“I look into the distance to the end of the world. Before the day is over, the end will come. First, time will tumble, and then the earth. The clouds will begin to race… the earth boils over; this is the sign. This is the beginning of the end. The world's edge begins to crumble… everything starts to collapse… tumbles, fall, crumbles and collapses. I look into the cataract. I feel an undertow, it draws me, it sucks me down. I began to fal, a vertigo seizes upon me.”

– Hias

Bruno Stroszek (Bruno S.), his friends Eva (Eva Mattes) and Scheitz (Clemens Scheitz, responsible for the fairy-tale music you hear in this film) decide to leave dreary #Berlin behind and move to #Wisconsin where the latter's nephew lives. A new life, with dreams of music and animal magnetism, awaits them there.

“Was ist loos? Der Hund is loose.”

– Clayton

As so oft with #Herzog, the story behind Stroszek is as engrossing as the resulting film. Documentary maker Errol Morris and Herzog were fascinated by Wisconsin's own Ed Gein and wondered if Gein had dug up his own mother, as was rumoured at the time. As they would, they decided to open the poor woman's grave. Morris never showed up, and neither did Herzog but only because his car broke down en route to Plainfield, Wisconsin. Trying to get the vehicle fixed, Herzog entered the workshop of a Clayton Szalpinski.

 

A character in his own right, and a non-actor to boot, Clayton ended up in Stroszek as Scheitz's nephew; a MacGuffin odder than a dancing chicken.

“We're in America now.”

– Bruno S.