Supermarkt [Die Stadt, Jane Love / Supermarket] (Roland Klick, 1974)
Mar
30
Willi Hansen (Charly Wierzejewski) in a phone booth. Filmed from the outside in, his face is partially obscured by neon lights. DP: Jost Vacano.
Supermarkt [Die Stadt, Jane Love / Supermarket] (Roland Klick, 1974)
Mar
30
Willi Hansen (Charly Wierzejewski) in a phone booth. Filmed from the outside in, his face is partially obscured by neon lights. DP: Jost Vacano.
“Information is like a bank. Some of us are rich. Some of us are poor, with information. All of us can be rich. Our job, your job, is to rob the bank. To kill the guard. To go out there to destroy everybody who keeps, and hides, the whole information. Simple. Special. Information. Power.”Decoder (Muscha, 1984)
Sep
28
International Right To Know Day
In a crumbling bunker, the High Priest (Genesis P-Orridge) lectures about information. DP: Johanna Heer.
– The High Priest
Decoder (Muscha, 1984)
Jul
7
Milky Ways
Christiana (Christiane F) and F.M. (FM Einheit) at their Sperrmüll table in a neon green-lit kitchen with supermarket shelving. The former junkie prepares a Schrippe with fresh produce while the musician has a selection of wrapped chocolate bars in front of him. DP: Johanna Heer.
Supermarkt [Die Stadt, Jane Love / Supermarket] (Roland Klick, 1974)
Apr
16
National Cash Day
A dirty, cut hand attempts to steal a few coins from a dish at a public toilet. DP: Jost Vacano.
Good-for-nothing Willi (Charly Wierzejewski) is in trouble. After yet another run-in with the law, and yet again meeting the wrong people at the wrong time, he falls in love with a destitute street worker (Eva Mattes). Now he really needs #money so he can support himself, her, and her kid. He tries his hand at renting himself out to a rich homosexual (homosexuality was illegal in 1970s W Germany), then moves forward to robbing the money transporter of a local supermarket with his pimp buddy. But as usual, Willi is in trouble.
Shot on location in #Hamburg's red-light district St. Pauli, Supermarkt is gritty, unpleasant and has an authenticity rarely seen in other films of this genre.