A scandal, that's what it was! In the late 1960s, Peter Fleischmann picked the picturesque Catholic village of #Landshut as the backdrop for Jagdszenen aus #Niederbayern, the film adaptation of Martin Sperr's #TheatrePlay with the same name.

 

A young man named Abram – played by Sperr – returns to his family village. Soon the townspeople's thorns move from the in their eyes other disgraceful villagers to the much-needed mechanic.

“Ich habe ihn halb tot geschlagen, ich schwör's. Ich kann nichts dafür, dass eine Drecksau draus geworden ist.”

Where did he return from? He was in prison. What for? For being a homosexual. He's a Drecksau (a filthy pig), his mother says. The village whore can't turn him around. A sow is slaughtered in real time in celebration of a successful #harvest and plans for the town's future are forged.

 

While created when West Germany's #Paragrafen175 was in place [1872–1994], illegality of same-sex relations], the homosexual aspect wasn't the main cause of the outrage. Some of the Landshutter villagers who played alongside the professional actors felt they were depicted as being backwards. This isn't a movie about hunting, sigted some. Lifting the veil of the prevalence of, a #Fernweh in a sense, that Germany (hush) was another.

 

Catholic Mass is a theatrical re-enactment of the life and suffering of the son of God. When rites outstay their meaning, when invocations turn routine, the worshippers lose sight.

Raymond Rouleau's Les sorcières de Salem – with a screenplay by Marxist philosopher Jean-Paul #Sartre – is a very early film adaptation of Arthur Miller's 1953 #TheatrePlay The Crucible. An allegory of #McCarthyism, the play is a (partially dramatised) retelling of the #SalemWitchTrials, a dramatic episode in early US-American history. During several court and town meetings, 200 people were falsely accused of meddling with the Devil; 19 of them were eventually executed.

“If she is innocent! Why do you never wonder if Parris be innocent, or Abigail? Is the accuser always holy now? Were they born this morning as clean as God's fingers? I'll tell you what's walking Salem — vengeance is walking Salem. We are what we always were in Salem, but now the little crazy children are jangling the keys of the kingdom, and common vengeance writes the law!”

– Arthur Miller, The Crucible (1953)

Miller himself was accused of un-American activities in 1956 and convicted of contempt of Congress for refusing to identify others present at meetings he had attended. Which doesn't mean that #WitchTrials are a thing of the past. As easily one can transplant Puritan religious mass hysteria to 1950s McCarthy anti-socialism, as easy is it applicable to the state of the world today.