<?xml version="1.0" encoding="UTF-8"?><rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/">
  <channel>
    <title>samurai &amp;mdash; settima</title>
    <link>https://write.underworld.fr/settima/tag:samurai</link>
    <description>@settima@zirk.us</description>
    <pubDate>Mon, 20 Apr 2026 14:06:59 +0200</pubDate>
    <item>
      <title>妖怪百物語 [Yōkai hyakumonogatari / Yokai Monsters: 100 Monsters] (Kimiyoshi Yasuda,...</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-yh6p</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;妖怪百物語 [Yōkai hyakumonogatari / Yokai Monsters: 100 Monsters] (Kimiyoshi Yasuda, 1968)/div&#xA;div class=&#34;month&#34;&#xA;Oct/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;4/div&#xA;div class=&#34;X&#34;&#xA;/div&#xA;div class=&#34;img&#34;&#xA;妖怪百物語 (1968)/div&#xA;div class=&#34;caption&#34;&#xA;One-hundred monsters! (via). DPs: Yasukazu Takemura &amp; Shōzō Tanaka./div&#xA;div class=&#34;txt&#34;&#xA;[A favourite] horror movie with more than one bad guy&#xA;&amp;nbsp;&#xA;A shrine must give way to a brothel, and a game of supernatural storytelling follows. At the end of the spooky tales, the landowner neglects to complete the all-important purification ceremony resulting in one-hundred yōkai – one for each story – coming out to haunt the rich man and his cronies. &#xA;&amp;nbsp;&#xA;the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.&#xA;/div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2025FilmChallenge #KimiyoshiYasuda #JunFujimaki #JunHamamura #MiwaTakada #TakashiKanda #KeikoKoyanagi #TaketoshiNaitō #ChumeiWatanabe #YasukazuTakemura #ShōzōTanaka #samurai #ghosts #monsters #horror #kaiju #yōkai #tokusatsu #Japan #1960s ★★★½/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="妖怪百物語-yōkai-hyakumonogatari-yokai-monsters-100-monsters-kimiyoshi-yasuda-1968-div" id="妖怪百物語-yōkai-hyakumonogatari-yokai-monsters-100-monsters-kimiyoshi-yasuda-1968-div">妖怪百物語 [Yōkai hyakumonogatari / Yokai Monsters: 100 Monsters] (Kimiyoshi Yasuda, 1968)</div></h4>

<p><div class="month"></p>

<h2 id="oct-div" id="oct-div">Oct</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="4-div" id="4-div">4</div></h1>

<p><div class="X"></p>

<h2 id="div" id="div"></div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/5yc8Vthx/1004-Yokai-hyakumonogatari-1968.webp" alt="妖怪百物語 (1968)"></div>
<div class="caption"></p>

<h6 id="one-hundred-monsters-via-https-talkfilmsociety-com-columns-overlooked-underseen-yokai-monsters-one-hundred-monsters-1968-dps-yasukazu-takemura-shōzō-tanaka-div" id="one-hundred-monsters-via-https-talkfilmsociety-com-columns-overlooked-underseen-yokai-monsters-one-hundred-monsters-1968-dps-yasukazu-takemura-shōzō-tanaka-div">One-hundred monsters! (<a href="https://talkfilmsociety.com/columns/overlooked-underseen-yokai-monsters-one-hundred-monsters-1968" rel="nofollow">via</a>). DPs: Yasukazu Takemura &amp; Shōzō Tanaka.</div></h6>

<p><div class="txt"></p>

<h5 id="a-favourite-horror-movie-with-more-than-one-bad-guy" id="a-favourite-horror-movie-with-more-than-one-bad-guy">[A favourite] horror movie with more than one bad guy*</h5>

<p> </p>

<h5 id="a-shrine-must-give-way-to-a-brothel-and-a-game-of-supernatural-storytelling-https-en-wikipedia-org-wiki-hyakumonogatari-kaidankai-follows-at-the-end-of-the-spooky-tales-the-landowner-neglects-to-complete-the-all-important-purification-ceremony-resulting-in-one-hundred-yōkai-https-en-wikipedia-org-wiki-y-c5-8dkai-one-for-each-story-coming-out-to-haunt-the-rich-man-and-his-cronies" id="a-shrine-must-give-way-to-a-brothel-and-a-game-of-supernatural-storytelling-https-en-wikipedia-org-wiki-hyakumonogatari-kaidankai-follows-at-the-end-of-the-spooky-tales-the-landowner-neglects-to-complete-the-all-important-purification-ceremony-resulting-in-one-hundred-yōkai-https-en-wikipedia-org-wiki-y-c5-8dkai-one-for-each-story-coming-out-to-haunt-the-rich-man-and-his-cronies">A shrine must give way to a brothel, and a game of <a href="https://en.wikipedia.org/wiki/Hyakumonogatari_Kaidankai" rel="nofollow">supernatural storytelling</a> follows. At the end of the spooky tales, the landowner neglects to complete the all-important purification ceremony resulting in one-hundred <a href="https://en.wikipedia.org/wiki/Y%C5%8Dkai" rel="nofollow">yōkai</a> – one for each story – coming out to haunt the rich man and his cronies.</h5>

<p> </p>

<h6 id="the-bales-2025-film-challenge-for-october-is-horror-themed-as-opposed-to-date-based-and-is-all-about-favourites-expect-non-horror-and-films-i-believe-to-be-relevant-instead" id="the-bales-2025-film-challenge-for-october-is-horror-themed-as-opposed-to-date-based-and-is-all-about-favourites-expect-non-horror-and-films-i-believe-to-be-relevant-instead">* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.</h6>

<p></div>
<div class="tags"></p>

<h5 id="bales2025filmchallenge-kimiyoshiyasuda-junfujimaki-junhamamura-miwatakada-takashikanda-keikokoyanagi-taketoshinaitō-chumeiwatanabe-yasukazutakemura-shōzōtanaka-samurai-ghosts-monsters-horror-kaiju-yōkai-tokusatsu-japan-1960s-½-div" id="bales2025filmchallenge-kimiyoshiyasuda-junfujimaki-junhamamura-miwatakada-takashikanda-keikokoyanagi-taketoshinaitō-chumeiwatanabe-yasukazutakemura-shōzōtanaka-samurai-ghosts-monsters-horror-kaiju-yōkai-tokusatsu-japan-1960s-½-div"><a href="/settima/tag:Bales2025FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2025FilmChallenge</span></a> <a href="/settima/tag:KimiyoshiYasuda" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">KimiyoshiYasuda</span></a> <a href="/settima/tag:JunFujimaki" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JunFujimaki</span></a> <a href="/settima/tag:JunHamamura" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JunHamamura</span></a> <a href="/settima/tag:MiwaTakada" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MiwaTakada</span></a> <a href="/settima/tag:TakashiKanda" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">TakashiKanda</span></a> <a href="/settima/tag:KeikoKoyanagi" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">KeikoKoyanagi</span></a> <a href="/settima/tag:TaketoshiNait%C5%8D" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">TaketoshiNaitō</span></a> <a href="/settima/tag:ChumeiWatanabe" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ChumeiWatanabe</span></a> <a href="/settima/tag:YasukazuTakemura" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">YasukazuTakemura</span></a> <a href="/settima/tag:Sh%C5%8Dz%C5%8DTanaka" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ShōzōTanaka</span></a> <a href="/settima/tag:samurai" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">samurai</span></a> <a href="/settima/tag:ghosts" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ghosts</span></a> <a href="/settima/tag:monsters" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">monsters</span></a> <a href="/settima/tag:horror" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">horror</span></a> <a href="/settima/tag:kaiju" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">kaiju</span></a> <a href="/settima/tag:y%C5%8Dkai" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">yōkai</span></a> <a href="/settima/tag:tokusatsu" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">tokusatsu</span></a> <a href="/settima/tag:Japan" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Japan</span></a> <a href="/settima/tag:1960s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1960s</span></a> ★★★½</div></h5>

<p></section></p>
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      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-yh6p</guid>
      <pubDate>Sat, 04 Oct 2025 19:42:14 +0200</pubDate>
    </item>
    <item>
      <title>地獄門 [Jigokumon / Gate of Hell] (Teinosuke Kinugasa, 1953)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-3zdb</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;地獄門 [Jigokumon / Gate of Hell] (Teinosuke Kinugasa, 1953)/div&#xA;div class=&#34;month&#34;&#xA;Aug/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;4/div&#xA;div class=&#34;occasion&#34;&#xA;orange/div&#xA;div class=&#34;img&#34;&#xA;Jigokumon (1953)/div&#xA;div class=&#34;caption&#34;&#xA;The shrine&#39;s torii as seen in the film. Vermilion contains mercury, which not only acts as a preservative but is also believed to ward off evil. DP: Kōhei Sugiyama./div&#xA;div class=&#34;txt&#34;&#xA;Orange: a building or structure&#xA;&#xA;  &#34;Today is the first day of a life of sacrifice.&#34;&#xA;  ### – Moritoo Endō&#xA;&#xA;Partially filmed near the 厳島神社 (Itsukushima Shrine) with its striking vermilion torii. &#xA;&amp;nbsp;&#xA;Shot on Eastmancolor, relatively cheap and globally available, and influenced by Hollywood colour melodramas of the time, in particularly Rudolph Maté&#39;s Mississippi Gambler (1953) (source), and in its turn greatly influenced the implementation of colour in global cinema to come. &#xA;&amp;nbsp;&#xA;Jigokumon won two Academy Awards in 1955, for Best Costume Design and Best Foreign Language Film.&#xA;&amp;nbsp;&#xA;the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow./div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2025FilmChallenge #colours #orange #vermilion #TeinosukeKinugasa #KanKikuchi #KazuoHasegawa #MachikoKyō #IsaoYamagata #YatarōKurokawa #YasushiAkutagawa #Eastmancolor #samurai #shinto #drama #history #romance #theatre #Japan #1950s/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="地獄門-jigokumon-gate-of-hell-teinosuke-kinugasa-1953-div" id="地獄門-jigokumon-gate-of-hell-teinosuke-kinugasa-1953-div">地獄門 [Jigokumon / Gate of Hell] (Teinosuke Kinugasa, 1953)</div></h4>

<p><div class="month"></p>

<h2 id="aug-div" id="aug-div">Aug</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="4-div" id="4-div">4</div></h1>

<p><div class="occasion"></p>

<h2 id="orange-div" id="orange-div">orange</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/bJ89wC3Q/0804-Jigokumon-1953.png" alt="Jigokumon (1953)"></div>
<div class="caption"></p>

<h6 id="the-shrine-s-torii-as-seen-in-the-film-vermilion-contains-mercury-which-not-only-acts-as-a-preservative-but-is-also-believed-to-ward-off-evil-dp-kōhei-sugiyama-div" id="the-shrine-s-torii-as-seen-in-the-film-vermilion-contains-mercury-which-not-only-acts-as-a-preservative-but-is-also-believed-to-ward-off-evil-dp-kōhei-sugiyama-div">The shrine&#39;s torii as seen in the film. Vermilion contains mercury, which not only acts as a preservative but is also believed to ward off evil. DP: Kōhei Sugiyama.</div></h6>

<p><div class="txt"></p>

<h5 id="orange-a-building-or-structure" id="orange-a-building-or-structure">Orange: a building or structure*</h5>

<blockquote><p>“Today is the first day of a life of sacrifice.”</p>

<h3 id="moritoo-endō" id="moritoo-endō">– Moritoo Endō</h3>
</blockquote>

<h5 id="partially-filmed-near-the-厳島神社-itsukushima-shrine-https-en-wikipedia-org-wiki-itsukushima-shrine-with-its-striking-vermilion-torii-https-en-wikipedia-org-wiki-torii" id="partially-filmed-near-the-厳島神社-itsukushima-shrine-https-en-wikipedia-org-wiki-itsukushima-shrine-with-its-striking-vermilion-torii-https-en-wikipedia-org-wiki-torii">Partially filmed near the <a href="https://en.wikipedia.org/wiki/Itsukushima_Shrine" rel="nofollow">厳島神社 (Itsukushima Shrine)</a> with its striking vermilion <a href="https://en.wikipedia.org/wiki/Torii" rel="nofollow">torii</a>.</h5>

<p> </p>

<h5 id="shot-on-eastmancolor-relatively-cheap-and-globally-available-and-influenced-by-hollywood-colour-melodramas-of-the-time-in-particularly-rudolph-maté-s-mississippi-gambler-1953-source-https-www-researchgate-net-publication-325612419-the-monopack-revolution-global-cinema-and-jigokumongate-of-hell-kinugasa-teinosuke-1953-and-in-its-turn-greatly-influenced-the-implementation-of-colour-in-global-cinema-to-come" id="shot-on-eastmancolor-relatively-cheap-and-globally-available-and-influenced-by-hollywood-colour-melodramas-of-the-time-in-particularly-rudolph-maté-s-mississippi-gambler-1953-source-https-www-researchgate-net-publication-325612419-the-monopack-revolution-global-cinema-and-jigokumongate-of-hell-kinugasa-teinosuke-1953-and-in-its-turn-greatly-influenced-the-implementation-of-colour-in-global-cinema-to-come">Shot on Eastmancolor, relatively cheap and globally available, and influenced by Hollywood colour melodramas of the time, in particularly Rudolph Maté&#39;s <em>Mississippi Gambler</em> (1953) (<a href="https://www.researchgate.net/publication/325612419_The_Monopack_Revolution_Global_Cinema_and_JigokumonGate_of_Hell_Kinugasa_Teinosuke_1953" rel="nofollow">source</a>), and in its turn greatly influenced the implementation of colour in global cinema to come.</h5>

<p> </p>

<h5 id="jigokumon-won-two-academy-awards-in-1955-for-best-costume-design-and-best-foreign-language-film" id="jigokumon-won-two-academy-awards-in-1955-for-best-costume-design-and-best-foreign-language-film"><em>Jigokumon</em> won two Academy Awards in 1955, for Best Costume Design and Best Foreign Language Film.</h5>

<p> </p>

<h6 id="the-bales-2025-film-challenge-for-august-is-not-date-related-but-lists-for-the-most-part-the-colours-of-the-rainbow-div" id="the-bales-2025-film-challenge-for-august-is-not-date-related-but-lists-for-the-most-part-the-colours-of-the-rainbow-div">* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.</div></h6>

<p><div class="tags"></p>

<h5 id="bales2025filmchallenge-colours-orange-vermilion-teinosukekinugasa-kankikuchi-kazuohasegawa-machikokyō-isaoyamagata-yatarōkurokawa-yasushiakutagawa-eastmancolor-samurai-shinto-drama-history-romance-theatre-japan-1950s-div" id="bales2025filmchallenge-colours-orange-vermilion-teinosukekinugasa-kankikuchi-kazuohasegawa-machikokyō-isaoyamagata-yatarōkurokawa-yasushiakutagawa-eastmancolor-samurai-shinto-drama-history-romance-theatre-japan-1950s-div"><a href="/settima/tag:Bales2025FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2025FilmChallenge</span></a> <a href="/settima/tag:colours" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">colours</span></a> <a href="/settima/tag:orange" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">orange</span></a> <a href="/settima/tag:vermilion" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">vermilion</span></a> <a href="/settima/tag:TeinosukeKinugasa" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">TeinosukeKinugasa</span></a> <a href="/settima/tag:KanKikuchi" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">KanKikuchi</span></a> <a href="/settima/tag:KazuoHasegawa" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">KazuoHasegawa</span></a> <a href="/settima/tag:MachikoKy%C5%8D" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MachikoKyō</span></a> <a href="/settima/tag:IsaoYamagata" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">IsaoYamagata</span></a> <a href="/settima/tag:Yatar%C5%8DKurokawa" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">YatarōKurokawa</span></a> <a href="/settima/tag:YasushiAkutagawa" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">YasushiAkutagawa</span></a> <a href="/settima/tag:Eastmancolor" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Eastmancolor</span></a> <a href="/settima/tag:samurai" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">samurai</span></a> <a href="/settima/tag:shinto" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">shinto</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:history" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">history</span></a> <a href="/settima/tag:romance" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">romance</span></a> <a href="/settima/tag:theatre" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">theatre</span></a> <a href="/settima/tag:Japan" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Japan</span></a> <a href="/settima/tag:1950s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1950s</span></a></div></h5>

<p></section></p>
]]></content:encoded>
      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-3zdb</guid>
      <pubDate>Mon, 04 Aug 2025 16:00:00 +0200</pubDate>
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      <title>憂國 [Yūkoku / Patriotism or the Rite of Love and Death] (Yukio Mishima, 1966)</title>
      <link>https://write.underworld.fr/settima/you-guo-1966</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;憂國 [Yūkoku / Patriotism or the Rite of Love and Death] (Yukio Mishima, 1966)/div&#xA;div class=&#34;month&#34;&#xA;May/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;1/div&#xA;div class=&#34;occasion&#34;&#xA;Loyalty Day/div&#xA;div class=&#34;img&#34;&#xA;憂國 (1966)/div&#xA;div class=&#34;caption&#34;&#xA;Shinji Takeyama (Yukio Mishima) and Reiko (Yoshiko Tsuruoka). In a quiet framed still, Shinji lays on a tatami mat in full uniform. Reiko rests her head on his chest. Both have their eyes closed. DP: Kimio Watanabe./div&#xA;div class=&#34;txt&#34;&#xA;##### Japanese author Yukio Mishima was, besides an aesthete, a fierce proponent of Japanese nationalism. In 憂國, based on his short 1960 story, Mishima plays palace guard Lt. Shinji Takeyama. Despite being one of the instigators of an ultra-nationalist coup, Takeyama decides he cannot overthrow the government as it would mean having to kill his friends and be disloyal to the Emperor. Returning home, he and his bride Reiko (Yoshiko Tsuruoka) perform #切腹 (#seppuku / #HaraKiri), as in line with Takeyama&#39;s #samurai heritage.&#xA;&amp;nbsp;&#xA;##### Yūkoku is a #SilentFilm that plays out like #Noh #theatre, with an extreme emphasis on the beauty and love of death and loyalty respectively.&#xA;&amp;nbsp;&#xA;After Mishima&#39;s own seppuku in 1970, his widow ordered all copies of Yūkoku to be destroyed. In 2005, in Mishima&#39;s house, a pristine copy was uncovered in a tea box./div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2023FilmChallenge #LoyaltyDay #MasakiDōmoto #YukioMishima #YoshikoTsuruoka #KimioWatanabe #CoupDEtat #NohTheatre #JapanArtTheatreGuild #ATG #ShortFilm #patriotism #romance #suicide #Bushido #SilentFilm #BookAdaptation #Japan #1960s ★★★★½/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="憂國-yūkoku-patriotism-or-the-rite-of-love-and-death-yukio-mishima-1966-div" id="憂國-yūkoku-patriotism-or-the-rite-of-love-and-death-yukio-mishima-1966-div">憂國 [Yūkoku / Patriotism or the Rite of Love and Death] (Yukio Mishima, 1966)</div></h4>

<p><div class="month"></p>

<h2 id="may-div" id="may-div">May</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="1-div" id="1-div">1</div></h1>

<p><div class="occasion"></p>

<h2 id="loyalty-day-div" id="loyalty-day-div">Loyalty Day</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/CxSDGbD2/0501-loyalty.jpg" alt="憂國 (1966)"></div>
<div class="caption"></p>

<h6 id="shinji-takeyama-yukio-mishima-and-reiko-yoshiko-tsuruoka-in-a-quiet-framed-still-shinji-lays-on-a-tatami-mat-in-full-uniform-reiko-rests-her-head-on-his-chest-both-have-their-eyes-closed-dp-kimio-watanabe-div" id="shinji-takeyama-yukio-mishima-and-reiko-yoshiko-tsuruoka-in-a-quiet-framed-still-shinji-lays-on-a-tatami-mat-in-full-uniform-reiko-rests-her-head-on-his-chest-both-have-their-eyes-closed-dp-kimio-watanabe-div">Shinji Takeyama (Yukio Mishima) and Reiko (Yoshiko Tsuruoka). In a quiet framed still, Shinji lays on a tatami mat in full uniform. Reiko rests her head on his chest. Both have their eyes closed. DP: Kimio Watanabe.</div></h6>

<p><div class="txt"></p>

<h5 id="japanese-author-yukio-mishima-was-besides-an-aesthete-a-fierce-proponent-of-japanese-nationalism-in-憂國-based-on-his-short-1960-story-mishima-plays-palace-guard-lt-shinji-takeyama-despite-being-one-of-the-instigators-of-an-ultra-nationalist-coup-takeyama-decides-he-cannot-overthrow-the-government-as-it-would-mean-having-to-kill-his-friends-and-be-disloyal-to-the-emperor-returning-home-he-and-his-bride-reiko-yoshiko-tsuruoka-perform-切腹-seppuku-harakiri-as-in-line-with-takeyama-s-samurai-heritage" id="japanese-author-yukio-mishima-was-besides-an-aesthete-a-fierce-proponent-of-japanese-nationalism-in-憂國-based-on-his-short-1960-story-mishima-plays-palace-guard-lt-shinji-takeyama-despite-being-one-of-the-instigators-of-an-ultra-nationalist-coup-takeyama-decides-he-cannot-overthrow-the-government-as-it-would-mean-having-to-kill-his-friends-and-be-disloyal-to-the-emperor-returning-home-he-and-his-bride-reiko-yoshiko-tsuruoka-perform-切腹-seppuku-harakiri-as-in-line-with-takeyama-s-samurai-heritage">Japanese author Yukio Mishima was, besides an aesthete, a fierce proponent of Japanese nationalism. In 憂國, based on his short 1960 story, Mishima plays palace guard Lt. Shinji Takeyama. Despite being one of the instigators of an ultra-nationalist coup, Takeyama decides he cannot overthrow the government as it would mean having to kill his friends and be disloyal to the Emperor. Returning home, he and his bride Reiko (Yoshiko Tsuruoka) perform <a href="/settima/tag:%E5%88%87%E8%85%B9" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">切腹</span></a> (<a href="/settima/tag:seppuku" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">seppuku</span></a> / <a href="/settima/tag:HaraKiri" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">HaraKiri</span></a>), as in line with Takeyama&#39;s <a href="/settima/tag:samurai" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">samurai</span></a> heritage.</h5>

<p> </p>

<h5 id="yūkoku-is-a-silentfilm-that-plays-out-like-noh-theatre-with-an-extreme-emphasis-on-the-beauty-and-love-of-death-and-loyalty-respectively" id="yūkoku-is-a-silentfilm-that-plays-out-like-noh-theatre-with-an-extreme-emphasis-on-the-beauty-and-love-of-death-and-loyalty-respectively"><em>Yūkoku</em> is a <a href="/settima/tag:SilentFilm" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SilentFilm</span></a> that plays out like <a href="/settima/tag:Noh" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Noh</span></a> <a href="/settima/tag:theatre" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">theatre</span></a>, with an extreme emphasis on the beauty and love of death and loyalty respectively.</h5>

<p> </p>

<h5 id="after-mishima-s-own-seppuku-in-1970-his-widow-ordered-all-copies-of-yūkoku-to-be-destroyed-in-2005-in-mishima-s-house-a-pristine-copy-was-uncovered-in-a-tea-box-div" id="after-mishima-s-own-seppuku-in-1970-his-widow-ordered-all-copies-of-yūkoku-to-be-destroyed-in-2005-in-mishima-s-house-a-pristine-copy-was-uncovered-in-a-tea-box-div">After Mishima&#39;s own seppuku in 1970, his widow ordered all copies of <em>Yūkoku</em> to be destroyed. In 2005, in Mishima&#39;s house, a pristine copy was uncovered in a tea box.</div></h5>

<p><div class="tags"></p>

<h5 id="bales2023filmchallenge-loyaltyday-masakidōmoto-yukiomishima-yoshikotsuruoka-kimiowatanabe-coupdetat-nohtheatre-japanarttheatreguild-atg-shortfilm-patriotism-romance-suicide-bushido-silentfilm-bookadaptation-japan-1960s-½-div" id="bales2023filmchallenge-loyaltyday-masakidōmoto-yukiomishima-yoshikotsuruoka-kimiowatanabe-coupdetat-nohtheatre-japanarttheatreguild-atg-shortfilm-patriotism-romance-suicide-bushido-silentfilm-bookadaptation-japan-1960s-½-div"><a href="/settima/tag:Bales2023FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2023FilmChallenge</span></a> <a href="/settima/tag:LoyaltyDay" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">LoyaltyDay</span></a> <a href="/settima/tag:MasakiD%C5%8Dmoto" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MasakiDōmoto</span></a> <a href="/settima/tag:YukioMishima" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">YukioMishima</span></a> <a href="/settima/tag:YoshikoTsuruoka" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">YoshikoTsuruoka</span></a> <a href="/settima/tag:KimioWatanabe" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">KimioWatanabe</span></a> <a href="/settima/tag:CoupDEtat" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">CoupDEtat</span></a> <a href="/settima/tag:NohTheatre" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">NohTheatre</span></a> <a href="/settima/tag:JapanArtTheatreGuild" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JapanArtTheatreGuild</span></a> <a href="/settima/tag:ATG" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ATG</span></a> <a href="/settima/tag:ShortFilm" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ShortFilm</span></a> <a href="/settima/tag:patriotism" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">patriotism</span></a> <a href="/settima/tag:romance" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">romance</span></a> <a href="/settima/tag:suicide" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">suicide</span></a> <a href="/settima/tag:Bushido" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bushido</span></a> <a href="/settima/tag:SilentFilm" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SilentFilm</span></a> <a href="/settima/tag:BookAdaptation" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BookAdaptation</span></a> <a href="/settima/tag:Japan" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Japan</span></a> <a href="/settima/tag:1960s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1960s</span></a> ★★★★½</div></h5>

<p></section></p>
]]></content:encoded>
      <guid>https://write.underworld.fr/settima/you-guo-1966</guid>
      <pubDate>Mon, 01 May 2023 19:02:57 +0200</pubDate>
    </item>
    <item>
      <title>羅生門 [Rashōmon] (Akira Kurosawa, 1950)</title>
      <link>https://write.underworld.fr/settima/luo-sheng-men-1950</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;羅生門 [Rashōmon] (Akira Kurosawa, 1950)/div&#xA;div class=&#34;month&#34;&#xA;Apr/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;22/div&#xA;div class=&#34;occasion&#34;&#xA;April Showers Day/div&#xA;div class=&#34;img&#34;&#xA;羅生門 (1950)/div&#xA;div class=&#34;caption&#34;&#xA;Two men sheltering from torrential rain in the gate of a wooden temple. DP: Kazuo Miyagawa./div&#xA;div class=&#34;txt&#34;&#xA;&#34;It sounded interesting, at least while I kept out of the rain. But if it&#39;s a sermon, I&#39;d sooner listen to the rain.&#34;&#xA;  ### – commoner\&#xA;&#xA;/div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2023FilmChallenge #AprilShowersDay #AkiraKurosawa #RyūnosukeAkutagawa #ToshirōMifune #FumioHayasaka #KazuoMiyagawa #rain #crime #BookAdaptation #samurai #Japan #1950s ★★★½/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="羅生門-rashōmon-akira-kurosawa-1950-div" id="羅生門-rashōmon-akira-kurosawa-1950-div">羅生門 [Rashōmon] (Akira Kurosawa, 1950)</div></h4>

<p><div class="month"></p>

<h2 id="apr-div" id="apr-div">Apr</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="22-div" id="22-div">22</div></h1>

<p><div class="occasion"></p>

<h2 id="april-showers-day-div" id="april-showers-day-div">April Showers Day</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/HWSbY83X/0422-rain.gif" alt="羅生門 (1950)"></div>
<div class="caption"></p>

<h6 id="two-men-sheltering-from-torrential-rain-in-the-gate-of-a-wooden-temple-dp-kazuo-miyagawa-div" id="two-men-sheltering-from-torrential-rain-in-the-gate-of-a-wooden-temple-dp-kazuo-miyagawa-div">Two men sheltering from torrential rain in the gate of a wooden temple. DP: Kazuo Miyagawa.</div></h6>

<p><div class="txt"></p>

<blockquote><p>“It sounded interesting, at least while I kept out of the rain. But if it&#39;s a sermon, I&#39;d sooner listen to the rain.”</p>

<h3 id="commoner" id="commoner">– commoner</h3>
</blockquote>

<h5 id="div" id="div"></div></h5>

<p><div class="tags"></p>

<h5 id="bales2023filmchallenge-aprilshowersday-akirakurosawa-ryūnosukeakutagawa-toshirōmifune-fumiohayasaka-kazuomiyagawa-rain-crime-bookadaptation-samurai-japan-1950s-½-div" id="bales2023filmchallenge-aprilshowersday-akirakurosawa-ryūnosukeakutagawa-toshirōmifune-fumiohayasaka-kazuomiyagawa-rain-crime-bookadaptation-samurai-japan-1950s-½-div"><a href="/settima/tag:Bales2023FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2023FilmChallenge</span></a> <a href="/settima/tag:AprilShowersDay" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AprilShowersDay</span></a> <a href="/settima/tag:AkiraKurosawa" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AkiraKurosawa</span></a> <a href="/settima/tag:Ry%C5%ABnosukeAkutagawa" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">RyūnosukeAkutagawa</span></a> <a href="/settima/tag:Toshir%C5%8DMifune" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ToshirōMifune</span></a> <a href="/settima/tag:FumioHayasaka" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FumioHayasaka</span></a> <a href="/settima/tag:KazuoMiyagawa" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">KazuoMiyagawa</span></a> <a href="/settima/tag:rain" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">rain</span></a> <a href="/settima/tag:crime" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">crime</span></a> <a href="/settima/tag:BookAdaptation" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BookAdaptation</span></a> <a href="/settima/tag:samurai" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">samurai</span></a> <a href="/settima/tag:Japan" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Japan</span></a> <a href="/settima/tag:1950s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1950s</span></a> ★★★½</div></h5>

<p></section></p>
]]></content:encoded>
      <guid>https://write.underworld.fr/settima/luo-sheng-men-1950</guid>
      <pubDate>Sat, 22 Apr 2023 18:19:39 +0200</pubDate>
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