Someone is hungover*

“Ein Psychogramm zweier ungewöhnlicher, aber auch extrem unterschiedlicher Frauen. Die eine, reich, exzentrisch, ihre Gefühle maskenhaft verbergend, trinkt sich bewusst zu Tode. Sie ist der Fall, der in der Statistik nicht erscheint, weil entweder zu Hause unter Valium gehalten oder unter Verschluss in einer Privatklinik. Die andere ist arm und trinkt sich unbewusst zu Tode. Sie erscheint in der normalen Statistik als Typ der haltlosen Trinkerin”

– U.O., via

An eccentric woman simply named Sie (Tabea Blumenschein), takes a one-way trip to West Berlin. Accompanied by her alter ego, a homeless alcoholic, and commented on by a Greek choir consisting of Soziale Frage (Social Question), Exakte Statistik (Exact Statistics), and Gesunder Menschenverstand (Common Sense), she drinks herself to death.

 

* the Bales 2025 Film Challenge for July is, for unknown reasons, mostly not date-related and follows some sort of vacation narrative.

A freebie for someone's birthday, with bonus points for high fashion. Petra von Kant is a fashion designer who, during a particularly icy birthday party, tells the world that her new lover is a woman. Then, one day, said lover returns home to her husband.

– You have a good figure. You could use it to your advantage. Get in touch with me some time. – I'd love to.

With its exuberant costumes and set design, a Greek chorus of mannequins, and Sirk-ish larger- than-life melodrama, Fassbinder's Die bitteren Tränen der Petra von Kant delves deep into the absurdities of love and fancy.

Someone mentions getting sober.

“When I get myself – cleaned up and straightened out, I'm going down and get a ship and I'm going to wind up in South Sea islands. That's where I wanna go!”