<?xml version="1.0" encoding="UTF-8"?><rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/">
  <channel>
    <title>EdmondRichard &amp;mdash; settima</title>
    <link>https://write.underworld.fr/settima/tag:EdmondRichard</link>
    <description>@settima@zirk.us</description>
    <pubDate>Mon, 20 Apr 2026 14:13:32 +0200</pubDate>
    <item>
      <title>Le charme discret de la bourgeoisie [The Discreet Charm of the Bourgeoisie]...</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-ydfn</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Le charme discret de la bourgeoisie [The Discreet Charm of the Bourgeoisie] (Luis Buñuel, 1972)/div&#xA;div class=&#34;month&#34;&#xA;Feb/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;16/div&#xA;div class=&#34;occasion&#34;&#xA;No One Eats Alone Day/div&#xA;div class=&#34;img&#34;&#xA;Le charme discret de la bourgeoisie (1972)/div&#xA;div class=&#34;caption&#34;&#xA;The diners at a long table. DP: Edmond Richard./div&#xA;div class=&#34;txt&#34;&#xA;People eat dinner together on No One Eats Alone Day&#xA;&#xA;  &#34;My God. What am I doing in this place?&#34;&#xA;  ### – Henri Sénéchal&#xA;&#xA;The bourgeoisie meet for dinner in various settings, but never consume.&#xA;&amp;nbsp;&#xA;this event takes place on the Friday of the second full week in February, which makes the 2025 date February 14./div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2025FilmChallenge #NoOneEatsAloneDay #LuisBuñuel #FernandoRey #PaulFrankeur #DelphineSeyrig #BulleOgier #StéphaneAudran #JeanPierreCassel #JulienBertheau #MilenaVukotić #MichelPiccoli #EdmondRichard #food #dinner #drama #surrealism #satire #France #Italy #Spain #1970s/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
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<h4 id="le-charme-discret-de-la-bourgeoisie-the-discreet-charm-of-the-bourgeoisie-luis-buñuel-1972-div" id="le-charme-discret-de-la-bourgeoisie-the-discreet-charm-of-the-bourgeoisie-luis-buñuel-1972-div">Le charme discret de la bourgeoisie [The Discreet Charm of the Bourgeoisie] (Luis Buñuel, 1972)</div></h4>

<p><div class="month"></p>

<h2 id="feb-div" id="feb-div">Feb</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="16-div" id="16-div">16</div></h1>

<p><div class="occasion"></p>

<h2 id="no-one-eats-alone-day-div" id="no-one-eats-alone-day-div">No One Eats Alone Day</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/hG13QY1r/0216-Charme-discret-de-la-bourgeoisie-1972.jpg" alt="Le charme discret de la bourgeoisie (1972)"></div>
<div class="caption"></p>

<h6 id="the-diners-at-a-long-table-dp-edmond-richard-div" id="the-diners-at-a-long-table-dp-edmond-richard-div">The diners at a long table. DP: Edmond Richard.</div></h6>

<p><div class="txt"></p>

<h5 id="people-eat-dinner-together-on-no-one-eats-alone-day-https-www-beyonddifferences-org-no-one-eats-alone" id="people-eat-dinner-together-on-no-one-eats-alone-day-https-www-beyonddifferences-org-no-one-eats-alone">People eat dinner together on <a href="https://www.beyonddifferences.org/no-one-eats-alone/" rel="nofollow">No One Eats Alone Day*</a></h5>

<blockquote><p>“My God. What am I doing in this place?”</p>

<h3 id="henri-sénéchal" id="henri-sénéchal">– Henri Sénéchal</h3>
</blockquote>

<h5 id="the-bourgeoisie-meet-for-dinner-in-various-settings-but-never-consume" id="the-bourgeoisie-meet-for-dinner-in-various-settings-but-never-consume">The bourgeoisie meet for dinner in various settings, but never consume.</h5>

<p> </p>

<h6 id="this-event-takes-place-on-the-friday-of-the-second-full-week-in-february-which-makes-the-2025-date-february-14-div" id="this-event-takes-place-on-the-friday-of-the-second-full-week-in-february-which-makes-the-2025-date-february-14-div">* this event takes place on the Friday of the second full week in February, which makes the 2025 date February 14.</div></h6>

<p><div class="tags"></p>

<h5 id="bales2025filmchallenge-nooneeatsaloneday-luisbuñuel-fernandorey-paulfrankeur-delphineseyrig-bulleogier-stéphaneaudran-jeanpierrecassel-julienbertheau-milenavukotić-michelpiccoli-edmondrichard-food-dinner-drama-surrealism-satire-france-italy-spain-1970s-div" id="bales2025filmchallenge-nooneeatsaloneday-luisbuñuel-fernandorey-paulfrankeur-delphineseyrig-bulleogier-stéphaneaudran-jeanpierrecassel-julienbertheau-milenavukotić-michelpiccoli-edmondrichard-food-dinner-drama-surrealism-satire-france-italy-spain-1970s-div"><a href="/settima/tag:Bales2025FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2025FilmChallenge</span></a> <a href="/settima/tag:NoOneEatsAloneDay" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">NoOneEatsAloneDay</span></a> <a href="/settima/tag:LuisBu%C3%B1uel" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">LuisBuñuel</span></a> <a href="/settima/tag:FernandoRey" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FernandoRey</span></a> <a href="/settima/tag:PaulFrankeur" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">PaulFrankeur</span></a> <a href="/settima/tag:DelphineSeyrig" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">DelphineSeyrig</span></a> <a href="/settima/tag:BulleOgier" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BulleOgier</span></a> <a href="/settima/tag:St%C3%A9phaneAudran" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">StéphaneAudran</span></a> <a href="/settima/tag:JeanPierreCassel" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JeanPierreCassel</span></a> <a href="/settima/tag:JulienBertheau" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JulienBertheau</span></a> <a href="/settima/tag:MilenaVukoti%C4%87" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MilenaVukotić</span></a> <a href="/settima/tag:MichelPiccoli" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MichelPiccoli</span></a> <a href="/settima/tag:EdmondRichard" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">EdmondRichard</span></a> <a href="/settima/tag:food" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">food</span></a> <a href="/settima/tag:dinner" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">dinner</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:surrealism" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">surrealism</span></a> <a href="/settima/tag:satire" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">satire</span></a> <a href="/settima/tag:France" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">France</span></a> <a href="/settima/tag:Italy" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Italy</span></a> <a href="/settima/tag:Spain" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Spain</span></a> <a href="/settima/tag:1970s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1970s</span></a></div></h5>

<p></section></p>
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      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-ydfn</guid>
      <pubDate>Sun, 16 Feb 2025 12:00:00 +0100</pubDate>
    </item>
    <item>
      <title>Le procès [The Trial] (Orson Welles, 1962)</title>
      <link>https://write.underworld.fr/settima/le-proces-1962</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Le procès [The Trial] (Orson Welles, 1962)/div&#xA;div class=&#34;month&#34;&#xA;Jun/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;23/div&#xA;div class=&#34;occasion&#34;&#xA;National Typewriter Day/div&#xA;div class=&#34;img&#34;&#xA;Le procès (1962)/div&#xA;div class=&#34;caption&#34;&#xA;Josef K. (Anthony Perkins) crossing an enormous open office space. The endless room is filled with clerks, identical desks, telephones, and typewriters. DP: Edmond Richard./div&#xA;div class=&#34;txt&#34;&#xA;##### Office worker Josef K. is brought to trial and at no point told what he is accused of, if anything. Orson Welles&#39; Le procès is an adaptation of Franz Kafka&#39;s unfinished 1914/15 novel Der Prozess. The manuscript, guarded from Kafka by his friend #MaxBrod in an attempt to keep the self-doubting author from destroying his work, was against K&#39;s wishes posthumously (re)assembled by Brod without the latter knowing the intended sequence of the loose pages nor what chapters were finished.&#xA;&#xA;  &#34;All these fancy electronics, they&#39;re all right in their place, but not for anything practical.&#34;&#xA;  ### – Uncle Max\&#xA;&#xA;##### The story holds up in its vagueness thanks to the quirks of #Kafka&#39;s Brotberuf; Franz K. was a trained lawyer, working as an insurance agent in an impossible artifice world of reports and precise wording. Within its extended logic, a man can get perplexedly lost, either within the walls of his #office or one&#39;s bed./div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2023FilmChallenge #NationalTypewriterDay #OrsonWelles #FranzKafka #AnthonyPerkins #ArnoldoFoà #RomySchneider #JeanneMoreau #ElsaMartinelli #JeanLedrut #EdmondRichard #BookAdaptation #drama #architecture #bureaucracy #typewriters #Kafkaesque #France #Italy #WestGermany #1960s ★★★★☆/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="le-procès-the-trial-orson-welles-1962-div" id="le-procès-the-trial-orson-welles-1962-div">Le procès [The Trial] (Orson Welles, 1962)</div></h4>

<p><div class="month"></p>

<h2 id="jun-div" id="jun-div">Jun</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="23-div" id="23-div">23</div></h1>

<p><div class="occasion"></p>

<h2 id="national-typewriter-day-div" id="national-typewriter-day-div">National Typewriter Day</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/VLNBQKYd/0623-typewriter.png" alt="Le procès (1962)"></div>
<div class="caption"></p>

<h6 id="josef-k-anthony-perkins-crossing-an-enormous-open-office-space-the-endless-room-is-filled-with-clerks-identical-desks-telephones-and-typewriters-dp-edmond-richard-div" id="josef-k-anthony-perkins-crossing-an-enormous-open-office-space-the-endless-room-is-filled-with-clerks-identical-desks-telephones-and-typewriters-dp-edmond-richard-div">Josef K. (Anthony Perkins) crossing an enormous open office space. The endless room is filled with clerks, identical desks, telephones, and typewriters. DP: Edmond Richard.</div></h6>

<p><div class="txt"></p>

<h5 id="office-worker-josef-k-is-brought-to-trial-and-at-no-point-told-what-he-is-accused-of-if-anything-orson-welles-le-procès-is-an-adaptation-of-franz-kafka-s-unfinished-1914-15-novel-der-prozess-the-manuscript-guarded-from-kafka-by-his-friend-maxbrod-in-an-attempt-to-keep-the-self-doubting-author-from-destroying-his-work-was-against-k-s-wishes-posthumously-re-assembled-by-brod-without-the-latter-knowing-the-intended-sequence-of-the-loose-pages-nor-what-chapters-were-finished" id="office-worker-josef-k-is-brought-to-trial-and-at-no-point-told-what-he-is-accused-of-if-anything-orson-welles-le-procès-is-an-adaptation-of-franz-kafka-s-unfinished-1914-15-novel-der-prozess-the-manuscript-guarded-from-kafka-by-his-friend-maxbrod-in-an-attempt-to-keep-the-self-doubting-author-from-destroying-his-work-was-against-k-s-wishes-posthumously-re-assembled-by-brod-without-the-latter-knowing-the-intended-sequence-of-the-loose-pages-nor-what-chapters-were-finished">Office worker Josef K. is brought to trial and at no point told what he is accused of, if anything. Orson Welles&#39; <em>Le procès</em> is an adaptation of Franz Kafka&#39;s unfinished 1914/15 novel <em>Der Prozess</em>. The manuscript, guarded from Kafka by his friend <a href="/settima/tag:MaxBrod" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MaxBrod</span></a> in an attempt to keep the self-doubting author from destroying his work, was against K&#39;s wishes posthumously (re)assembled by Brod without the latter knowing the intended sequence of the loose pages nor what chapters were finished.</h5>

<blockquote><p>“All these fancy electronics, they&#39;re all right in their place, but not for anything practical.”</p>

<h3 id="uncle-max" id="uncle-max">– Uncle Max</h3>
</blockquote>

<h5 id="the-story-holds-up-in-its-vagueness-thanks-to-the-quirks-of-kafka-s-brotberuf-franz-k-was-a-trained-lawyer-working-as-an-insurance-agent-in-an-impossible-artifice-world-of-reports-and-precise-wording-within-its-extended-logic-a-man-can-get-perplexedly-lost-either-within-the-walls-of-his-office-or-one-s-bed-div" id="the-story-holds-up-in-its-vagueness-thanks-to-the-quirks-of-kafka-s-brotberuf-franz-k-was-a-trained-lawyer-working-as-an-insurance-agent-in-an-impossible-artifice-world-of-reports-and-precise-wording-within-its-extended-logic-a-man-can-get-perplexedly-lost-either-within-the-walls-of-his-office-or-one-s-bed-div">The story holds up in its vagueness thanks to the quirks of <a href="/settima/tag:Kafka" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Kafka</span></a>&#39;s <em>Brotberuf</em>; Franz K. was a trained lawyer, working as an insurance agent in an impossible artifice world of reports and precise wording. Within its extended logic, a man can get perplexedly lost, either within the walls of his <a href="/settima/tag:office" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">office</span></a> or one&#39;s bed.</div></h5>

<p><div class="tags"></p>

<h5 id="bales2023filmchallenge-nationaltypewriterday-orsonwelles-franzkafka-anthonyperkins-arnoldofoà-romyschneider-jeannemoreau-elsamartinelli-jeanledrut-edmondrichard-bookadaptation-drama-architecture-bureaucracy-typewriters-kafkaesque-france-italy-westgermany-1960s-div" id="bales2023filmchallenge-nationaltypewriterday-orsonwelles-franzkafka-anthonyperkins-arnoldofoà-romyschneider-jeannemoreau-elsamartinelli-jeanledrut-edmondrichard-bookadaptation-drama-architecture-bureaucracy-typewriters-kafkaesque-france-italy-westgermany-1960s-div"><a href="/settima/tag:Bales2023FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2023FilmChallenge</span></a> <a href="/settima/tag:NationalTypewriterDay" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">NationalTypewriterDay</span></a> <a href="/settima/tag:OrsonWelles" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">OrsonWelles</span></a> <a href="/settima/tag:FranzKafka" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FranzKafka</span></a> <a href="/settima/tag:AnthonyPerkins" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AnthonyPerkins</span></a> <a href="/settima/tag:ArnoldoFo%C3%A0" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ArnoldoFoà</span></a> <a href="/settima/tag:RomySchneider" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">RomySchneider</span></a> <a href="/settima/tag:JeanneMoreau" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JeanneMoreau</span></a> <a href="/settima/tag:ElsaMartinelli" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ElsaMartinelli</span></a> <a href="/settima/tag:JeanLedrut" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JeanLedrut</span></a> <a href="/settima/tag:EdmondRichard" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">EdmondRichard</span></a> <a href="/settima/tag:BookAdaptation" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BookAdaptation</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:architecture" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">architecture</span></a> <a href="/settima/tag:bureaucracy" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">bureaucracy</span></a> <a href="/settima/tag:typewriters" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">typewriters</span></a> <a href="/settima/tag:Kafkaesque" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Kafkaesque</span></a> <a href="/settima/tag:France" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">France</span></a> <a href="/settima/tag:Italy" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Italy</span></a> <a href="/settima/tag:WestGermany" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">WestGermany</span></a> <a href="/settima/tag:1960s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1960s</span></a> ★★★★☆</div></h5>

<p></section></p>
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      <guid>https://write.underworld.fr/settima/le-proces-1962</guid>
      <pubDate>Fri, 23 Jun 2023 15:14:15 +0200</pubDate>
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      <title>Le fantôme de la liberté [The Phantom of Liberty] (Luis Buñuel, 1974)</title>
      <link>https://write.underworld.fr/settima/le-fantome-de-la-liberte-1974</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Le fantôme de la liberté [The Phantom of Liberty] (Luis Buñuel, 1974)/div&#xA;div class=&#34;month&#34;&#xA;Mar/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;9/div&#xA;div class=&#34;occasion&#34;&#xA;World Kidney Day/div&#xA;div class=&#34;img&#34;&#xA;Le fantôme de la liberté (1974)/div&#xA;div class=&#34;caption&#34;&#xA;Five adults and a child at a large table. They&#39;re all seated on toilets. One of the men is defecating. DP: Edmond Richard./div&#xA;div class=&#34;txt&#34;&#xA;##### Eating is taboo, and relieving oneself is performed on a toilet at a communal table in Luis Buñuel&#39;s Le fantôme de la liberté. The farce strings together events from #Buñuel&#39;s life (who was 74 by the time he made this film), with dreams remembered by both Buñuel and co-writer Jean-Claude Carrière.\&#xA;&#xA;  &#34;Madrid was filled with the stench of – pardon my language – food. It was indecent.&#34;&#xA;  ### – le professeur des gendarmes\&#xA;&#xA;The title references the opening sentence from Marx and Engels&#39; Communist Manifesto (1848): &#34;A spectre is haunting Europe—the spectre of communism.&#34;. What follows is a wonderful, free-flowing pastiche performed by a sublime cast./div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2023FilmChallenge #WorldKidneyDay #LuisBuñuel #JeanClaudeCarrière #MichaelLonsdale #MichelPiccoli #MonicaVitti #EdmondRichard #toilets #satire #France #Italy #1970s/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="le-fantôme-de-la-liberté-the-phantom-of-liberty-luis-buñuel-1974-div" id="le-fantôme-de-la-liberté-the-phantom-of-liberty-luis-buñuel-1974-div">Le fantôme de la liberté [The Phantom of Liberty] (Luis Buñuel, 1974)</div></h4>

<p><div class="month"></p>

<h2 id="mar-div" id="mar-div">Mar</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="9-div" id="9-div">9</div></h1>

<p><div class="occasion"></p>

<h2 id="world-kidney-day-div" id="world-kidney-day-div">World Kidney Day</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/kG2h9TQR/0309-potty.png" alt="Le fantôme de la liberté (1974)"></div>
<div class="caption"></p>

<h6 id="five-adults-and-a-child-at-a-large-table-they-re-all-seated-on-toilets-one-of-the-men-is-defecating-dp-edmond-richard-div" id="five-adults-and-a-child-at-a-large-table-they-re-all-seated-on-toilets-one-of-the-men-is-defecating-dp-edmond-richard-div">Five adults and a child at a large table. They&#39;re all seated on toilets. One of the men is defecating. DP: Edmond Richard.</div></h6>

<p><div class="txt"></p>

<h5 id="eating-is-taboo-and-relieving-oneself-is-performed-on-a-toilet-at-a-communal-table-in-luis-buñuel-s-le-fantôme-de-la-liberté-the-farce-strings-together-events-from-buñuel-s-life-who-was-74-by-the-time-he-made-this-film-with-dreams-remembered-by-both-buñuel-and-co-writer-jean-claude-carrière" id="eating-is-taboo-and-relieving-oneself-is-performed-on-a-toilet-at-a-communal-table-in-luis-buñuel-s-le-fantôme-de-la-liberté-the-farce-strings-together-events-from-buñuel-s-life-who-was-74-by-the-time-he-made-this-film-with-dreams-remembered-by-both-buñuel-and-co-writer-jean-claude-carrière">Eating is taboo, and relieving oneself is performed on a toilet at a communal table in Luis Buñuel&#39;s <em>Le fantôme de la liberté</em>. The farce strings together events from <a href="/settima/tag:Bu%C3%B1uel" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Buñuel</span></a>&#39;s life (who was 74 by the time he made this film), with dreams remembered by both Buñuel and co-writer Jean-Claude Carrière.</h5>

<blockquote><p>“Madrid was filled with the stench of – pardon my language – food. It was indecent.”</p>

<h3 id="le-professeur-des-gendarmes" id="le-professeur-des-gendarmes">– le professeur des gendarmes</h3>
</blockquote>

<h5 id="the-title-references-the-opening-sentence-from-marx-and-engels-communist-manifesto-1848-https-en-wikisource-org-wiki-manifesto-of-the-communist-party-a-spectre-is-haunting-europe-the-spectre-of-communism-what-follows-is-a-wonderful-free-flowing-pastiche-performed-by-a-sublime-cast-div" id="the-title-references-the-opening-sentence-from-marx-and-engels-communist-manifesto-1848-https-en-wikisource-org-wiki-manifesto-of-the-communist-party-a-spectre-is-haunting-europe-the-spectre-of-communism-what-follows-is-a-wonderful-free-flowing-pastiche-performed-by-a-sublime-cast-div">The title references the opening sentence from Marx and Engels&#39; <a href="https://en.wikisource.org/wiki/Manifesto_of_the_Communist_Party" rel="nofollow"><em>Communist Manifesto</em> (1848)</a>: “A spectre is haunting Europe—the spectre of communism.”. What follows is a wonderful, free-flowing pastiche performed by a sublime cast.</div></h5>

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      <guid>https://write.underworld.fr/settima/le-fantome-de-la-liberte-1974</guid>
      <pubDate>Thu, 09 Mar 2023 15:04:48 +0100</pubDate>
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