settima

jaromíršofr

Kinoautomat: Člověk a jeho dům [Kinoautomat / One Man and His House] (Ján Roháč, Radúz Činčera + Vladimír Svitáček, 1967)

Jan

10

Representation of the People Act 1918

Kinoautomat: Člověk a jeho dům (1967)

The audience about to vote for one of two scenes, with two presenters on stage.. DP: Jaromír Šofr.

Voting, for the Representation of the People Act 1918, UK.

 

Made for the Czechoslovak Pavilion at #Expo67 in #Montréal, Kinoautomat was the world's first interactive film. During nine moments in the story, a moderator would appear on the stage, and ask the audience where the story should go now. Depending on the votes, one of two reels would play.

“The Kinoautomat in the Czechoslovak Pavilion is a guaranteed hit of the World Exposition, and the Czechs should build a monument to the man who conceived the idea, Radúz Činčera.”

– The New Yorker

After its very successful performance at Expo 67, and a one year run in Prague, Kinoautomat was banned by the Czechoslovakian government.

O slavnosti a hostech [A Report on the Party and Guests] (Jan Němec, 1966)

Nov

22

grapes

O slavnosti a hostech (1966)

A man in tuxedo removes a grape seed from his mouth. He's seated at a wonderfully opulently set table in a birch forest. DP: Jaromír Šofr.

O slavnosti a hostech [A Report on the Party and Guests] (Jan Němec, 1966)

Nov

22

Bales' Birthday

O slavnosti a hostech (1966)

The birthday party mingled in with the others in the woods, all dressed immaculately and seated at elaborately decked tables. The guests and their host raise their glasses towards the camera. DP: Jaromír Šofr.

“So will someone tell me what happened or not? A brother shouldn't turn against his brother. And a guest shouldn't turn against a guest.”

– the host