settima

workersrights

Laukaus tehtaalla [A Shot in the Factory] (Erkko Kivikoski, 1973)

Feb

21

Nixon goes to China

Laukaus tehtaalla (1973)

Workers and bosses negotiate the situation. DP: Esko Nevalainen.

Diplomacy on Nixon's visit to China (February 21 — 28, 1972)

 

The killing of the factory's boss by one of the workers leads to endless negotiations between the two parties.

 

Shot in cinéma vérité style, with a mostly amateur cast, Laukaus tehtaalla mirrors the working classes' insecurity caused by the 1973 energy crisis in more ways than one.

Sochaux, 11 juin 1968 [Sochaux June 11th 1968] (Bruno Muel, 1970)

Jun

11

1968

Sochaux, 11 juin 1968 (1970)

Several of the striking workers in a row. The composition echoes the famous propaganda image of Marx, Engels, Lenin etc. DP: Groupe Medvedkine de Sochaux.

Kid 'N' Hollywood [Kid in Hollywood] (Charles Lamont, 1933)

Jun

12

Child Labor Day

Kid 'N' Hollywood (1933)

A movie set on a movie set in Kid 'N' Hollywood. Shirley Temple can be seen on her knees scrubbing the floor as the character Morelegs Sweettrick. Standing next to her with a bullhorn and adult spats is Arthur J. Maskery as the tyrannical movie director Frightwig von Stumblebum. As in all the Baby Burlesk shorts, the kids are only half-dressed with their diapers showing.

 

Shirley Temple was “discovered” at the age of three by then-casting director Charles Lamont and promptly shot to stardom is his satirical Baby Burlesks: short talkies starring toddlers in diapers (a burlesque being a short, humorous skit). The gag was that the kids behaved and spoke like adults, seemingly unaware of being #children.

“This isn’t playtime, kids, it’s work.”

– Charles Lamont, Baby Burlesk director

In the Baby Burlesk Kid 'N' Hollywood, Temple plays a Hollywood hopeful called Morelegs Sweettrick, who gets her break when the star doesn't feel like showing up (kids, right? no discipline).

 

While Kid 'N' Hollywood is relatively innocent, others in the series are much more sexualised (War Babies (1932) stars Temple as prostitute Charmaine) or plain racist (Kid 'in' Africa (1933) with Temple as Madame Cradlebait, bringing civilisation to Black kids portraying fearsome cannibals).

 

I'm not the one to take events from the past out of context and apply modern-day sensibilities to them, and with the advent of #ChildLabor laws for #Hollywood child actors, many of the horrors recalled by Temple and her peers are history. School is mandatory, long hours restricted, and using twins to split the workload is definitely not unheard of.

 

And then I watched teevee, and saw chubby, precocious blondes with dental plates to hide their missing baby teeth, wearing lipstick and baby-dolls, grinding and crooning with no backup in sight. And I remember Miss Temple say:

“Any star can be devoured by human adoration, sparkle by sparkle.”

– Shirley Temple