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    <title>vittoriogelmetti &amp;mdash; settima</title>
    <link>https://write.underworld.fr/settima/tag:vittoriogelmetti</link>
    <description>@settima@zirk.us</description>
    <pubDate>Mon, 20 Apr 2026 16:08:37 +0200</pubDate>
    <item>
      <title>Il deserto rosso [Red Desert] (Michelangelo Antonioni, 1964)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-h272</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Il deserto rosso [Red Desert] (Michelangelo Antonioni, 1964)/div&#xA;div class=&#34;month&#34;&#xA;Aug/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;12/div&#xA;div class=&#34;occasion&#34;&#xA;green/div&#xA;div class=&#34;img&#34;&#xA;Il deserto rosso (1964)/div&#xA;div class=&#34;caption&#34;&#xA;Valerio (Valerio Bartoleschi) and his mother Giuliana (Monica Vitti) in an arid industrial landscape. Giuliana wears a brilliant green coat, its shade between pea and moss, depending on the drabness of her surroundings. DP: Carlo Di Palma./div&#xA;div class=&#34;txt&#34;&#xA;Green, in food or fashion&#xA;&#xA;  &#34;She&#39;d discovered a small beach far from town, with crystal-clear water and pink sand. She loved that spot. The colors of nature were so beautiful, and there was no noise. She&#39;d leave only when the sun did too.&#34;&#xA;  ### – Giuliana&#xA;&#xA;Antonioni&#39;s first film in colour beautifully utilises Vitti&#39;s brilliance – of her auburn hair, her porcelain teint, her vivid costumes (by Paola Carloni) – against the drab landscape. &#xA;&amp;nbsp;&#xA;the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow./div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2025FilmChallenge #green #colours #MichelangeloAntonioni #MonicaVitti #RichardHarris #CarloChionetti #XeniaValderi #PaolaCarloni #GiovanniFusco #VittorioGelmetti #CarloDiPalma #drama #Italy #France #1960s/div&#xA;/section ]]&gt;</description>
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<h4 id="il-deserto-rosso-red-desert-michelangelo-antonioni-1964-div" id="il-deserto-rosso-red-desert-michelangelo-antonioni-1964-div">Il deserto rosso [Red Desert] (Michelangelo Antonioni, 1964)</div></h4>

<p><div class="month"></p>

<h2 id="aug-div" id="aug-div">Aug</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="12-div" id="12-div">12</div></h1>

<p><div class="occasion"></p>

<h2 id="green-div" id="green-div">green</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/Mpqx23dv/0812-Deserto-rosso-1964.jpg" alt="Il deserto rosso (1964)"></div>
<div class="caption"></p>

<h6 id="valerio-valerio-bartoleschi-and-his-mother-giuliana-monica-vitti-in-an-arid-industrial-landscape-giuliana-wears-a-brilliant-green-coat-its-shade-between-pea-and-moss-depending-on-the-drabness-of-her-surroundings-dp-carlo-di-palma-div" id="valerio-valerio-bartoleschi-and-his-mother-giuliana-monica-vitti-in-an-arid-industrial-landscape-giuliana-wears-a-brilliant-green-coat-its-shade-between-pea-and-moss-depending-on-the-drabness-of-her-surroundings-dp-carlo-di-palma-div">Valerio (Valerio Bartoleschi) and his mother Giuliana (Monica Vitti) in an arid industrial landscape. Giuliana wears a brilliant green coat, its shade between pea and moss, depending on the drabness of her surroundings. DP: Carlo Di Palma.</div></h6>

<p><div class="txt"></p>

<h5 id="green-in-food-or-fashion" id="green-in-food-or-fashion">Green, in food or fashion*</h5>

<blockquote><p>“She&#39;d discovered a small beach far from town, with crystal-clear water and pink sand. She loved that spot. The colors of nature were so beautiful, and there was no noise. She&#39;d leave only when the sun did too.”</p>

<h3 id="giuliana" id="giuliana">– Giuliana</h3>
</blockquote>

<h5 id="antonioni-s-first-film-in-colour-beautifully-utilises-vitti-s-brilliance-of-her-auburn-hair-her-porcelain-teint-her-vivid-costumes-by-paola-carloni-against-the-drab-landscape" id="antonioni-s-first-film-in-colour-beautifully-utilises-vitti-s-brilliance-of-her-auburn-hair-her-porcelain-teint-her-vivid-costumes-by-paola-carloni-against-the-drab-landscape">Antonioni&#39;s first film in colour beautifully utilises Vitti&#39;s brilliance – of her auburn hair, her porcelain teint, her vivid costumes (by Paola Carloni) – against the drab landscape.</h5>

<p> </p>

<h6 id="the-bales-2025-film-challenge-for-august-is-not-date-related-but-lists-for-the-most-part-the-colours-of-the-rainbow-div" id="the-bales-2025-film-challenge-for-august-is-not-date-related-but-lists-for-the-most-part-the-colours-of-the-rainbow-div">* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.</div></h6>

<p><div class="tags"></p>

<h5 id="bales2025filmchallenge-green-colours-michelangeloantonioni-monicavitti-richardharris-carlochionetti-xeniavalderi-paolacarloni-giovannifusco-vittoriogelmetti-carlodipalma-drama-italy-france-1960s-div" id="bales2025filmchallenge-green-colours-michelangeloantonioni-monicavitti-richardharris-carlochionetti-xeniavalderi-paolacarloni-giovannifusco-vittoriogelmetti-carlodipalma-drama-italy-france-1960s-div"><a href="/settima/tag:Bales2025FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2025FilmChallenge</span></a> <a href="/settima/tag:green" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">green</span></a> <a href="/settima/tag:colours" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">colours</span></a> <a href="/settima/tag:MichelangeloAntonioni" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MichelangeloAntonioni</span></a> <a href="/settima/tag:MonicaVitti" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MonicaVitti</span></a> <a href="/settima/tag:RichardHarris" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">RichardHarris</span></a> <a href="/settima/tag:CarloChionetti" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">CarloChionetti</span></a> <a href="/settima/tag:XeniaValderi" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">XeniaValderi</span></a> <a href="/settima/tag:PaolaCarloni" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">PaolaCarloni</span></a> <a href="/settima/tag:GiovanniFusco" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">GiovanniFusco</span></a> <a href="/settima/tag:VittorioGelmetti" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">VittorioGelmetti</span></a> <a href="/settima/tag:CarloDiPalma" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">CarloDiPalma</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:Italy" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Italy</span></a> <a href="/settima/tag:France" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">France</span></a> <a href="/settima/tag:1960s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1960s</span></a></div></h5>

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      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-h272</guid>
      <pubDate>Tue, 12 Aug 2025 15:30:00 +0200</pubDate>
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