“This is my supper, you see. Lindhorst, who knows the world, says that old harlots have a morbid desire to satisfy their mouths and stomachs.”

– Gamla Fru von Merkens

Red: a building or structure*

“It's just a dream, Agnes.”

– Anna

Red as an expression of inner and outer worlds. Even the scene transitions are red.

 

* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.

Someone naps or sleeps*

“I guess we like each other a lot, huh?”

– Monika Eriksson

* the Bales 2025 Film Challenge for July is, for unknown reasons, mostly not date-related and follows some sort of vacation narrative.

“I see what I see, and I know what I know. But nobody believes me.”

– Granny Vogler

A [favourite] movie couple for Loving Day (USA)

“Sometimes everything seems just like a dream. It's not my dream, it's somebody else's. But I have to participate in it. How do you think someone who dreams about us would feel when he wakes up. Feeling ashamed?”

– Eva

After Vargtimmen (1968), the second of Bergman's Ullmann/Von Sydow cycle. It was followed by En passion (1969).

 

Against the backdrop of war, a violinist couple tends a garden – and marriage – on the island of Fårö.

– All I can offer is pancakes? Will they do?

– They'll do just fine.

– We're out of love potion. What now?

– Take this one, for colic and bunions. What matters is how the bottle looks and how the potion tastes.

#Sisters Ester and Anna arrive with Anna's son Johan in the small Central European town of Timoka. The country verges on the brink of war. Unwell Ester is confined to her hotel room, Anna roams Timoka's establishments, Johan wanders the hotel corridors.

“You need to watch your step among all the ghosts and memories.”

– Ester

It's hard to watch #Bergman's Tystnaden without #StanleyKubrick's ghosts sidling in. Tystnaden however doesn't need consternation to cause dread. The interaction and lack thereof between the three leads and the few extras translate into something merely tangible and evermore frightful.