<?xml version="1.0" encoding="UTF-8"?><rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/">
  <channel>
    <title>tokyo &amp;mdash; settima</title>
    <link>https://write.underworld.fr/settima/tag:tokyo</link>
    <description>@settima@zirk.us</description>
    <pubDate>Mon, 20 Apr 2026 14:13:30 +0200</pubDate>
    <item>
      <title>Le mystère Koumiko [不思議なクミコ / The Koumiko Mystery] (Chris Marker, 1965)</title>
      <link>https://write.underworld.fr/settima/le-mystere-koumiko-1965</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Le mystère Koumiko [不思議なクミコ / The Koumiko Mystery] (Chris Marker, 1965)/div&#xA;div class=&#34;month&#34;&#xA;Oct/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;11/div&#xA;div class=&#34;occasion&#34;&#xA;1964/div&#xA;div class=&#34;img&#34;&#xA;Le mystère Koumiko (1965)/div&#xA;div class=&#34;caption&#34;&#xA;The film covers multiple days. Koumiko thinks on October 17. DP: Chris Marker./div&#xA;div class=&#34;txt&#34;&#xA;&#34;Mr. Everyman explains how to look like a Japanese and thus impress those wild and not very civilized people. Mrs. Everyman replies that for savages, they look remarkably civilized. Meanwhile, Mr. Everyman, seeing more people looking even more Japanese, is reassured. Mrs. Everyman sees soldiers parading in European uniform. She smiles ironically. But now a number of typical Japanese walk into the house. Her irony disappears. And Mr. Everyman is not ashamed to admit… he is mystified.&#34;&#xA;  ### – narrator&#xA;&#xA;/div&#xA;div class=&#34;tags&#34;&#xA;##### #FilmDuJour #October #ChrisMarker #KumikoMuraoka #TōruTakemitsu #Olympics #documentary #EssayFilm #Tokyo #France #1960s ★★★★☆/div&#xA;/section ]]&gt;</description>
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<h4 id="le-mystère-koumiko-不思議なクミコ-the-koumiko-mystery-chris-marker-1965-div" id="le-mystère-koumiko-不思議なクミコ-the-koumiko-mystery-chris-marker-1965-div">Le mystère Koumiko [不思議なクミコ / The Koumiko Mystery] (Chris Marker, 1965)</div></h4>

<p><div class="month"></p>

<h2 id="oct-div" id="oct-div">Oct</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="11-div" id="11-div">11</div></h1>

<p><div class="occasion"></p>

<h2 id="1964-div" id="1964-div">1964</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/C1J2dntZ/1011-Myst-re-Koumiko-1965-2.png" alt="Le mystère Koumiko (1965)"></div>
<div class="caption"></p>

<h6 id="the-film-covers-multiple-days-koumiko-thinks-on-october-17-dp-chris-marker-div" id="the-film-covers-multiple-days-koumiko-thinks-on-october-17-dp-chris-marker-div">The film covers multiple days. Koumiko thinks on October 17. DP: Chris Marker.</div></h6>

<p><div class="txt"></p>

<blockquote><p>“Mr. Everyman explains how to look like a Japanese and thus impress those wild and not very civilized people. Mrs. Everyman replies that for savages, they look remarkably civilized. Meanwhile, Mr. Everyman, seeing more people looking even more Japanese, is reassured. Mrs. Everyman sees soldiers parading in European uniform. She smiles ironically. But now a number of typical Japanese walk into the house. Her irony disappears. And Mr. Everyman is not ashamed to admit… he is mystified.”</p>

<h3 id="narrator" id="narrator">– narrator</h3>
</blockquote>

<h5 id="div" id="div"></div></h5>

<p><div class="tags"></p>

<h5 id="filmdujour-october-chrismarker-kumikomuraoka-tōrutakemitsu-olympics-documentary-essayfilm-tokyo-france-1960s-div" id="filmdujour-october-chrismarker-kumikomuraoka-tōrutakemitsu-olympics-documentary-essayfilm-tokyo-france-1960s-div"><a href="/settima/tag:FilmDuJour" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FilmDuJour</span></a> <a href="/settima/tag:October" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">October</span></a> <a href="/settima/tag:ChrisMarker" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ChrisMarker</span></a> <a href="/settima/tag:KumikoMuraoka" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">KumikoMuraoka</span></a> <a href="/settima/tag:T%C5%8DruTakemitsu" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">TōruTakemitsu</span></a> <a href="/settima/tag:Olympics" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Olympics</span></a> <a href="/settima/tag:documentary" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">documentary</span></a> <a href="/settima/tag:EssayFilm" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">EssayFilm</span></a> <a href="/settima/tag:Tokyo" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Tokyo</span></a> <a href="/settima/tag:France" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">France</span></a> <a href="/settima/tag:1960s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1960s</span></a> ★★★★☆</div></h5>

<p></section></p>
]]></content:encoded>
      <guid>https://write.underworld.fr/settima/le-mystere-koumiko-1965</guid>
      <pubDate>Sat, 11 Oct 2025 09:00:00 +0200</pubDate>
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      <title>ドキュメント 路上 [Document Rojo / On the Road: The Document] (Noriaki Tsuchimoto, 1964)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-911h</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;ドキュメント 路上 [Document Rojo / On the Road: The Document] (Noriaki Tsuchimoto, 1964)/div&#xA;div class=&#34;month&#34;&#xA;Mar/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;26/div&#xA;div class=&#34;occasion&#34;&#xA;Road Traffic Act 1934/div&#xA;div class=&#34;img&#34;&#xA;ドキュメント 路上 (1964)/div&#xA;div class=&#34;caption&#34;&#xA;A look from a Tokyo cab driver&#39;s perspective. We see the dashboard, heavy trucks ahead, and behind, and the reflection of the driver in his rearview mirror. DP: Tatsuo Suzuki./div&#xA;div class=&#34;txt&#34;&#xA;Bad drivers: the start of compulsory driving tests in the UK was established on March 26, 1934 with the Road Traffic Act.&#xA;&#xA;  &#34;This film portrays the traffic war that goes on every day. — Tokyo, 1964&#34;&#xA;  ### – opening title&#xA;&#xA;I find no solid proof to support this statement/div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2025FilmChallenge #RoadTrafficAct1934 #NoriakiTsuchimoto #KimioKawasaki #MinoruMiki #TatsuoSuzuki #CarCrash #traffic #taxis #cars #jazz #documentary #Tokyo #Japan #1960s ★★★★½/div&#xA;/section ]]&gt;</description>
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<h4 id="ドキュメント-路上-document-rojo-on-the-road-the-document-noriaki-tsuchimoto-1964-div" id="ドキュメント-路上-document-rojo-on-the-road-the-document-noriaki-tsuchimoto-1964-div">ドキュメント 路上 [Document Rojo / On the Road: The Document] (Noriaki Tsuchimoto, 1964)</div></h4>

<p><div class="month"></p>

<h2 id="mar-div" id="mar-div">Mar</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="26-div" id="26-div">26</div></h1>

<p><div class="occasion"></p>

<h2 id="road-traffic-act-1934-div" id="road-traffic-act-1934-div">Road Traffic Act 1934</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/446bNMWG/0326-Document-Rojo-1964-2.png" alt="ドキュメント 路上 (1964)"></div>
<div class="caption"></p>

<h6 id="a-look-from-a-tokyo-cab-driver-s-perspective-we-see-the-dashboard-heavy-trucks-ahead-and-behind-and-the-reflection-of-the-driver-in-his-rearview-mirror-dp-tatsuo-suzuki-div" id="a-look-from-a-tokyo-cab-driver-s-perspective-we-see-the-dashboard-heavy-trucks-ahead-and-behind-and-the-reflection-of-the-driver-in-his-rearview-mirror-dp-tatsuo-suzuki-div">A look from a Tokyo cab driver&#39;s perspective. We see the dashboard, heavy trucks ahead, and behind, and the reflection of the driver in his rearview mirror. DP: Tatsuo Suzuki.</div></h6>

<p><div class="txt"></p>

<h5 id="bad-drivers-the-start-of-compulsory-driving-tests-in-the-uk-was-established-on-march-26-1934-with-the-road-traffic-act" id="bad-drivers-the-start-of-compulsory-driving-tests-in-the-uk-was-established-on-march-26-1934-with-the-road-traffic-act">Bad drivers: the start of compulsory driving tests in the UK was established on March 26, 1934* with the Road Traffic Act.</h5>

<blockquote><p>“This film portrays the traffic war that goes on every day. — Tokyo, 1964”</p>

<h3 id="opening-title" id="opening-title">– opening title</h3>
</blockquote>

<h6 id="i-find-no-solid-proof-to-support-this-statement-https-www-gov-uk-government-publications-history-of-road-safety-and-the-driving-test-history-of-road-safety-the-highway-code-and-the-driving-test-div" id="i-find-no-solid-proof-to-support-this-statement-https-www-gov-uk-government-publications-history-of-road-safety-and-the-driving-test-history-of-road-safety-the-highway-code-and-the-driving-test-div">*I find <a href="https://www.gov.uk/government/publications/history-of-road-safety-and-the-driving-test/history-of-road-safety-the-highway-code-and-the-driving-test" rel="nofollow">no solid proof to support this statement</a></div></h6>

<p><div class="tags"></p>

<h5 id="bales2025filmchallenge-roadtrafficact1934-noriakitsuchimoto-kimiokawasaki-minorumiki-tatsuosuzuki-carcrash-traffic-taxis-cars-jazz-documentary-tokyo-japan-1960s-½-div" id="bales2025filmchallenge-roadtrafficact1934-noriakitsuchimoto-kimiokawasaki-minorumiki-tatsuosuzuki-carcrash-traffic-taxis-cars-jazz-documentary-tokyo-japan-1960s-½-div"><a href="/settima/tag:Bales2025FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2025FilmChallenge</span></a> <a href="/settima/tag:RoadTrafficAct1934" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">RoadTrafficAct1934</span></a> <a href="/settima/tag:NoriakiTsuchimoto" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">NoriakiTsuchimoto</span></a> <a href="/settima/tag:KimioKawasaki" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">KimioKawasaki</span></a> <a href="/settima/tag:MinoruMiki" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MinoruMiki</span></a> <a href="/settima/tag:TatsuoSuzuki" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">TatsuoSuzuki</span></a> <a href="/settima/tag:CarCrash" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">CarCrash</span></a> <a href="/settima/tag:traffic" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">traffic</span></a> <a href="/settima/tag:taxis" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">taxis</span></a> <a href="/settima/tag:cars" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">cars</span></a> <a href="/settima/tag:jazz" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">jazz</span></a> <a href="/settima/tag:documentary" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">documentary</span></a> <a href="/settima/tag:Tokyo" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Tokyo</span></a> <a href="/settima/tag:Japan" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Japan</span></a> <a href="/settima/tag:1960s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1960s</span></a> ★★★★½</div></h5>

<p></section></p>
]]></content:encoded>
      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-911h</guid>
      <pubDate>Wed, 26 Mar 2025 12:00:00 +0100</pubDate>
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      <title>0課の女 赤い手錠 [Zeroka no onna: Akai wappa / Zero Woman: Red Handcuffs] (Yukio Noda,...</title>
      <link>https://write.underworld.fr/settima/0ke-nonu-chi-ishou-ding-1974</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;0課の女 赤い手錠 [Zeroka no onna: Akai wappa / Zero Woman: Red Handcuffs] (Yukio Noda, 1974)/div&#xA;div class=&#34;month&#34;&#xA;Sep/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;12/div&#xA;div class=&#34;occasion&#34;&#xA;National Police Woman Day/div&#xA;div class=&#34;img&#34;&#xA;0課の女 赤い手錠 (1974)/div&#xA;div class=&#34;caption&#34;&#xA;Rei (Miki Sugimoto) wielding the red chain of her handcuffs. DP: Yoshio Nakajima./div&#xA;div class=&#34;txt&#34;&#xA;##### Rei (Miki Sugimoto) is a member of Division Zero, a top secret division of #Tokyo&#39;s police department. Hired to investigate a high-profile #kidnapping, she infiltrates the gang and kills them off with her signature blood-red handcuffs.&#xA;&amp;nbsp;&#xA;##### 0課の女 赤い手錠 is the first of no less than 9 instalments. Based on Tōru Shinohara&#39;s #manga 0課の女 [Zero-ka no Onna] who may be better known for his さそり [Sasori / Scorpion], which in its turn was adapted into the popular Female Prisoner Scorpion series of WiP films. /div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2023FilmChallenge #NationalPoliceWomanDay #YukioNoda #TōruShinohara #MikiSugimoto #ShunsukeKikuchi #YoshioNakajima #BookAdaptation #PinkuEiga #WiP #exploitation #crime #action #Tōei #Japan #1970s ★★★★☆/div&#xA;/section ]]&gt;</description>
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<h4 id="0課の女-赤い手錠-zeroka-no-onna-akai-wappa-zero-woman-red-handcuffs-yukio-noda-1974-div" id="0課の女-赤い手錠-zeroka-no-onna-akai-wappa-zero-woman-red-handcuffs-yukio-noda-1974-div">0課の女 赤い手錠 [Zeroka no onna: Akai wappa / Zero Woman: Red Handcuffs] (Yukio Noda, 1974)</div></h4>

<p><div class="month"></p>

<h2 id="sep-div" id="sep-div">Sep</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="12-div" id="12-div">12</div></h1>

<p><div class="occasion"></p>

<h2 id="national-police-woman-day-div" id="national-police-woman-day-div">National Police Woman Day</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/3JDfs50G/0912-policewoman.png" alt="0課の女 赤い手錠 (1974)"></div>
<div class="caption"></p>

<h6 id="rei-miki-sugimoto-wielding-the-red-chain-of-her-handcuffs-dp-yoshio-nakajima-div" id="rei-miki-sugimoto-wielding-the-red-chain-of-her-handcuffs-dp-yoshio-nakajima-div">Rei (Miki Sugimoto) wielding the red chain of her handcuffs. DP: Yoshio Nakajima.</div></h6>

<p><div class="txt"></p>

<h5 id="rei-miki-sugimoto-is-a-member-of-division-zero-a-top-secret-division-of-tokyo-s-police-department-hired-to-investigate-a-high-profile-kidnapping-she-infiltrates-the-gang-and-kills-them-off-with-her-signature-blood-red-handcuffs" id="rei-miki-sugimoto-is-a-member-of-division-zero-a-top-secret-division-of-tokyo-s-police-department-hired-to-investigate-a-high-profile-kidnapping-she-infiltrates-the-gang-and-kills-them-off-with-her-signature-blood-red-handcuffs">Rei (Miki Sugimoto) is a member of Division Zero, a top secret division of <a href="/settima/tag:Tokyo" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Tokyo</span></a>&#39;s police department. Hired to investigate a high-profile <a href="/settima/tag:kidnapping" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">kidnapping</span></a>, she infiltrates the gang and kills them off with her signature blood-red handcuffs.</h5>

<p> </p>

<h5 id="0課の女-赤い手錠-is-the-first-of-no-less-than-9-instalments-based-on-tōru-shinohara-s-manga-0課の女-zero-ka-no-onna-who-may-be-better-known-for-his-さそり-sasori-scorpion-which-in-its-turn-was-adapted-into-the-popular-female-prisoner-scorpion-series-of-wip-films-div" id="0課の女-赤い手錠-is-the-first-of-no-less-than-9-instalments-based-on-tōru-shinohara-s-manga-0課の女-zero-ka-no-onna-who-may-be-better-known-for-his-さそり-sasori-scorpion-which-in-its-turn-was-adapted-into-the-popular-female-prisoner-scorpion-series-of-wip-films-div">0課の女 赤い手錠 is the first of no less than 9 instalments. Based on Tōru Shinohara&#39;s <a href="/settima/tag:manga" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">manga</span></a> 0課の女 [<em>Zero-ka no Onna</em>] who may be better known for his さそり [<em>Sasori</em> / <em>Scorpion</em>], which in its turn was adapted into the popular <em>Female Prisoner Scorpion</em> series of WiP films. </div></h5>

<p><div class="tags"></p>

<h5 id="bales2023filmchallenge-nationalpolicewomanday-yukionoda-tōrushinohara-mikisugimoto-shunsukekikuchi-yoshionakajima-bookadaptation-pinkueiga-wip-exploitation-crime-action-tōei-japan-1970s-div" id="bales2023filmchallenge-nationalpolicewomanday-yukionoda-tōrushinohara-mikisugimoto-shunsukekikuchi-yoshionakajima-bookadaptation-pinkueiga-wip-exploitation-crime-action-tōei-japan-1970s-div"><a href="/settima/tag:Bales2023FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2023FilmChallenge</span></a> <a href="/settima/tag:NationalPoliceWomanDay" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">NationalPoliceWomanDay</span></a> <a href="/settima/tag:YukioNoda" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">YukioNoda</span></a> <a href="/settima/tag:T%C5%8DruShinohara" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">TōruShinohara</span></a> <a href="/settima/tag:MikiSugimoto" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MikiSugimoto</span></a> <a href="/settima/tag:ShunsukeKikuchi" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ShunsukeKikuchi</span></a> <a href="/settima/tag:YoshioNakajima" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">YoshioNakajima</span></a> <a href="/settima/tag:BookAdaptation" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BookAdaptation</span></a> <a href="/settima/tag:PinkuEiga" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">PinkuEiga</span></a> <a href="/settima/tag:WiP" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">WiP</span></a> <a href="/settima/tag:exploitation" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">exploitation</span></a> <a href="/settima/tag:crime" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">crime</span></a> <a href="/settima/tag:action" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">action</span></a> <a href="/settima/tag:T%C5%8Dei" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Tōei</span></a> <a href="/settima/tag:Japan" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Japan</span></a> <a href="/settima/tag:1970s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1970s</span></a> ★★★★☆</div></h5>

<p></section></p>
]]></content:encoded>
      <guid>https://write.underworld.fr/settima/0ke-nonu-chi-ishou-ding-1974</guid>
      <pubDate>Tue, 12 Sep 2023 12:00:35 +0200</pubDate>
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      <title>新宿泥棒日記 [Shinjuku Dorobō Nikki / Diary of a Shinjuku Thief] (Nagisa Ōshima, 1969)</title>
      <link>https://write.underworld.fr/settima/xin-su-ni-bang-ri-ji-1969</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;新宿泥棒日記 [Shinjuku Dorobō Nikki / Diary of a Shinjuku Thief] (Nagisa Ōshima, 1969)/div&#xA;div class=&#34;month&#34;&#xA;Aug/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;14/div&#xA;div class=&#34;occasion&#34;&#xA;Love Your Bookshop Day/div&#xA;div class=&#34;img&#34;&#xA;新宿泥棒日記 (1969)/div&#xA;div class=&#34;caption&#34;&#xA;Umeko (Rie Yokoyama) in a bookstore. In the foreground a large messy pile of books. DPs: Seizō Sengen &amp; Yasuhiro Yoshioka./div&#xA;div class=&#34;txt&#34;&#xA;##### Umeko (Rie Yokoyama) believes to have caught Torio redhanded (Tadanori Yokoo, whose character has been renamed “Birdey” in the English translation), shoplifting from her bookstore. Torio however is a performance actor – and real-world Art Theatre Guild performer – and the act of stealing is part of his research. The young people&#39;s encounter sets something in motion. Together them embark on committing crimes in #Tokyo&#39;s labyrinthine #Shinjuku neighbourhood and find their mirror images in a #kabuki play.&#xA;&amp;nbsp;&#xA;新宿泥棒日記 is a playful, dangerous exploration of youth and rebellion in a rapidly shifting Japan./div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2023FilmChallenge #LoveYourBookshopDay #books #NagisaŌshima #TadanoriYokoo #RieYokoyama #SeizōSengen #YasuhiroYoshioka #NūberuBāgu #ATG #Japan #1960s/div&#xA;/section ]]&gt;</description>
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<h4 id="新宿泥棒日記-shinjuku-dorobō-nikki-diary-of-a-shinjuku-thief-nagisa-ōshima-1969-div" id="新宿泥棒日記-shinjuku-dorobō-nikki-diary-of-a-shinjuku-thief-nagisa-ōshima-1969-div">新宿泥棒日記 [Shinjuku Dorobō Nikki / Diary of a Shinjuku Thief] (Nagisa Ōshima, 1969)</div></h4>

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<h2 id="aug-div" id="aug-div">Aug</div></h2>

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<h1 id="14-div" id="14-div">14</div></h1>

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<h2 id="love-your-bookshop-day-div" id="love-your-bookshop-day-div">Love Your Bookshop Day</div></h2>

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<img src="https://i.postimg.cc/KvS82m2D/0814-bookstore.jpg" alt="新宿泥棒日記 (1969)"></div>
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<h6 id="umeko-rie-yokoyama-in-a-bookstore-in-the-foreground-a-large-messy-pile-of-books-dps-seizō-sengen-yasuhiro-yoshioka-div" id="umeko-rie-yokoyama-in-a-bookstore-in-the-foreground-a-large-messy-pile-of-books-dps-seizō-sengen-yasuhiro-yoshioka-div">Umeko (Rie Yokoyama) in a bookstore. In the foreground a large messy pile of books. DPs: Seizō Sengen &amp; Yasuhiro Yoshioka.</div></h6>

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<h5 id="umeko-rie-yokoyama-believes-to-have-caught-torio-redhanded-tadanori-yokoo-whose-character-has-been-renamed-birdey-in-the-english-translation-shoplifting-from-her-bookstore-torio-however-is-a-performance-actor-and-real-world-art-theatre-guild-https-blogs-cul-columbia-edu-makino-2015-05-12-the-dawn-of-art-films-in-japan-art-theatre-guild-atg-ushering-in-innovative-forms-performer-and-the-act-of-stealing-is-part-of-his-research-the-young-people-s-encounter-sets-something-in-motion-together-them-embark-on-committing-crimes-in-tokyo-s-labyrinthine-shinjuku-neighbourhood-and-find-their-mirror-images-in-a-kabuki-play" id="umeko-rie-yokoyama-believes-to-have-caught-torio-redhanded-tadanori-yokoo-whose-character-has-been-renamed-birdey-in-the-english-translation-shoplifting-from-her-bookstore-torio-however-is-a-performance-actor-and-real-world-art-theatre-guild-https-blogs-cul-columbia-edu-makino-2015-05-12-the-dawn-of-art-films-in-japan-art-theatre-guild-atg-ushering-in-innovative-forms-performer-and-the-act-of-stealing-is-part-of-his-research-the-young-people-s-encounter-sets-something-in-motion-together-them-embark-on-committing-crimes-in-tokyo-s-labyrinthine-shinjuku-neighbourhood-and-find-their-mirror-images-in-a-kabuki-play">Umeko (Rie Yokoyama) believes to have caught Torio redhanded (Tadanori Yokoo, whose character has been renamed “Birdey” in the English translation), shoplifting from her bookstore. Torio however is a performance actor – and real-world <a href="https://blogs.cul.columbia.edu/makino/2015/05/12/the-dawn-of-art-films-in-japan-art-theatre-guild-atg-ushering-in-innovative-forms" rel="nofollow">Art Theatre Guild</a> performer – and the act of stealing is part of his research. The young people&#39;s encounter sets something in motion. Together them embark on committing crimes in <a href="/settima/tag:Tokyo" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Tokyo</span></a>&#39;s labyrinthine <a href="/settima/tag:Shinjuku" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Shinjuku</span></a> neighbourhood and find their mirror images in a <a href="/settima/tag:kabuki" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">kabuki</span></a> play.</h5>

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<h5 id="新宿泥棒日記-is-a-playful-dangerous-exploration-of-youth-and-rebellion-in-a-rapidly-shifting-japan-div" id="新宿泥棒日記-is-a-playful-dangerous-exploration-of-youth-and-rebellion-in-a-rapidly-shifting-japan-div">新宿泥棒日記 is a playful, dangerous exploration of youth and rebellion in a rapidly shifting Japan.</div></h5>

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<h5 id="bales2023filmchallenge-loveyourbookshopday-books-nagisaōshima-tadanoriyokoo-rieyokoyama-seizōsengen-yasuhiroyoshioka-nūberubāgu-atg-japan-1960s-div" id="bales2023filmchallenge-loveyourbookshopday-books-nagisaōshima-tadanoriyokoo-rieyokoyama-seizōsengen-yasuhiroyoshioka-nūberubāgu-atg-japan-1960s-div"><a href="/settima/tag:Bales2023FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2023FilmChallenge</span></a> <a href="/settima/tag:LoveYourBookshopDay" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">LoveYourBookshopDay</span></a> <a href="/settima/tag:books" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">books</span></a> <a href="/settima/tag:Nagisa%C5%8Cshima" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">NagisaŌshima</span></a> <a href="/settima/tag:TadanoriYokoo" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">TadanoriYokoo</span></a> <a href="/settima/tag:RieYokoyama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">RieYokoyama</span></a> <a href="/settima/tag:Seiz%C5%8DSengen" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SeizōSengen</span></a> <a href="/settima/tag:YasuhiroYoshioka" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">YasuhiroYoshioka</span></a> <a href="/settima/tag:N%C5%ABberuB%C4%81gu" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">NūberuBāgu</span></a> <a href="/settima/tag:ATG" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ATG</span></a> <a href="/settima/tag:Japan" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Japan</span></a> <a href="/settima/tag:1960s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1960s</span></a></div></h5>

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      <guid>https://write.underworld.fr/settima/xin-su-ni-bang-ri-ji-1969</guid>
      <pubDate>Mon, 14 Aug 2023 17:05:13 +0200</pubDate>
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