Someone is given something special for Giving Tuesday (USA)

 

Just before leaving home for a business trip, a father asks his three daughters what he can bring them as a return gift. The eldest two ask for silly, extravagant things. A monkey! A parrot! The youngest simply wishes the most beautiful flower which the father finds in an enchanted garden, guarded by a terrible beast. And will pay for with his life unless he gives his youngest away to the beast, to die in his place.

– Can such miracles really happen? – You and I are living proof.

#Cocteau and Clément's La Belle et la Bête is of course based on Gabrielle-Suzanne Barbot de Villeneuve's fairy-tale, which on its turn was based on the classic myth of Cupid and Psyche.

Science fiction, of course, doesn't have to be driven by grandes effects, by superstar names and monumental backdrops. It can be cool, dry, colourless even. The hero, in trenchcoat and fedora, traverses a lightless city. There are few others at this time of night. The familiar landmarks of the City of Light become the voice of 𝛼-60, an artificial intelligence that presides over Alphaville.

𝛼-60: “Do you know what illuminates the night?”

Lemmy Caution: “Poetry.”

– 𝛼-60 playing the imitation game with Lemmy Caution

Based on a poem by Paul Éluard, #Godard's Alphaville bears similarities with Jean #Cocteau's Orphée (1950), transported to a mirror world of sorts. It also foreshadows not only our time, but also M. Hulot's, whose #Tativille could be the simulacra of 𝛼-60's simulated, dehumanised world.

On the Santa Monica pier, sailor Johnny falls in love with one of the attractions of the local #sideshow, Mora the Mermaid. As people warn Johnny about the faith of Mora's previous suitors, captivated, he becomes convinced that she is a real siren, planning his downfall.

– Yes, I love the sea most of all. But I'm afraid of it, too.

– I guess we're all a little afraid of what we love.

Night Tide is a vital key to understanding the odd connection between Hollywood and the workings of #Thelema. Several involved – Marjorie Cameron (as the “Water Witch”), #drag trapeze artist and once-Jean #Cocteau's lover Barbette – moved in Thelemic and related #occult, #esoteric circles. Painter Paul Mathison, Night Tide extra and crew member, created backdrops for the works of the great Lucifer himself, #KennethAnger.

 

This, lost dreamlike L.A. is gone; a treasure like Night Tide serves as a reminder of a more spellbinding Hollywood.

#Cocteau's Orpheus – here the mythological poet and musician is personified by Jean Marais – accompanies a fallen young poet transported to the Underworld by car. The car radio plays fragments of poetry, interrupted by #MorseCode. When back in this world, #Orphée obsesses over the lines of radical poetry he heard and returns to the car's radio to retrieve them.

“Sleeping or dreaming, the dreamer must accept his dreams.”

– The Princess

Morse code and other industrial sounds serve as a soundscape for Cocteau's characters. They swerve in and out of it, sometimes fully aware of them (#Orpheus himself is attuned to the #poetry to be found in emergency radio broadcasts), by times passing through like a mirage.