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    <title>JoaquínGutiérrezHeras &amp;mdash; settima</title>
    <link>https://write.underworld.fr/settima/tag:JoaquínGutiérrezHeras</link>
    <description>@settima@zirk.us</description>
    <pubDate>Mon, 20 Apr 2026 11:39:09 +0200</pubDate>
    <item>
      <title>Matinée (Jaime Humberto Hermosillo, 1977)</title>
      <link>https://write.underworld.fr/settima/matinee-1977</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Matinée (Jaime Humberto Hermosillo, 1977)/div&#xA;div class=&#34;month&#34;&#xA;Nov/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;4/div&#xA;div class=&#34;occasion&#34;&#xA;National Easy Bake Oven Day/div&#xA;div class=&#34;img&#34;&#xA;Matinée (1977)/div&#xA;div class=&#34;caption&#34;&#xA;Friends Aarón (Rodolfo Chávez Martínez) and Jorge (Armando Martín) having a grownup discussion about the situation. DP: Jorge Stahl Jr../div&#xA;div class=&#34;txt&#34;&#xA;##### Two boys skip class to catch a movie – Alexander Mackendrick&#39;s thematically similar A High Wind in Jamaica (1965) – and end up as members of a violent gang instead. While Matinée has elements of a typical 70s #ComingOfAge movie, the more fascinating element is the role reversal of the two children and the robbers. As the kids are forced to grow up, fast, the criminals live out their childhood fantasy of never having to listen to anyone ever again. And bicker over comics.&#xA;&amp;nbsp;&#xA;Robert Rodriguez stated that the fearsome criminals in his El Mariachi (1992) never outgrew their childhood nicknames. I start to suspect that once upon a time, a little boy named Robertiño skipped class and went to the matinee./div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2023FilmChallenge #NationalEasyBakeOvenDay #JaimeHumbertoHermosillo #RodolfoChávezMartínez #ArmandoMartín #JoaquínGutiérrezHeras #JorgeStahlJr #ComingOfAge #crime #drama #Mexico #1970s ★★★★☆/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
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<h4 id="matinée-jaime-humberto-hermosillo-1977-div" id="matinée-jaime-humberto-hermosillo-1977-div">Matinée (Jaime Humberto Hermosillo, 1977)</div></h4>

<p><div class="month"></p>

<h2 id="nov-div" id="nov-div">Nov</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="4-div" id="4-div">4</div></h1>

<p><div class="occasion"></p>

<h2 id="national-easy-bake-oven-day-div" id="national-easy-bake-oven-day-div">National Easy Bake Oven Day</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/ZRGZtN5R/1104-childrenasadults.jpg" alt="Matinée (1977)"></div>
<div class="caption"></p>

<h6 id="friends-aarón-rodolfo-chávez-martínez-and-jorge-armando-martín-having-a-grownup-discussion-about-the-situation-dp-jorge-stahl-jr-div" id="friends-aarón-rodolfo-chávez-martínez-and-jorge-armando-martín-having-a-grownup-discussion-about-the-situation-dp-jorge-stahl-jr-div">Friends Aarón (Rodolfo Chávez Martínez) and Jorge (Armando Martín) having a grownup discussion about the situation. DP: Jorge Stahl Jr..</div></h6>

<p><div class="txt"></p>

<h5 id="two-boys-skip-class-to-catch-a-movie-alexander-mackendrick-s-thematically-similar-a-high-wind-in-jamaica-1965-and-end-up-as-members-of-a-violent-gang-instead-while-matinée-has-elements-of-a-typical-70s-comingofage-movie-the-more-fascinating-element-is-the-role-reversal-of-the-two-children-and-the-robbers-as-the-kids-are-forced-to-grow-up-fast-the-criminals-live-out-their-childhood-fantasy-of-never-having-to-listen-to-anyone-ever-again-and-bicker-over-comics" id="two-boys-skip-class-to-catch-a-movie-alexander-mackendrick-s-thematically-similar-a-high-wind-in-jamaica-1965-and-end-up-as-members-of-a-violent-gang-instead-while-matinée-has-elements-of-a-typical-70s-comingofage-movie-the-more-fascinating-element-is-the-role-reversal-of-the-two-children-and-the-robbers-as-the-kids-are-forced-to-grow-up-fast-the-criminals-live-out-their-childhood-fantasy-of-never-having-to-listen-to-anyone-ever-again-and-bicker-over-comics">Two boys skip class to catch a movie – Alexander Mackendrick&#39;s thematically similar <em>A High Wind in Jamaica</em> (1965) – and end up as members of a violent gang instead. While <em>Matinée</em> has elements of a typical 70s <a href="/settima/tag:ComingOfAge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ComingOfAge</span></a> movie, the more fascinating element is the role reversal of the two children and the robbers. As the kids are forced to grow up, fast, the criminals live out their childhood fantasy of never having to listen to anyone ever again. And bicker over comics.</h5>

<p> </p>

<h5 id="robert-rodriguez-stated-that-the-fearsome-criminals-in-his-el-mariachi-1992-never-outgrew-their-childhood-nicknames-i-start-to-suspect-that-once-upon-a-time-a-little-boy-named-robertiño-skipped-class-and-went-to-the-matinee-div" id="robert-rodriguez-stated-that-the-fearsome-criminals-in-his-el-mariachi-1992-never-outgrew-their-childhood-nicknames-i-start-to-suspect-that-once-upon-a-time-a-little-boy-named-robertiño-skipped-class-and-went-to-the-matinee-div">Robert Rodriguez stated that the fearsome criminals in his <em>El Mariachi</em> (1992) never outgrew their childhood nicknames. I start to suspect that once upon a time, a little boy named Robertiño skipped class and went to the matinee.</div></h5>

<p><div class="tags"></p>

<h5 id="bales2023filmchallenge-nationaleasybakeovenday-jaimehumbertohermosillo-rodolfochávezmartínez-armandomartín-joaquíngutiérrezheras-jorgestahljr-comingofage-crime-drama-mexico-1970s-div" id="bales2023filmchallenge-nationaleasybakeovenday-jaimehumbertohermosillo-rodolfochávezmartínez-armandomartín-joaquíngutiérrezheras-jorgestahljr-comingofage-crime-drama-mexico-1970s-div"><a href="/settima/tag:Bales2023FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2023FilmChallenge</span></a> <a href="/settima/tag:NationalEasyBakeOvenDay" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">NationalEasyBakeOvenDay</span></a> <a href="/settima/tag:JaimeHumbertoHermosillo" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JaimeHumbertoHermosillo</span></a> <a href="/settima/tag:RodolfoCh%C3%A1vezMart%C3%ADnez" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">RodolfoChávezMartínez</span></a> <a href="/settima/tag:ArmandoMart%C3%ADn" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ArmandoMartín</span></a> <a href="/settima/tag:Joaqu%C3%ADnGuti%C3%A9rrezHeras" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JoaquínGutiérrezHeras</span></a> <a href="/settima/tag:JorgeStahlJr" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JorgeStahlJr</span></a> <a href="/settima/tag:ComingOfAge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ComingOfAge</span></a> <a href="/settima/tag:crime" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">crime</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:Mexico" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Mexico</span></a> <a href="/settima/tag:1970s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1970s</span></a> ★★★★☆</div></h5>

<p></section></p>
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      <guid>https://write.underworld.fr/settima/matinee-1977</guid>
      <pubDate>Sat, 04 Nov 2023 17:01:17 +0100</pubDate>
    </item>
    <item>
      <title>Matinée (Jaime Humberto Hermosillo, 1977)</title>
      <link>https://write.underworld.fr/settima/matinee-1977-qk3x</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Matinée (Jaime Humberto Hermosillo, 1977)/div&#xA;div class=&#34;month&#34;&#xA;Aug/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;19/div&#xA;div class=&#34;occasion&#34;&#xA;free candy/div&#xA;div class=&#34;img&#34;&#xA;Matinée (1977)/div&#xA;div class=&#34;caption&#34;&#xA;Best friends Aarón (Rodolfo Chávez Martínez) and Jorge (Armando Martín) helping out in Aarón&#39;s parents&#39; convenience store while helping themselves to a snack or two. DP: Jorge Stahl Jr../div&#xA;div class=&#34;txt&#34;&#xA;&#xA;/div&#xA;div class=&#34;tags&#34;&#xA;##### #FilmDinner #candy #JaimeHumbertoHermosillo #RodolfoChávezMartínez #ArmandoMartín #JoaquínGutiérrezHeras #JorgeStahlJr #ComingOfAge #crime #drama #Mexico #1970s ★★★★☆ /div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="matinée-jaime-humberto-hermosillo-1977-div" id="matinée-jaime-humberto-hermosillo-1977-div">Matinée (Jaime Humberto Hermosillo, 1977)</div></h4>

<p><div class="month"></p>

<h2 id="aug-div" id="aug-div">Aug</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="19-div" id="19-div">19</div></h1>

<p><div class="occasion"></p>

<h2 id="free-candy-div" id="free-candy-div">free candy</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/cJzZ87Tv/230819-Matin-e-1977.png" alt="Matinée (1977)"></div>
<div class="caption"></p>

<h6 id="best-friends-aarón-rodolfo-chávez-martínez-and-jorge-armando-martín-helping-out-in-aarón-s-parents-convenience-store-while-helping-themselves-to-a-snack-or-two-dp-jorge-stahl-jr-div" id="best-friends-aarón-rodolfo-chávez-martínez-and-jorge-armando-martín-helping-out-in-aarón-s-parents-convenience-store-while-helping-themselves-to-a-snack-or-two-dp-jorge-stahl-jr-div">Best friends Aarón (Rodolfo Chávez Martínez) and Jorge (Armando Martín) helping out in Aarón&#39;s parents&#39; convenience store while helping themselves to a snack or two. DP: Jorge Stahl Jr..</div></h6>

<p><div class="txt"></p>

<h5 id="div" id="div"></div></h5>

<p><div class="tags"></p>

<h5 id="filmdinner-candy-jaimehumbertohermosillo-rodolfochávezmartínez-armandomartín-joaquíngutiérrezheras-jorgestahljr-comingofage-crime-drama-mexico-1970s-div" id="filmdinner-candy-jaimehumbertohermosillo-rodolfochávezmartínez-armandomartín-joaquíngutiérrezheras-jorgestahljr-comingofage-crime-drama-mexico-1970s-div"><a href="/settima/tag:FilmDinner" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FilmDinner</span></a> <a href="/settima/tag:candy" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">candy</span></a> <a href="/settima/tag:JaimeHumbertoHermosillo" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JaimeHumbertoHermosillo</span></a> <a href="/settima/tag:RodolfoCh%C3%A1vezMart%C3%ADnez" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">RodolfoChávezMartínez</span></a> <a href="/settima/tag:ArmandoMart%C3%ADn" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ArmandoMartín</span></a> <a href="/settima/tag:Joaqu%C3%ADnGuti%C3%A9rrezHeras" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JoaquínGutiérrezHeras</span></a> <a href="/settima/tag:JorgeStahlJr" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JorgeStahlJr</span></a> <a href="/settima/tag:ComingOfAge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ComingOfAge</span></a> <a href="/settima/tag:crime" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">crime</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:Mexico" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Mexico</span></a> <a href="/settima/tag:1970s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1970s</span></a> ★★★★☆ </div></h5>

<p></section></p>
]]></content:encoded>
      <guid>https://write.underworld.fr/settima/matinee-1977-qk3x</guid>
      <pubDate>Sat, 19 Aug 2023 15:07:23 +0200</pubDate>
    </item>
    <item>
      <title>El lugar sin límites [The Place Without Limits] (Arturo Ripstein, 1978)</title>
      <link>https://write.underworld.fr/settima/el-lugar-sin-limites-1978</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;El lugar sin límites [The Place Without Limits] (Arturo Ripstein, 1978)/div&#xA;div class=&#34;month&#34;&#xA;Aug/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;13/div&#xA;div class=&#34;occasion&#34;&#xA;Gay Uncles Day/div&#xA;div class=&#34;img&#34;&#xA;El lugar sin límites (1978)/div&#xA;div class=&#34;caption&#34;&#xA;Pancho (Gonzalo Vega) watches La Manuela (Roberto Cobo) dance flamenco for him. DP: Miguel Garzón./div&#xA;div class=&#34;txt&#34;&#xA;Cabaretera, a sub-genre from the Epoca de Oro (the golden epoch of Mexican filmmaking, 1930s—1950s), combines film noir with melodrama and musical numbers. Often set in cabarets (brothels), these films talk about the plight of the prostitute who – not without their pride and dignity – are forced to being the breadwinner in a poverty-stricken community. &#xA;&amp;nbsp;&#xA;El lugar sin límites harks back to those days. We follow the plight of La Manuela, a transvestite who together with daughter La Japonesita works as a fichera (a dancehall performer) in the brothel run by Madame La Japonesa, La Japonesita&#39;s mother. &#xA;&amp;nbsp;&#xA;##### The return of Pancho, a hyper-macho trucker, disrupts the family regime. The trucker&#39;s attraction to the #flamenco dancing fichera is at odds with his machismo. Him being outed as a maricón (a Mexican slur for homosexual) would be the end of his world. &#xA;&amp;nbsp;&#xA;##### El lugar remains a groundbreaking film, not only in how it handles taboos like #gender roles and trans- and homosexuality, but also because it highlights how (self) destructive #machismo is in Mexican society.&#xA;&amp;nbsp;&#xA;Sergio de la Mora&#39;s excellently researched EL LUGAR SIN LÍMITES: Ripstein in Review delves much deeper than this little writeup here. Do read it (spoilers ahead).&#xA;&amp;nbsp;&#xA;Roberto Cobo&#39;s La Manuela is transsexual. The term &#34;transvestite&#34; is what&#39;s used in the film and typical for its time./div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2023FilmChallenge #GayUnclesDay #ArturoRipstein #JoséDonoso #RobertoCobo #GonzaloVega #JoaquínGutiérrezHeras #JoséPadilla #MiguelGarzón #BookAdaptation #LGBT #drama #Mexico #1970s/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="el-lugar-sin-límites-the-place-without-limits-arturo-ripstein-1978-div" id="el-lugar-sin-límites-the-place-without-limits-arturo-ripstein-1978-div">El lugar sin límites [The Place Without Limits] (Arturo Ripstein, 1978)</div></h4>

<p><div class="month"></p>

<h2 id="aug-div" id="aug-div">Aug</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="13-div" id="13-div">13</div></h1>

<p><div class="occasion"></p>

<h2 id="gay-uncles-day-div" id="gay-uncles-day-div">Gay Uncles Day</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/sDjNfx8m/0813-gayrelative.jpg" alt="El lugar sin límites (1978)"></div>
<div class="caption"></p>

<h6 id="pancho-gonzalo-vega-watches-la-manuela-roberto-cobo-dance-flamenco-for-him-dp-miguel-garzón-div" id="pancho-gonzalo-vega-watches-la-manuela-roberto-cobo-dance-flamenco-for-him-dp-miguel-garzón-div">Pancho (Gonzalo Vega) watches La Manuela (Roberto Cobo) dance flamenco for him. DP: Miguel Garzón.</div></h6>

<p><div class="txt"></p>

<h5 id="cabaretera-a-sub-genre-from-the-epoca-de-oro-the-golden-epoch-of-mexican-filmmaking-1930s-1950s-combines-film-noir-with-melodrama-and-musical-numbers-often-set-in-cabarets-brothels-these-films-talk-about-the-plight-of-the-prostitute-who-not-without-their-pride-and-dignity-are-forced-to-being-the-breadwinner-in-a-poverty-stricken-community" id="cabaretera-a-sub-genre-from-the-epoca-de-oro-the-golden-epoch-of-mexican-filmmaking-1930s-1950s-combines-film-noir-with-melodrama-and-musical-numbers-often-set-in-cabarets-brothels-these-films-talk-about-the-plight-of-the-prostitute-who-not-without-their-pride-and-dignity-are-forced-to-being-the-breadwinner-in-a-poverty-stricken-community"><em>Cabaretera</em>, a sub-genre from the <em>Epoca de Oro</em> (the golden epoch of Mexican filmmaking, 1930s—1950s), combines film noir with melodrama and musical numbers. Often set in cabarets (brothels), these films talk about the plight of the prostitute who – not without their pride and dignity – are forced to being the breadwinner in a poverty-stricken community.</h5>

<p> </p>

<h5 id="el-lugar-sin-límites-harks-back-to-those-days-we-follow-the-plight-of-la-manuela-a-transvestite-who-together-with-daughter-la-japonesita-works-as-a-fichera-a-dancehall-performer-in-the-brothel-run-by-madame-la-japonesa-la-japonesita-s-mother" id="el-lugar-sin-límites-harks-back-to-those-days-we-follow-the-plight-of-la-manuela-a-transvestite-who-together-with-daughter-la-japonesita-works-as-a-fichera-a-dancehall-performer-in-the-brothel-run-by-madame-la-japonesa-la-japonesita-s-mother"><em>El lugar sin límites</em> harks back to those days. We follow the plight of La Manuela, a transvestite* who together with daughter La Japonesita works as a <em>fichera</em> (a dancehall performer) in the brothel run by Madame La Japonesa, La Japonesita&#39;s mother.</h5>

<p> </p>

<h5 id="the-return-of-pancho-a-hyper-macho-trucker-disrupts-the-family-regime-the-trucker-s-attraction-to-the-flamenco-dancing-fichera-is-at-odds-with-his-machismo-him-being-outed-as-a-maricón-a-mexican-slur-for-homosexual-would-be-the-end-of-his-world" id="the-return-of-pancho-a-hyper-macho-trucker-disrupts-the-family-regime-the-trucker-s-attraction-to-the-flamenco-dancing-fichera-is-at-odds-with-his-machismo-him-being-outed-as-a-maricón-a-mexican-slur-for-homosexual-would-be-the-end-of-his-world">The return of Pancho, a hyper-macho trucker, disrupts the family regime. The trucker&#39;s attraction to the <a href="/settima/tag:flamenco" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">flamenco</span></a> dancing <em>fichera</em> is at odds with his machismo. Him being outed as a <em>maricón</em> (a Mexican slur for homosexual) would be the end of his world.</h5>

<p> </p>

<h5 id="el-lugar-remains-a-groundbreaking-film-not-only-in-how-it-handles-taboos-like-gender-roles-and-trans-and-homosexuality-but-also-because-it-highlights-how-self-destructive-machismo-is-in-mexican-society" id="el-lugar-remains-a-groundbreaking-film-not-only-in-how-it-handles-taboos-like-gender-roles-and-trans-and-homosexuality-but-also-because-it-highlights-how-self-destructive-machismo-is-in-mexican-society"><em>El lugar</em> remains a groundbreaking film, not only in how it handles taboos like <a href="/settima/tag:gender" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">gender</span></a> roles and trans- and homosexuality, but also because it highlights how (self) destructive <a href="/settima/tag:machismo" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">machismo</span></a> is in Mexican society.</h5>

<p> </p>

<h5 id="sergio-de-la-mora-s-excellently-researched-el-lugar-sin-límites-ripstein-in-review-https-eatdrinkfilms-com-2014-08-21-el-lugar-sin-limites-ripstein-in-review-delves-much-deeper-than-this-little-writeup-here-do-read-it-spoilers-ahead" id="sergio-de-la-mora-s-excellently-researched-el-lugar-sin-límites-ripstein-in-review-https-eatdrinkfilms-com-2014-08-21-el-lugar-sin-limites-ripstein-in-review-delves-much-deeper-than-this-little-writeup-here-do-read-it-spoilers-ahead">Sergio de la Mora&#39;s excellently researched <a href="https://eatdrinkfilms.com/2014/08/21/el-lugar-sin-limites-ripstein-in-review" rel="nofollow">EL LUGAR SIN LÍMITES: Ripstein in Review</a> delves much deeper than this little writeup here. Do read it (spoilers ahead).</h5>

<p> </p>

<h6 id="roberto-cobo-s-la-manuela-is-transsexual-the-term-transvestite-is-what-s-used-in-the-film-and-typical-for-its-time-div" id="roberto-cobo-s-la-manuela-is-transsexual-the-term-transvestite-is-what-s-used-in-the-film-and-typical-for-its-time-div">*<em>Roberto Cobo&#39;s La Manuela is transsexual. The term “transvestite” is what&#39;s used in the film and typical for its time.</em></div></h6>

<p><div class="tags"></p>

<h5 id="bales2023filmchallenge-gayunclesday-arturoripstein-josédonoso-robertocobo-gonzalovega-joaquíngutiérrezheras-josépadilla-miguelgarzón-bookadaptation-lgbt-drama-mexico-1970s-div" id="bales2023filmchallenge-gayunclesday-arturoripstein-josédonoso-robertocobo-gonzalovega-joaquíngutiérrezheras-josépadilla-miguelgarzón-bookadaptation-lgbt-drama-mexico-1970s-div"><a href="/settima/tag:Bales2023FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2023FilmChallenge</span></a> <a href="/settima/tag:GayUnclesDay" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">GayUnclesDay</span></a> <a href="/settima/tag:ArturoRipstein" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ArturoRipstein</span></a> <a href="/settima/tag:Jos%C3%A9Donoso" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JoséDonoso</span></a> <a href="/settima/tag:RobertoCobo" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">RobertoCobo</span></a> <a href="/settima/tag:GonzaloVega" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">GonzaloVega</span></a> <a href="/settima/tag:Joaqu%C3%ADnGuti%C3%A9rrezHeras" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JoaquínGutiérrezHeras</span></a> <a href="/settima/tag:Jos%C3%A9Padilla" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JoséPadilla</span></a> <a href="/settima/tag:MiguelGarz%C3%B3n" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MiguelGarzón</span></a> <a href="/settima/tag:BookAdaptation" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BookAdaptation</span></a> <a href="/settima/tag:LGBT" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">LGBT</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:Mexico" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Mexico</span></a> <a href="/settima/tag:1970s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1970s</span></a></div></h5>

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      <guid>https://write.underworld.fr/settima/el-lugar-sin-limites-1978</guid>
      <pubDate>Sun, 13 Aug 2023 13:27:47 +0200</pubDate>
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