“Sir Thomas Sheridan, Jacobite military secretary. Suffering advanced debility and loss of memory. Former military engagement, 56 years ago. Sir John MacDonald, Jacobite captain of cavalry. Aged, frequently intoxicated, described as 'a man of the most limited capacities.' John William O'Sullivan, Jacobite quartermaster general. Described as 'an Irishman whose vanity is superseded only by his lack of wisdom.' Prince Charles Edward Stuart, Jacobite commander in chief. Former military experience: 10 days at a siege at the age of 13.”

– narrator

A sickly #GustavMahler (Robert Powell) and his wife Alma (Georgina Hale) dwell on their shared lives while travelling to Vienna by train. Storylines – circular like a journey, rondo like #Mahler's compositions – drift from the ordinary to the grotesque.

“I don't want to imitate nature. I want to capture its very essence. As if all the birds and the beasts die tomorrow and the world became a desert, when people heard my music – they would still know, feel, what nature was.”

– Gustav Mahler

This would be the composer's final tour. A train took him to a Vienna sanatorium where not much later he'd succumb to #pneumonia.

Great Highland #bagpipes, or a' phìob mhòr as they're called in Scottish Gaelic, are traditionally played on the battlefield. Peter Watkins' Culloden moves the senseless bloodshed from 1960s Vietnam to the Scottish Highlands of 1746.

“And wherever he went, he took with him his music, his poetry, his language and his children… thus within a century of Culloden, the English and the Scottish lowlanders had made secure forever their religion, their commerce, their culture, their ruling dynasty.”

– narrator

The most clearly it's seen in the men's eyes. That stare we recognise all too well from the many images that reached the west in the 60s, ever before and after.

“Sir John MacDonald, Jacobite captain of cavalry. Aged, frequently intoxicated, described as 'a man of the most limited capacities'.”

– narrator