<h5 id="bales2023filmchallenge-nationalwashingtonday-sydneypollack-shanaalexander-sidneypoitier-annebancroft-tellysavalas-stevenhill-quincyjones-loyalgriggs-jazz-drama-suicide-seattle-usa-1960s-div" id="bales2023filmchallenge-nationalwashingtonday-sydneypollack-shanaalexander-sidneypoitier-annebancroft-tellysavalas-stevenhill-quincyjones-loyalgriggs-jazz-drama-suicide-seattle-usa-1960s-div"><a href="/settima/tag:Bales2023FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2023FilmChallenge</span></a> <a href="/settima/tag:NationalWashingtonDay" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">NationalWashingtonDay</span></a> <a href="/settima/tag:SydneyPollack" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SydneyPollack</span></a> <a href="/settima/tag:ShanaAlexander" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ShanaAlexander</span></a> <a href="/settima/tag:SidneyPoitier" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SidneyPoitier</span></a> <a href="/settima/tag:AnneBancroft" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AnneBancroft</span></a> <a href="/settima/tag:TellySavalas" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">TellySavalas</span></a> <a href="/settima/tag:StevenHill" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">StevenHill</span></a> <a href="/settima/tag:QuincyJones" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">QuincyJones</span></a> <a href="/settima/tag:LoyalGriggs" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">LoyalGriggs</span></a> <a href="/settima/tag:jazz" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">jazz</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:suicide" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">suicide</span></a> <a href="/settima/tag:Seattle" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Seattle</span></a> <a href="/settima/tag:USA" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">USA</span></a> <a href="/settima/tag:1960s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1960s</span></a> ★★★★☆</div></h5>

<p></section></p>
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      <guid>https://write.underworld.fr/settima/the-slender-thread-1965</guid>
      <pubDate>Wed, 10 May 2023 11:13:49 +0200</pubDate>
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