A character wearing pink on National Pink Day (USA), not to be confused with the much more poignant International Day of Pink

“Paris, Paris, Paris C'est sur la Terre un coin de paradis Paris, Paris, Paris, De mes amours c′est lui le favori Mais oui, mais oui, pardi Ce que j'en dis on vous l′a déjà dit Et c'est Paris, qui fait la parisienne Qu′importe, qu'elle vienne du nord ou bien du midi Et c'est aussi le charme et l′élégance Et l′âme de la France Tout cela, mais c'est Paris”

Joséphine Baker, Paris, Paris (Georges Zacharie Tabet)

Cowherd Mory and student Anta journey from Dakar to their new destination, the city of Paris.

Europeans are not too worried about certain things. Having a body for instance is something good. Instead of shame, you take care for it with regular exercise and plenty of fresh air. Preferably both. In Germany this is called #Freikörperkultur, sometimes confused with nudism.

 

Wege zu Kraft und Schönheit is a display of the human in various stages of exercise and undress. We see sportspeople – including future-Tarzan Johnny Weissmuller and then-movie mountaineer Leni Riefenstahl – world leaders (Rockefeller and Mussolini, though the latter was cut from re-releases) and dancers such as Josephine Baker, Baku Ishii, and the scandalous Anita Berber. The film was mostly aimed at women, who by then were part of the workforce, sitting at desks in modern Metropolises. So modern it was that people were encouraged to complete their Wege-collection of trading cards, which came with their cigarettes. Good thing they're all #outdoors.