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    <title>americancivilwar &amp;mdash; settima</title>
    <link>https://write.underworld.fr/settima/tag:americancivilwar</link>
    <description>@settima@zirk.us</description>
    <pubDate>Tue, 28 Apr 2026 16:02:31 +0200</pubDate>
    <item>
      <title>Amerikai anzix [American Torso] (Gábor Bódy, 1975)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-d1w7</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Amerikai anzix [American Torso] (Gábor Bódy, 1975)/div&#xA;div class=&#34;month&#34;&#xA;Feb/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;12/div&#xA;div class=&#34;occasion&#34;&#xA;Lincoln born/div&#xA;div class=&#34;img&#34;&#xA;Amerikai anzix (1975)/div&#xA;div class=&#34;caption&#34;&#xA;A soldier on a swing set, high up a tree. Other soldiers and civilians look on. Screenshot (and more information) via. DP: István Lugossy./div&#xA;div class=&#34;txt&#34;&#xA;Yet another [American] Civil War, for Abraham Lincoln&#39;s birthday (1809).&#xA;&amp;nbsp;&#xA;Shot as fainted fragments based on an Ambrose Bierce story, and outtakes from Karl Marx&#39;s diary, Amerikai anzix (litt. American Postcards) follows Hungarian-American cartographer Fiala, one of many of his countrymen fighting in the American Civil War.&#xA;&amp;nbsp;&#xA;Using a technique described by Bódy as &#34;light editing&#34;, the footage looks worn and grimy./div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2025FilmChallenge #AmericanCivilWar #GáborBódy #AmbroseBierce #KarlMarx #SándorCsutoros #GyörgyCserhalmi #AndrásFekete #SebőFerenc #IstvánLugossy #ExperimentalFilm #war #biography #diary #BookAdaptation #Hungary #1970s/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
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<h4 id="amerikai-anzix-american-torso-gábor-bódy-1975-div" id="amerikai-anzix-american-torso-gábor-bódy-1975-div">Amerikai anzix [American Torso] (Gábor Bódy, 1975)</div></h4>

<p><div class="month"></p>

<h2 id="feb-div" id="feb-div">Feb</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="12-div" id="12-div">12</div></h1>

<p><div class="occasion"></p>

<h2 id="lincoln-born-div" id="lincoln-born-div">Lincoln born</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/Bbs91rnb/0212-Amerikai-anzix-1975-2.jpg" alt="Amerikai anzix (1975)"></div>
<div class="caption"></p>

<h6 id="a-soldier-on-a-swing-set-high-up-a-tree-other-soldiers-and-civilians-look-on-screenshot-and-more-information-via-https-arturfilm-blog-hu-2020-05-08-amerikai-anzix-383-token-c257fdefdc1c7c5e5266c7b704d11d97-dp-istván-lugossy-div" id="a-soldier-on-a-swing-set-high-up-a-tree-other-soldiers-and-civilians-look-on-screenshot-and-more-information-via-https-arturfilm-blog-hu-2020-05-08-amerikai-anzix-383-token-c257fdefdc1c7c5e5266c7b704d11d97-dp-istván-lugossy-div">A soldier on a swing set, high up a tree. Other soldiers and civilians look on. <a href="https://arturfilm.blog.hu/2020/05/08/amerikai_anzix_383?token=c257fdefdc1c7c5e5266c7b704d11d97" rel="nofollow">Screenshot (and more information) via</a>. DP: István Lugossy.</div></h6>

<p><div class="txt"></p>

<h5 id="yet-another-american-civil-war-https-en-wikipedia-org-wiki-american-civil-war-for-abraham-lincoln-s-birthday-1809" id="yet-another-american-civil-war-https-en-wikipedia-org-wiki-american-civil-war-for-abraham-lincoln-s-birthday-1809">Yet another <a href="https://en.wikipedia.org/wiki/American_Civil_War" rel="nofollow">[American] Civil War</a>, for Abraham Lincoln&#39;s birthday (1809).</h5>

<p> </p>

<h5 id="shot-as-fainted-fragments-based-on-an-ambrose-bierce-story-and-outtakes-from-karl-marx-s-diary-amerikai-anzix-litt-american-postcards-https-write-underworld-fr-settima-66-scener-fra-amerika-1982-follows-hungarian-american-https-archive-org-details-hungariansiname00pivgoog-page-n4-mode-2up-cartographer-fiala-one-of-many-of-his-countrymen-fighting-in-the-american-civil-war" id="shot-as-fainted-fragments-based-on-an-ambrose-bierce-story-and-outtakes-from-karl-marx-s-diary-amerikai-anzix-litt-american-postcards-https-write-underworld-fr-settima-66-scener-fra-amerika-1982-follows-hungarian-american-https-archive-org-details-hungariansiname00pivgoog-page-n4-mode-2up-cartographer-fiala-one-of-many-of-his-countrymen-fighting-in-the-american-civil-war">Shot as fainted fragments* based on an Ambrose Bierce story, and outtakes from Karl Marx&#39;s diary, <em>Amerikai anzix</em> (litt. <a href="https://write.underworld.fr/settima/66-scener-fra-amerika-1982" rel="nofollow">American Postcards</a>) follows <a href="https://archive.org/details/hungariansiname00pivgoog/page/n4/mode/2up" rel="nofollow">Hungarian-American</a> cartographer Fiala, one of many of his countrymen fighting in the American Civil War.</h5>

<p> </p>

<h6 id="using-a-technique-described-by-bódy-as-light-editing-the-footage-looks-worn-and-grimy-div" id="using-a-technique-described-by-bódy-as-light-editing-the-footage-looks-worn-and-grimy-div">*Using a technique described by Bódy as “light editing”, the footage looks worn and grimy.</div></h6>

<p><div class="tags"></p>

<h5 id="bales2025filmchallenge-americancivilwar-gáborbódy-ambrosebierce-karlmarx-sándorcsutoros-györgycserhalmi-andrásfekete-sebőferenc-istvánlugossy-experimentalfilm-war-biography-diary-bookadaptation-hungary-1970s-div" id="bales2025filmchallenge-americancivilwar-gáborbódy-ambrosebierce-karlmarx-sándorcsutoros-györgycserhalmi-andrásfekete-sebőferenc-istvánlugossy-experimentalfilm-war-biography-diary-bookadaptation-hungary-1970s-div"><a href="/settima/tag:Bales2025FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2025FilmChallenge</span></a> <a href="/settima/tag:AmericanCivilWar" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AmericanCivilWar</span></a> <a href="/settima/tag:G%C3%A1borB%C3%B3dy" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">GáborBódy</span></a> <a href="/settima/tag:AmbroseBierce" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AmbroseBierce</span></a> <a href="/settima/tag:KarlMarx" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">KarlMarx</span></a> <a href="/settima/tag:S%C3%A1ndorCsutoros" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SándorCsutoros</span></a> <a href="/settima/tag:Gy%C3%B6rgyCserhalmi" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">GyörgyCserhalmi</span></a> <a href="/settima/tag:Andr%C3%A1sFekete" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AndrásFekete</span></a> <a href="/settima/tag:Seb%C5%91Ferenc" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SebőFerenc</span></a> <a href="/settima/tag:Istv%C3%A1nLugossy" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">IstvánLugossy</span></a> <a href="/settima/tag:ExperimentalFilm" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ExperimentalFilm</span></a> <a href="/settima/tag:war" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">war</span></a> <a href="/settima/tag:biography" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">biography</span></a> <a href="/settima/tag:diary" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">diary</span></a> <a href="/settima/tag:BookAdaptation" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BookAdaptation</span></a> <a href="/settima/tag:Hungary" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Hungary</span></a> <a href="/settima/tag:1970s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1970s</span></a></div></h5>

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      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-d1w7</guid>
      <pubDate>Wed, 12 Feb 2025 12:00:00 +0100</pubDate>
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    <item>
      <title>The General (Clyde Bruckman + Buster Keaton, 1926)</title>
      <link>https://write.underworld.fr/settima/the-general-1926</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;The General (Clyde Bruckman + Buster Keaton, 1926)/div&#xA;div class=&#34;month&#34;&#xA;Mar/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;8/div&#xA;div class=&#34;occasion&#34;&#xA;National Oregon Day/div&#xA;div class=&#34;img&#34;&#xA;The General (1926)/div&#xA;div class=&#34;caption&#34;&#xA;Johnnie Gray (Keaton) stands on the roof of The General&#39;s locomotive while Oregon passes along. DPs: Bert Haines &amp; Devereaux Jennings./div&#xA;div class=&#34;txt&#34;&#xA;##### For authenticity reasons, The General was – for the most part – filmed on location in Oregon. Set during the #AmericanCivilWar, it&#39;s a comedic retelling of a popular war memoir about the #GreatLocomotiveChase.\&#xA;&#xA;  &#34;This girl was in the baggage car when we stole the train, so I thought it best to hold her.&#34;&#xA;  ### – Captain Anderson\&#xA;&#xA;##### Sadly it was a box office #flop, resulting in Keaton losing his independence and his movie entering the #PublicDomain as early as 1954. Luckily for us that means we too can enjoy Oregon beautiful 1920s vistas./div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2023FilmChallenge #NationalOregonDay #ClydeBruckman #BusterKeaton #WilliamPittenger #MarionMack #BertHaines #DevereauxJennings #SilentFilm #war #trains #CivilWar #BookAdaptation #Oregon #USA #1920s/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="the-general-clyde-bruckman-buster-keaton-1926-div" id="the-general-clyde-bruckman-buster-keaton-1926-div">The General (Clyde Bruckman + Buster Keaton, 1926)</div></h4>

<p><div class="month"></p>

<h2 id="mar-div" id="mar-div">Mar</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="8-div" id="8-div">8</div></h1>

<p><div class="occasion"></p>

<h2 id="national-oregon-day-div" id="national-oregon-day-div">National Oregon Day</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/mZwg5cH7/0308-Oregon.gif" alt="The General (1926)"></div>
<div class="caption"></p>

<h6 id="johnnie-gray-keaton-stands-on-the-roof-of-the-general-s-locomotive-while-oregon-passes-along-dps-bert-haines-devereaux-jennings-div" id="johnnie-gray-keaton-stands-on-the-roof-of-the-general-s-locomotive-while-oregon-passes-along-dps-bert-haines-devereaux-jennings-div">Johnnie Gray (Keaton) stands on the roof of The General&#39;s locomotive while Oregon passes along. DPs: Bert Haines &amp; Devereaux Jennings.</div></h6>

<p><div class="txt"></p>

<h5 id="for-authenticity-reasons-the-general-was-for-the-most-part-filmed-on-location-in-oregon-set-during-the-americancivilwar-it-s-a-comedic-retelling-of-a-popular-war-memoir-about-the-greatlocomotivechase" id="for-authenticity-reasons-the-general-was-for-the-most-part-filmed-on-location-in-oregon-set-during-the-americancivilwar-it-s-a-comedic-retelling-of-a-popular-war-memoir-about-the-greatlocomotivechase">For authenticity reasons, <em>The General</em> was – for the most part – filmed on location in Oregon. Set during the <a href="/settima/tag:AmericanCivilWar" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AmericanCivilWar</span></a>, it&#39;s a comedic retelling of a popular war memoir about the <a href="/settima/tag:GreatLocomotiveChase" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">GreatLocomotiveChase</span></a>.</h5>

<blockquote><p>“This girl was in the baggage car when we stole the train, so I thought it best to hold her.”</p>

<h3 id="captain-anderson" id="captain-anderson">– Captain Anderson</h3>
</blockquote>

<h5 id="sadly-it-was-a-box-office-flop-resulting-in-keaton-losing-his-independence-and-his-movie-entering-the-publicdomain-as-early-as-1954-luckily-for-us-that-means-we-too-can-enjoy-oregon-beautiful-1920s-vistas-https-yewtu-be-watch-v-ywm587wkkvw-div" id="sadly-it-was-a-box-office-flop-resulting-in-keaton-losing-his-independence-and-his-movie-entering-the-publicdomain-as-early-as-1954-luckily-for-us-that-means-we-too-can-enjoy-oregon-beautiful-1920s-vistas-https-yewtu-be-watch-v-ywm587wkkvw-div">Sadly it was a box office <a href="/settima/tag:flop" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">flop</span></a>, resulting in Keaton losing his independence and his movie entering the <a href="/settima/tag:PublicDomain" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">PublicDomain</span></a> as early as 1954. Luckily for us that means we too can <a href="https://yewtu.be/watch?v=YWm587wKKVw" rel="nofollow">enjoy Oregon beautiful 1920s vistas</a>.</div></h5>

<p><div class="tags"></p>

<h5 id="bales2023filmchallenge-nationaloregonday-clydebruckman-busterkeaton-williampittenger-marionmack-berthaines-devereauxjennings-silentfilm-war-trains-civilwar-bookadaptation-oregon-usa-1920s-div" id="bales2023filmchallenge-nationaloregonday-clydebruckman-busterkeaton-williampittenger-marionmack-berthaines-devereauxjennings-silentfilm-war-trains-civilwar-bookadaptation-oregon-usa-1920s-div"><a href="/settima/tag:Bales2023FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2023FilmChallenge</span></a> <a href="/settima/tag:NationalOregonDay" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">NationalOregonDay</span></a> <a href="/settima/tag:ClydeBruckman" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ClydeBruckman</span></a> <a href="/settima/tag:BusterKeaton" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BusterKeaton</span></a> <a href="/settima/tag:WilliamPittenger" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">WilliamPittenger</span></a> <a href="/settima/tag:MarionMack" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MarionMack</span></a> <a href="/settima/tag:BertHaines" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BertHaines</span></a> <a href="/settima/tag:DevereauxJennings" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">DevereauxJennings</span></a> <a href="/settima/tag:SilentFilm" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SilentFilm</span></a> <a href="/settima/tag:war" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">war</span></a> <a href="/settima/tag:trains" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">trains</span></a> <a href="/settima/tag:CivilWar" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">CivilWar</span></a> <a href="/settima/tag:BookAdaptation" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BookAdaptation</span></a> <a href="/settima/tag:Oregon" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Oregon</span></a> <a href="/settima/tag:USA" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">USA</span></a> <a href="/settima/tag:1920s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1920s</span></a></div></h5>

<p></section></p>
]]></content:encoded>
      <guid>https://write.underworld.fr/settima/the-general-1926</guid>
      <pubDate>Wed, 08 Mar 2023 14:57:12 +0100</pubDate>
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