<?xml version="1.0" encoding="UTF-8"?><rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/">
  <channel>
    <title>green &amp;mdash; settima</title>
    <link>https://write.underworld.fr/settima/tag:green</link>
    <description>@settima@zirk.us</description>
    <pubDate>Mon, 20 Apr 2026 11:43:33 +0200</pubDate>
    <item>
      <title>Il deserto rosso [Red Desert] (Michelangelo Antonioni, 1964)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-h272</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Il deserto rosso [Red Desert] (Michelangelo Antonioni, 1964)/div&#xA;div class=&#34;month&#34;&#xA;Aug/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;12/div&#xA;div class=&#34;occasion&#34;&#xA;green/div&#xA;div class=&#34;img&#34;&#xA;Il deserto rosso (1964)/div&#xA;div class=&#34;caption&#34;&#xA;Valerio (Valerio Bartoleschi) and his mother Giuliana (Monica Vitti) in an arid industrial landscape. Giuliana wears a brilliant green coat, its shade between pea and moss, depending on the drabness of her surroundings. DP: Carlo Di Palma./div&#xA;div class=&#34;txt&#34;&#xA;Green, in food or fashion&#xA;&#xA;  &#34;She&#39;d discovered a small beach far from town, with crystal-clear water and pink sand. She loved that spot. The colors of nature were so beautiful, and there was no noise. She&#39;d leave only when the sun did too.&#34;&#xA;  ### – Giuliana&#xA;&#xA;Antonioni&#39;s first film in colour beautifully utilises Vitti&#39;s brilliance – of her auburn hair, her porcelain teint, her vivid costumes (by Paola Carloni) – against the drab landscape. &#xA;&amp;nbsp;&#xA;the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow./div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2025FilmChallenge #green #colours #MichelangeloAntonioni #MonicaVitti #RichardHarris #CarloChionetti #XeniaValderi #PaolaCarloni #GiovanniFusco #VittorioGelmetti #CarloDiPalma #drama #Italy #France #1960s/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
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<h4 id="il-deserto-rosso-red-desert-michelangelo-antonioni-1964-div" id="il-deserto-rosso-red-desert-michelangelo-antonioni-1964-div">Il deserto rosso [Red Desert] (Michelangelo Antonioni, 1964)</div></h4>

<p><div class="month"></p>

<h2 id="aug-div" id="aug-div">Aug</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="12-div" id="12-div">12</div></h1>

<p><div class="occasion"></p>

<h2 id="green-div" id="green-div">green</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/Mpqx23dv/0812-Deserto-rosso-1964.jpg" alt="Il deserto rosso (1964)"></div>
<div class="caption"></p>

<h6 id="valerio-valerio-bartoleschi-and-his-mother-giuliana-monica-vitti-in-an-arid-industrial-landscape-giuliana-wears-a-brilliant-green-coat-its-shade-between-pea-and-moss-depending-on-the-drabness-of-her-surroundings-dp-carlo-di-palma-div" id="valerio-valerio-bartoleschi-and-his-mother-giuliana-monica-vitti-in-an-arid-industrial-landscape-giuliana-wears-a-brilliant-green-coat-its-shade-between-pea-and-moss-depending-on-the-drabness-of-her-surroundings-dp-carlo-di-palma-div">Valerio (Valerio Bartoleschi) and his mother Giuliana (Monica Vitti) in an arid industrial landscape. Giuliana wears a brilliant green coat, its shade between pea and moss, depending on the drabness of her surroundings. DP: Carlo Di Palma.</div></h6>

<p><div class="txt"></p>

<h5 id="green-in-food-or-fashion" id="green-in-food-or-fashion">Green, in food or fashion*</h5>

<blockquote><p>“She&#39;d discovered a small beach far from town, with crystal-clear water and pink sand. She loved that spot. The colors of nature were so beautiful, and there was no noise. She&#39;d leave only when the sun did too.”</p>

<h3 id="giuliana" id="giuliana">– Giuliana</h3>
</blockquote>

<h5 id="antonioni-s-first-film-in-colour-beautifully-utilises-vitti-s-brilliance-of-her-auburn-hair-her-porcelain-teint-her-vivid-costumes-by-paola-carloni-against-the-drab-landscape" id="antonioni-s-first-film-in-colour-beautifully-utilises-vitti-s-brilliance-of-her-auburn-hair-her-porcelain-teint-her-vivid-costumes-by-paola-carloni-against-the-drab-landscape">Antonioni&#39;s first film in colour beautifully utilises Vitti&#39;s brilliance – of her auburn hair, her porcelain teint, her vivid costumes (by Paola Carloni) – against the drab landscape.</h5>

<p> </p>

<h6 id="the-bales-2025-film-challenge-for-august-is-not-date-related-but-lists-for-the-most-part-the-colours-of-the-rainbow-div" id="the-bales-2025-film-challenge-for-august-is-not-date-related-but-lists-for-the-most-part-the-colours-of-the-rainbow-div">* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.</div></h6>

<p><div class="tags"></p>

<h5 id="bales2025filmchallenge-green-colours-michelangeloantonioni-monicavitti-richardharris-carlochionetti-xeniavalderi-paolacarloni-giovannifusco-vittoriogelmetti-carlodipalma-drama-italy-france-1960s-div" id="bales2025filmchallenge-green-colours-michelangeloantonioni-monicavitti-richardharris-carlochionetti-xeniavalderi-paolacarloni-giovannifusco-vittoriogelmetti-carlodipalma-drama-italy-france-1960s-div"><a href="/settima/tag:Bales2025FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2025FilmChallenge</span></a> <a href="/settima/tag:green" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">green</span></a> <a href="/settima/tag:colours" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">colours</span></a> <a href="/settima/tag:MichelangeloAntonioni" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MichelangeloAntonioni</span></a> <a href="/settima/tag:MonicaVitti" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MonicaVitti</span></a> <a href="/settima/tag:RichardHarris" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">RichardHarris</span></a> <a href="/settima/tag:CarloChionetti" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">CarloChionetti</span></a> <a href="/settima/tag:XeniaValderi" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">XeniaValderi</span></a> <a href="/settima/tag:PaolaCarloni" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">PaolaCarloni</span></a> <a href="/settima/tag:GiovanniFusco" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">GiovanniFusco</span></a> <a href="/settima/tag:VittorioGelmetti" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">VittorioGelmetti</span></a> <a href="/settima/tag:CarloDiPalma" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">CarloDiPalma</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:Italy" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Italy</span></a> <a href="/settima/tag:France" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">France</span></a> <a href="/settima/tag:1960s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1960s</span></a></div></h5>

<p></section></p>
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      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-h272</guid>
      <pubDate>Tue, 12 Aug 2025 15:30:00 +0200</pubDate>
    </item>
    <item>
      <title>Хлебный день [Khlebnyy den / Bread Day] (Sergei Dvortsevoy, 1998)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-4z22</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Хлебный день [Khlebnyy den / Bread Day] (Sergei Dvortsevoy, 1998)/div&#xA;div class=&#34;month&#34;&#xA;Aug/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;10/div&#xA;div class=&#34;occasion&#34;&#xA;green/div&#xA;div class=&#34;img&#34;&#xA;Хлебный день (1998)/div&#xA;div class=&#34;caption&#34;&#xA;The old folks pushing the cart past the hamlet&#39;s name sign. With thick brush strokes, almost too much for the small rectangle, it reads TOWNSHIP NR. 3. DP: Alisher Khamidkhodzhaev./div&#xA;div class=&#34;txt&#34;&#xA;Green: a building or structure&#xA;&#xA;  &#34;That&#39;s all the people we&#39;ve got now. We&#39;ll get there somehow.&#34;&#xA;  ### &#xA;&#xA;Where the old folks&#39; hands push the cart, the green&#39;s worn off. That doesn&#39;t change anything about its importance. A lifeline, bread, is delivered once a week and with delivered, it means that the carriage is left on the rails, several kilometers away from Zhikharevo, or Township Nr. 3, which in its turn is about 80 km away from Saint Petersburg. It takes the seniors about two hours to get the wagon to their hamlet. We get to witness ten minutes or so. It lasts a lifetime.&#xA;&amp;nbsp;&#xA;As of 2002, only three people lived in Zhikharevo. I wonder how the wain comes home now.&#xA;&amp;nbsp;&#xA;the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow./div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2025FilmChallenge #green #colours #SergeiDvortsevoy #AlisherKhamidkhodzhaev #bread #food #documentary #SlowCinema #Zhikharevo #VologdaOblast #Russia #1990s/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="хлебный-день-khlebnyy-den-bread-day-sergei-dvortsevoy-1998-div" id="хлебный-день-khlebnyy-den-bread-day-sergei-dvortsevoy-1998-div">Хлебный день [Khlebnyy den / Bread Day] (Sergei Dvortsevoy, 1998)</div></h4>

<p><div class="month"></p>

<h2 id="aug-div" id="aug-div">Aug</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="10-div" id="10-div">10</div></h1>

<p><div class="occasion"></p>

<h2 id="green-div" id="green-div">green</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/9QWQRDbf/0810-Khlebnyy-den-1998.jpg" alt="Хлебный день (1998)"></div>
<div class="caption"></p>

<h6 id="the-old-folks-pushing-the-cart-past-the-hamlet-s-name-sign-with-thick-brush-strokes-almost-too-much-for-the-small-rectangle-it-reads-township-nr-3-dp-alisher-khamidkhodzhaev-div" id="the-old-folks-pushing-the-cart-past-the-hamlet-s-name-sign-with-thick-brush-strokes-almost-too-much-for-the-small-rectangle-it-reads-township-nr-3-dp-alisher-khamidkhodzhaev-div">The old folks pushing the cart past the hamlet&#39;s name sign. With thick brush strokes, almost too much for the small rectangle, it reads TOWNSHIP NR. 3. DP: Alisher Khamidkhodzhaev.</div></h6>

<p><div class="txt"></p>

<h5 id="green-a-building-or-structure" id="green-a-building-or-structure">Green: a building or structure*</h5>

<blockquote><p>“That&#39;s all the people we&#39;ve got now. We&#39;ll get there somehow.”</p></blockquote>

<h5 id="where-the-old-folks-hands-push-the-cart-the-green-s-worn-off-that-doesn-t-change-anything-about-its-importance-a-lifeline-bread-is-delivered-once-a-week-and-with-delivered-it-means-that-the-carriage-is-left-on-the-rails-several-kilometers-away-from-zhikharevo-https-mapcarta-com-n281280533-or-township-nr-3-which-in-its-turn-is-about-80-km-away-from-saint-petersburg-it-takes-the-seniors-about-two-hours-to-get-the-wagon-to-their-hamlet-we-get-to-witness-ten-minutes-or-so-it-lasts-a-lifetime" id="where-the-old-folks-hands-push-the-cart-the-green-s-worn-off-that-doesn-t-change-anything-about-its-importance-a-lifeline-bread-is-delivered-once-a-week-and-with-delivered-it-means-that-the-carriage-is-left-on-the-rails-several-kilometers-away-from-zhikharevo-https-mapcarta-com-n281280533-or-township-nr-3-which-in-its-turn-is-about-80-km-away-from-saint-petersburg-it-takes-the-seniors-about-two-hours-to-get-the-wagon-to-their-hamlet-we-get-to-witness-ten-minutes-or-so-it-lasts-a-lifetime">Where the old folks&#39; hands push the cart, the green&#39;s worn off. That doesn&#39;t change anything about its importance. A lifeline, bread, is delivered once a week and with delivered, it means that the carriage is left on the rails, several kilometers away from <a href="https://mapcarta.com/N281280533" rel="nofollow">Zhikharevo</a>, or Township Nr. 3, which in its turn is about 80 km away from Saint Petersburg. It takes the seniors about two hours to get the wagon to their hamlet. We get to witness ten minutes or so. It lasts a lifetime.</h5>

<p> </p>

<h5 id="as-of-2002-only-three-people-lived-in-zhikharevo-i-wonder-how-the-wain-comes-home-now" id="as-of-2002-only-three-people-lived-in-zhikharevo-i-wonder-how-the-wain-comes-home-now">As of 2002, only three people lived in Zhikharevo. I wonder how the wain comes home now.</h5>

<p> </p>

<h6 id="the-bales-2025-film-challenge-for-august-is-not-date-related-but-lists-for-the-most-part-the-colours-of-the-rainbow-div" id="the-bales-2025-film-challenge-for-august-is-not-date-related-but-lists-for-the-most-part-the-colours-of-the-rainbow-div">* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.</div></h6>

<p><div class="tags"></p>

<h5 id="bales2025filmchallenge-green-colours-sergeidvortsevoy-alisherkhamidkhodzhaev-bread-food-documentary-slowcinema-zhikharevo-vologdaoblast-russia-1990s-div" id="bales2025filmchallenge-green-colours-sergeidvortsevoy-alisherkhamidkhodzhaev-bread-food-documentary-slowcinema-zhikharevo-vologdaoblast-russia-1990s-div"><a href="/settima/tag:Bales2025FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2025FilmChallenge</span></a> <a href="/settima/tag:green" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">green</span></a> <a href="/settima/tag:colours" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">colours</span></a> <a href="/settima/tag:SergeiDvortsevoy" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SergeiDvortsevoy</span></a> <a href="/settima/tag:AlisherKhamidkhodzhaev" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AlisherKhamidkhodzhaev</span></a> <a href="/settima/tag:bread" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">bread</span></a> <a href="/settima/tag:food" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">food</span></a> <a href="/settima/tag:documentary" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">documentary</span></a> <a href="/settima/tag:SlowCinema" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SlowCinema</span></a> <a href="/settima/tag:Zhikharevo" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Zhikharevo</span></a> <a href="/settima/tag:VologdaOblast" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">VologdaOblast</span></a> <a href="/settima/tag:Russia" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Russia</span></a> <a href="/settima/tag:1990s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1990s</span></a></div></h5>

<p></section></p>
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      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-4z22</guid>
      <pubDate>Sun, 10 Aug 2025 16:18:25 +0200</pubDate>
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      <title>花樣年華 [Fa yeung nin wah / In the Mood for Love] (Wong Kar-Wai, 2000)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-ln78</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;花樣年華 [Fa yeung nin wah / In the Mood for Love] (Wong Kar-Wai, 2000)/div&#xA;div class=&#34;month&#34;&#xA;Mar/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;17/div&#xA;div class=&#34;occasion&#34;&#xA;Irish-American Heritage Month/div&#xA;div class=&#34;img&#34;&#xA;花樣年華 (2000)/div&#xA;div class=&#34;caption&#34;&#xA;A close-up of a pea-green phone with Mrs. Chan&#39;s (Maggie Cheung) hands resting on the receiver. Her dress is a bright green, with an abstract graphic in white. DPs: Christopher Doyle, Pun Leung Kwan &amp; Ping Bin Lee./div&#xA;div class=&#34;txt&#34;&#xA;Green for Irish-American Heritage Month (USA)&#xA;&#xA;  &#34;He remembers those vanished years. As though looking through a dusty window pane, the past is something he could see, but not touch. And everything he sees is blurred and indistinct.&#34;&#xA;  ### – caption&#xA;&#xA;/div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2025FilmChallenge #IrishAmericanHeritageMonth #colours #green #WongKarWai #MaggieCheung #TonyLeungChiuWai #MichaelGalasso #ShigeruUmebayashi #ChristopherDoyle #PunLeungKwan #PingBinLee #drama #romance #HongKong #France #2000s/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="花樣年華-fa-yeung-nin-wah-in-the-mood-for-love-wong-kar-wai-2000-div" id="花樣年華-fa-yeung-nin-wah-in-the-mood-for-love-wong-kar-wai-2000-div">花樣年華 [Fa yeung nin wah / In the Mood for Love] (Wong Kar-Wai, 2000)</div></h4>

<p><div class="month"></p>

<h2 id="mar-div" id="mar-div">Mar</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="17-div" id="17-div">17</div></h1>

<p><div class="occasion"></p>

<h2 id="irish-american-heritage-month-div" id="irish-american-heritage-month-div">Irish-American Heritage Month</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/W1V0KyhD/0317-Fa-yeung-nin-wah-2000-2.jpg" alt="花樣年華 (2000)"></div>
<div class="caption"></p>

<h6 id="a-close-up-of-a-pea-green-phone-with-mrs-chan-s-maggie-cheung-hands-resting-on-the-receiver-her-dress-is-a-bright-green-with-an-abstract-graphic-in-white-dps-christopher-doyle-pun-leung-kwan-ping-bin-lee-div" id="a-close-up-of-a-pea-green-phone-with-mrs-chan-s-maggie-cheung-hands-resting-on-the-receiver-her-dress-is-a-bright-green-with-an-abstract-graphic-in-white-dps-christopher-doyle-pun-leung-kwan-ping-bin-lee-div">A close-up of a pea-green phone with Mrs. Chan&#39;s (Maggie Cheung) hands resting on the receiver. Her dress is a bright green, with an abstract graphic in white. DPs: Christopher Doyle, Pun Leung Kwan &amp; Ping Bin Lee.</div></h6>

<p><div class="txt"></p>

<h5 id="green-for-irish-american-heritage-month-usa-https-en-wikipedia-org-wiki-irish-american-heritage-month" id="green-for-irish-american-heritage-month-usa-https-en-wikipedia-org-wiki-irish-american-heritage-month">Green for <a href="https://en.wikipedia.org/wiki/Irish-American_Heritage_Month" rel="nofollow">Irish-American Heritage Month (USA)</a></h5>

<blockquote><p>“He remembers those vanished years. As though looking through a dusty window pane, the past is something he could see, but not touch. And everything he sees is blurred and indistinct.”</p>

<h3 id="caption" id="caption">– caption</h3>
</blockquote>

<h5 id="div" id="div"></div></h5>

<p><div class="tags"></p>

<h5 id="bales2025filmchallenge-irishamericanheritagemonth-colours-green-wongkarwai-maggiecheung-tonyleungchiuwai-michaelgalasso-shigeruumebayashi-christopherdoyle-punleungkwan-pingbinlee-drama-romance-hongkong-france-2000s-div" id="bales2025filmchallenge-irishamericanheritagemonth-colours-green-wongkarwai-maggiecheung-tonyleungchiuwai-michaelgalasso-shigeruumebayashi-christopherdoyle-punleungkwan-pingbinlee-drama-romance-hongkong-france-2000s-div"><a href="/settima/tag:Bales2025FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2025FilmChallenge</span></a> <a href="/settima/tag:IrishAmericanHeritageMonth" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">IrishAmericanHeritageMonth</span></a> <a href="/settima/tag:colours" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">colours</span></a> <a href="/settima/tag:green" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">green</span></a> <a href="/settima/tag:WongKarWai" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">WongKarWai</span></a> <a href="/settima/tag:MaggieCheung" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MaggieCheung</span></a> <a href="/settima/tag:TonyLeungChiuWai" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">TonyLeungChiuWai</span></a> <a href="/settima/tag:MichaelGalasso" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MichaelGalasso</span></a> <a href="/settima/tag:ShigeruUmebayashi" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ShigeruUmebayashi</span></a> <a href="/settima/tag:ChristopherDoyle" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ChristopherDoyle</span></a> <a href="/settima/tag:PunLeungKwan" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">PunLeungKwan</span></a> <a href="/settima/tag:PingBinLee" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">PingBinLee</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:romance" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">romance</span></a> <a href="/settima/tag:HongKong" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">HongKong</span></a> <a href="/settima/tag:France" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">France</span></a> <a href="/settima/tag:2000s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">2000s</span></a></div></h5>

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      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-ln78</guid>
      <pubDate>Mon, 17 Mar 2025 12:00:00 +0100</pubDate>
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