<?xml version="1.0" encoding="UTF-8"?><rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/">
  <channel>
    <title>TeinosukeKinugasa &amp;mdash; settima</title>
    <link>https://write.underworld.fr/settima/tag:TeinosukeKinugasa</link>
    <description>@settima@zirk.us</description>
    <pubDate>Thu, 30 Apr 2026 18:40:19 +0200</pubDate>
    <item>
      <title>狂った一頁 [Kurutta ichipėji / A Page of Madness] (Teinosuke Kinugasa, 1926)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-8gry</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;狂った一頁 [Kurutta ichipėji / A Page of Madness] (Teinosuke Kinugasa, 1926)/div&#xA;div class=&#34;month&#34;&#xA;Oct/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;14/div&#xA;div class=&#34;occasion&#34;&#xA;silent cinema/div&#xA;div class=&#34;img&#34;&#xA;Kurutta ichipėji (1926)/div&#xA;div class=&#34;caption&#34;&#xA;A masked inmate (Eiko Minami) dances. The shot of the dancer is superimposed over a shot of her cel&#39;s bars, putting the viewer in the position of the husband witnessing – or is he hallucinating – an inescapable nightmare (via). DP: Kōhei Sugiyama./div&#xA;div class=&#34;txt&#34;&#xA;A [favourite] silent horror film&#xA;&amp;nbsp;&#xA;Incomplete and, despite the generally accepted popular Occidental opinion, not a horror film. Oh, to have seen this narrated by Musei Tokugawa…&#xA;&amp;nbsp;&#xA;the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.&#xA;/div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2025FilmChallenge #TeinosukeKinugasa #YasunariKawabata #MasuoInoue #AyakoIijima #YoshieNakagawa #HiroshiNemoto #EikoMinami #MisaoSeki #KōheiSugiyama #drama #fragment #AvantGarde #SilentFilm #ExperimentalFilm #BookAdaptation #Japan #1920s ★★★★★ ♥︎/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="狂った一頁-kurutta-ichipėji-a-page-of-madness-teinosuke-kinugasa-1926-div" id="狂った一頁-kurutta-ichipėji-a-page-of-madness-teinosuke-kinugasa-1926-div">狂った一頁 [Kurutta ichipėji / A Page of Madness] (Teinosuke Kinugasa, 1926)</div></h4>

<p><div class="month"></p>

<h2 id="oct-div" id="oct-div">Oct</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="14-div" id="14-div">14</div></h1>

<p><div class="occasion"></p>

<h2 id="silent-cinema-div" id="silent-cinema-div">silent cinema</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/HsJfc7J2/1014-Kurutta-ichip-ji-1926.jpg" alt="Kurutta ichipėji (1926)"></div>
<div class="caption"></p>

<h6 id="a-masked-https-en-wikipedia-org-wiki-noh-inmate-eiko-minami-dances-the-shot-of-the-dancer-is-superimposed-over-a-shot-of-her-cel-s-bars-putting-the-viewer-in-the-position-of-the-husband-witnessing-or-is-he-hallucinating-an-inescapable-nightmare-via-https-www-tumblr-com-charnel-grounds-tagged-a-20page-20of-20madness-dp-kōhei-sugiyama-div" id="a-masked-https-en-wikipedia-org-wiki-noh-inmate-eiko-minami-dances-the-shot-of-the-dancer-is-superimposed-over-a-shot-of-her-cel-s-bars-putting-the-viewer-in-the-position-of-the-husband-witnessing-or-is-he-hallucinating-an-inescapable-nightmare-via-https-www-tumblr-com-charnel-grounds-tagged-a-20page-20of-20madness-dp-kōhei-sugiyama-div">A <a href="https://en.wikipedia.org/wiki/Noh" rel="nofollow">masked</a> inmate (Eiko Minami) dances. The shot of the dancer is superimposed over a shot of her cel&#39;s bars, putting the viewer in the position of the husband witnessing – or is he hallucinating – an inescapable nightmare (<a href="https://www.tumblr.com/charnel-grounds/tagged/a%20page%20of%20madness" rel="nofollow">via</a>). DP: Kōhei Sugiyama.</div></h6>

<p><div class="txt"></p>

<h5 id="a-favourite-silent-horror-film" id="a-favourite-silent-horror-film">A [favourite] silent horror film*</h5>

<p> </p>

<h5 id="incomplete-and-despite-the-generally-accepted-popular-occidental-opinion-not-a-horror-film-oh-to-have-seen-this-narrated-by-musei-tokugawa-https-en-wikipedia-org-wiki-musei-tokugawa" id="incomplete-and-despite-the-generally-accepted-popular-occidental-opinion-not-a-horror-film-oh-to-have-seen-this-narrated-by-musei-tokugawa-https-en-wikipedia-org-wiki-musei-tokugawa">Incomplete and, despite the generally accepted popular Occidental opinion, not a horror film. Oh, to have seen this narrated by <a href="https://en.wikipedia.org/wiki/Musei_Tokugawa" rel="nofollow">Musei Tokugawa</a>…</h5>

<p> </p>

<h6 id="the-bales-2025-film-challenge-for-october-is-horror-themed-as-opposed-to-date-based-and-is-all-about-favourites-expect-non-horror-and-films-i-believe-to-be-relevant-instead" id="the-bales-2025-film-challenge-for-october-is-horror-themed-as-opposed-to-date-based-and-is-all-about-favourites-expect-non-horror-and-films-i-believe-to-be-relevant-instead">* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.</h6>

<p></div>
<div class="tags"></p>

<h5 id="bales2025filmchallenge-teinosukekinugasa-yasunarikawabata-masuoinoue-ayakoiijima-yoshienakagawa-hiroshinemoto-eikominami-misaoseki-kōheisugiyama-drama-fragment-avantgarde-silentfilm-experimentalfilm-bookadaptation-japan-1920s-div" id="bales2025filmchallenge-teinosukekinugasa-yasunarikawabata-masuoinoue-ayakoiijima-yoshienakagawa-hiroshinemoto-eikominami-misaoseki-kōheisugiyama-drama-fragment-avantgarde-silentfilm-experimentalfilm-bookadaptation-japan-1920s-div"><a href="/settima/tag:Bales2025FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2025FilmChallenge</span></a> <a href="/settima/tag:TeinosukeKinugasa" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">TeinosukeKinugasa</span></a> <a href="/settima/tag:YasunariKawabata" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">YasunariKawabata</span></a> <a href="/settima/tag:MasuoInoue" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MasuoInoue</span></a> <a href="/settima/tag:AyakoIijima" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AyakoIijima</span></a> <a href="/settima/tag:YoshieNakagawa" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">YoshieNakagawa</span></a> <a href="/settima/tag:HiroshiNemoto" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">HiroshiNemoto</span></a> <a href="/settima/tag:EikoMinami" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">EikoMinami</span></a> <a href="/settima/tag:MisaoSeki" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MisaoSeki</span></a> <a href="/settima/tag:K%C5%8DheiSugiyama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">KōheiSugiyama</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:fragment" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">fragment</span></a> <a href="/settima/tag:AvantGarde" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AvantGarde</span></a> <a href="/settima/tag:SilentFilm" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SilentFilm</span></a> <a href="/settima/tag:ExperimentalFilm" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ExperimentalFilm</span></a> <a href="/settima/tag:BookAdaptation" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BookAdaptation</span></a> <a href="/settima/tag:Japan" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Japan</span></a> <a href="/settima/tag:1920s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1920s</span></a> ★★★★★ ♥︎</div></h5>

<p></section></p>
]]></content:encoded>
      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-8gry</guid>
      <pubDate>Tue, 14 Oct 2025 16:00:00 +0200</pubDate>
    </item>
    <item>
      <title>地獄門 [Jigokumon / Gate of Hell] (Teinosuke Kinugasa, 1953)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-3zdb</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;地獄門 [Jigokumon / Gate of Hell] (Teinosuke Kinugasa, 1953)/div&#xA;div class=&#34;month&#34;&#xA;Aug/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;4/div&#xA;div class=&#34;occasion&#34;&#xA;orange/div&#xA;div class=&#34;img&#34;&#xA;Jigokumon (1953)/div&#xA;div class=&#34;caption&#34;&#xA;The shrine&#39;s torii as seen in the film. Vermilion contains mercury, which not only acts as a preservative but is also believed to ward off evil. DP: Kōhei Sugiyama./div&#xA;div class=&#34;txt&#34;&#xA;Orange: a building or structure&#xA;&#xA;  &#34;Today is the first day of a life of sacrifice.&#34;&#xA;  ### – Moritoo Endō&#xA;&#xA;Partially filmed near the 厳島神社 (Itsukushima Shrine) with its striking vermilion torii. &#xA;&amp;nbsp;&#xA;Shot on Eastmancolor, relatively cheap and globally available, and influenced by Hollywood colour melodramas of the time, in particularly Rudolph Maté&#39;s Mississippi Gambler (1953) (source), and in its turn greatly influenced the implementation of colour in global cinema to come. &#xA;&amp;nbsp;&#xA;Jigokumon won two Academy Awards in 1955, for Best Costume Design and Best Foreign Language Film.&#xA;&amp;nbsp;&#xA;the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow./div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2025FilmChallenge #colours #orange #vermilion #TeinosukeKinugasa #KanKikuchi #KazuoHasegawa #MachikoKyō #IsaoYamagata #YatarōKurokawa #YasushiAkutagawa #Eastmancolor #samurai #shinto #drama #history #romance #theatre #Japan #1950s/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="地獄門-jigokumon-gate-of-hell-teinosuke-kinugasa-1953-div" id="地獄門-jigokumon-gate-of-hell-teinosuke-kinugasa-1953-div">地獄門 [Jigokumon / Gate of Hell] (Teinosuke Kinugasa, 1953)</div></h4>

<p><div class="month"></p>

<h2 id="aug-div" id="aug-div">Aug</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="4-div" id="4-div">4</div></h1>

<p><div class="occasion"></p>

<h2 id="orange-div" id="orange-div">orange</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/bJ89wC3Q/0804-Jigokumon-1953.png" alt="Jigokumon (1953)"></div>
<div class="caption"></p>

<h6 id="the-shrine-s-torii-as-seen-in-the-film-vermilion-contains-mercury-which-not-only-acts-as-a-preservative-but-is-also-believed-to-ward-off-evil-dp-kōhei-sugiyama-div" id="the-shrine-s-torii-as-seen-in-the-film-vermilion-contains-mercury-which-not-only-acts-as-a-preservative-but-is-also-believed-to-ward-off-evil-dp-kōhei-sugiyama-div">The shrine&#39;s torii as seen in the film. Vermilion contains mercury, which not only acts as a preservative but is also believed to ward off evil. DP: Kōhei Sugiyama.</div></h6>

<p><div class="txt"></p>

<h5 id="orange-a-building-or-structure" id="orange-a-building-or-structure">Orange: a building or structure*</h5>

<blockquote><p>“Today is the first day of a life of sacrifice.”</p>

<h3 id="moritoo-endō" id="moritoo-endō">– Moritoo Endō</h3>
</blockquote>

<h5 id="partially-filmed-near-the-厳島神社-itsukushima-shrine-https-en-wikipedia-org-wiki-itsukushima-shrine-with-its-striking-vermilion-torii-https-en-wikipedia-org-wiki-torii" id="partially-filmed-near-the-厳島神社-itsukushima-shrine-https-en-wikipedia-org-wiki-itsukushima-shrine-with-its-striking-vermilion-torii-https-en-wikipedia-org-wiki-torii">Partially filmed near the <a href="https://en.wikipedia.org/wiki/Itsukushima_Shrine" rel="nofollow">厳島神社 (Itsukushima Shrine)</a> with its striking vermilion <a href="https://en.wikipedia.org/wiki/Torii" rel="nofollow">torii</a>.</h5>

<p> </p>

<h5 id="shot-on-eastmancolor-relatively-cheap-and-globally-available-and-influenced-by-hollywood-colour-melodramas-of-the-time-in-particularly-rudolph-maté-s-mississippi-gambler-1953-source-https-www-researchgate-net-publication-325612419-the-monopack-revolution-global-cinema-and-jigokumongate-of-hell-kinugasa-teinosuke-1953-and-in-its-turn-greatly-influenced-the-implementation-of-colour-in-global-cinema-to-come" id="shot-on-eastmancolor-relatively-cheap-and-globally-available-and-influenced-by-hollywood-colour-melodramas-of-the-time-in-particularly-rudolph-maté-s-mississippi-gambler-1953-source-https-www-researchgate-net-publication-325612419-the-monopack-revolution-global-cinema-and-jigokumongate-of-hell-kinugasa-teinosuke-1953-and-in-its-turn-greatly-influenced-the-implementation-of-colour-in-global-cinema-to-come">Shot on Eastmancolor, relatively cheap and globally available, and influenced by Hollywood colour melodramas of the time, in particularly Rudolph Maté&#39;s <em>Mississippi Gambler</em> (1953) (<a href="https://www.researchgate.net/publication/325612419_The_Monopack_Revolution_Global_Cinema_and_JigokumonGate_of_Hell_Kinugasa_Teinosuke_1953" rel="nofollow">source</a>), and in its turn greatly influenced the implementation of colour in global cinema to come.</h5>

<p> </p>

<h5 id="jigokumon-won-two-academy-awards-in-1955-for-best-costume-design-and-best-foreign-language-film" id="jigokumon-won-two-academy-awards-in-1955-for-best-costume-design-and-best-foreign-language-film"><em>Jigokumon</em> won two Academy Awards in 1955, for Best Costume Design and Best Foreign Language Film.</h5>

<p> </p>

<h6 id="the-bales-2025-film-challenge-for-august-is-not-date-related-but-lists-for-the-most-part-the-colours-of-the-rainbow-div" id="the-bales-2025-film-challenge-for-august-is-not-date-related-but-lists-for-the-most-part-the-colours-of-the-rainbow-div">* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.</div></h6>

<p><div class="tags"></p>

<h5 id="bales2025filmchallenge-colours-orange-vermilion-teinosukekinugasa-kankikuchi-kazuohasegawa-machikokyō-isaoyamagata-yatarōkurokawa-yasushiakutagawa-eastmancolor-samurai-shinto-drama-history-romance-theatre-japan-1950s-div" id="bales2025filmchallenge-colours-orange-vermilion-teinosukekinugasa-kankikuchi-kazuohasegawa-machikokyō-isaoyamagata-yatarōkurokawa-yasushiakutagawa-eastmancolor-samurai-shinto-drama-history-romance-theatre-japan-1950s-div"><a href="/settima/tag:Bales2025FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2025FilmChallenge</span></a> <a href="/settima/tag:colours" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">colours</span></a> <a href="/settima/tag:orange" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">orange</span></a> <a href="/settima/tag:vermilion" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">vermilion</span></a> <a href="/settima/tag:TeinosukeKinugasa" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">TeinosukeKinugasa</span></a> <a href="/settima/tag:KanKikuchi" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">KanKikuchi</span></a> <a href="/settima/tag:KazuoHasegawa" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">KazuoHasegawa</span></a> <a href="/settima/tag:MachikoKy%C5%8D" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MachikoKyō</span></a> <a href="/settima/tag:IsaoYamagata" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">IsaoYamagata</span></a> <a href="/settima/tag:Yatar%C5%8DKurokawa" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">YatarōKurokawa</span></a> <a href="/settima/tag:YasushiAkutagawa" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">YasushiAkutagawa</span></a> <a href="/settima/tag:Eastmancolor" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Eastmancolor</span></a> <a href="/settima/tag:samurai" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">samurai</span></a> <a href="/settima/tag:shinto" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">shinto</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:history" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">history</span></a> <a href="/settima/tag:romance" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">romance</span></a> <a href="/settima/tag:theatre" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">theatre</span></a> <a href="/settima/tag:Japan" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Japan</span></a> <a href="/settima/tag:1950s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1950s</span></a></div></h5>

<p></section></p>
]]></content:encoded>
      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-3zdb</guid>
      <pubDate>Mon, 04 Aug 2025 16:00:00 +0200</pubDate>
    </item>
    <item>
      <title>狂つた一頁 [Kurutta ippēji / A Page of Madness] (Teinosuke Kinugasa, 1926)</title>
      <link>https://write.underworld.fr/settima/kuang-tsuta-ye-1926</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;狂つた一頁 [Kurutta ippēji / A Page of Madness] (Teinosuke Kinugasa, 1926)/div&#xA;div class=&#34;month&#34;&#xA;Sep/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;12/div&#xA;div class=&#34;X&#34;&#xA;/div&#xA;div class=&#34;img&#34;&#xA;狂つた一頁 (1926)/div&#xA;div class=&#34;caption&#34;&#xA;The servant&#39;s wife (Yoshie Nakagawa) eating. She looks up at someone offscreen, and smiles. DP: Kōhei Sugiyama./div&#xA;div class=&#34;txt&#34;&#xA;&#xA;/div&#xA;div class=&#34;tags&#34;&#xA;##### #FilmDinner #TeinosukeKinugasa #YasunariKawabata #MasuoInoue #AyakoIijima #YoshieNakagawa #HiroshiNemoto #EikoMinami #MisaoSeki #KōheiSugiyama #drama #fragment #AvantGarde #SilentFilm #ExperimentalFilm #BookAdaptation #Japan #1920s ★★★★★ ♥︎/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="狂つた一頁-kurutta-ippēji-a-page-of-madness-teinosuke-kinugasa-1926-div" id="狂つた一頁-kurutta-ippēji-a-page-of-madness-teinosuke-kinugasa-1926-div">狂つた一頁 [Kurutta ippēji / A Page of Madness] (Teinosuke Kinugasa, 1926)</div></h4>

<p><div class="month"></p>

<h2 id="sep-div" id="sep-div">Sep</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="12-div" id="12-div">12</div></h1>

<p><div class="X"></p>

<h2 id="div" id="div"></div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/C5L1r5Xk/230912-Kurutta-ipp-ji-1926.png" alt="狂つた一頁 (1926)"></div>
<div class="caption"></p>

<h6 id="the-servant-s-wife-yoshie-nakagawa-eating-she-looks-up-at-someone-offscreen-and-smiles-dp-kōhei-sugiyama-div" id="the-servant-s-wife-yoshie-nakagawa-eating-she-looks-up-at-someone-offscreen-and-smiles-dp-kōhei-sugiyama-div">The servant&#39;s wife (Yoshie Nakagawa) eating. She looks up at someone offscreen, and smiles. DP: Kōhei Sugiyama.</div></h6>

<p><div class="txt"></p>

<h5 id="div-1" id="div-1"></div></h5>

<p><div class="tags"></p>

<h5 id="filmdinner-teinosukekinugasa-yasunarikawabata-masuoinoue-ayakoiijima-yoshienakagawa-hiroshinemoto-eikominami-misaoseki-kōheisugiyama-drama-fragment-avantgarde-silentfilm-experimentalfilm-bookadaptation-japan-1920s-div" id="filmdinner-teinosukekinugasa-yasunarikawabata-masuoinoue-ayakoiijima-yoshienakagawa-hiroshinemoto-eikominami-misaoseki-kōheisugiyama-drama-fragment-avantgarde-silentfilm-experimentalfilm-bookadaptation-japan-1920s-div"><a href="/settima/tag:FilmDinner" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FilmDinner</span></a> <a href="/settima/tag:TeinosukeKinugasa" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">TeinosukeKinugasa</span></a> <a href="/settima/tag:YasunariKawabata" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">YasunariKawabata</span></a> <a href="/settima/tag:MasuoInoue" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MasuoInoue</span></a> <a href="/settima/tag:AyakoIijima" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AyakoIijima</span></a> <a href="/settima/tag:YoshieNakagawa" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">YoshieNakagawa</span></a> <a href="/settima/tag:HiroshiNemoto" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">HiroshiNemoto</span></a> <a href="/settima/tag:EikoMinami" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">EikoMinami</span></a> <a href="/settima/tag:MisaoSeki" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MisaoSeki</span></a> <a href="/settima/tag:K%C5%8DheiSugiyama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">KōheiSugiyama</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:fragment" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">fragment</span></a> <a href="/settima/tag:AvantGarde" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AvantGarde</span></a> <a href="/settima/tag:SilentFilm" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SilentFilm</span></a> <a href="/settima/tag:ExperimentalFilm" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ExperimentalFilm</span></a> <a href="/settima/tag:BookAdaptation" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BookAdaptation</span></a> <a href="/settima/tag:Japan" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Japan</span></a> <a href="/settima/tag:1920s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1920s</span></a> ★★★★★ ♥︎</div></h5>

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      <guid>https://write.underworld.fr/settima/kuang-tsuta-ye-1926</guid>
      <pubDate>Tue, 12 Sep 2023 18:55:55 +0200</pubDate>
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