settima

rape

Gina [Stone Cold Revenge] (Denys Arcand, 1975)

Dec

11

1952

Gina (1975)

Gina (Céline Lomez) in front of a silver tinsel curtain at the start of her stripact. DP: Alain Dostie.

みな殺しの霊歌 [Minagoroshi no reika / I, the Executioner] (Tai Katō, 1968)

Apr

3

1968

しの霊歌 (1968)

A newspaper headline for April 3, 1968: “COMPANY DIRECTOR'S WIFE NEWEST VICTIM”. DP: Keiji Maruyama.

“With bar hostesses, there's a type who are likely to be murdered.”

Fireworks (Kenneth Anger, 1947)

Dec

8

National Christmas Tree Day

Fireworks (1947)

The Dreamer (Kenneth Anger) holding a tinsel-decked Christmas tree in front of his naked upper body. The scene appears to foreshadow Yvonne Marquis getting into her silver dress in Anger's Puce Moment (1949).

A Christmas tree for National Christmas Tree Day.
In August 1942, a Mexican-American man with a broken finger was found semiconscious near Sleepy Lagoon, Ca.. By association, a group of young Latinos was put on trial. This spark, mere months after Roosevelt sent thousands of Japanese Americans to concentration camps and fuelled by Cold War paranoia, eventually set off the Zoot Suit Riots.

 

Zoot Suiters or Pachucos and other “outsiders” like African, Italian and Filipino Americans, were viciously attacked by Anglo-American #sailors. Those suits, all that fabric, this colourful extravagance, they cried out, were hampering the war effort.

“Inflammable desires dampened by day under the cold water of consciousness are ignited that night by the libertarian matches of sleep, and burst forth in showers of shimmering incandescence.”

– The Dreamer

The Dreamer, Anger, dreams of a similar violent attack. The sadism is harrowing, filmed with such exquisite eye that it's impossible to look away. Blood finds its way out, pulsating and spurting. Ambiguous glances. A hand, no finger. A young man awakes, is born. The dreamer is still asleep.

みな殺しの霊歌 [Minagoroshi no reika / I, the Executioner] (Tai Katō, 1968)

Oct

26

みな殺しの霊歌 (1968)

A claustrophobically framed black-and-white shot of a man (Makoto Satō) handling chopsticks close to his face. DP: Keiji Maruyama.