White, in food or fashion*

“Remember love, remember love Love is what it takes to dream”

– Yoko Ono, Remember Love (1969)

While the press expected the newlyweds' “bed-in” to be a scandalous nude affair, the two lovers showed up in all-white – like angels, as John put it. Surrounded by journalists and friends, John and Yoko imaged peace.

 

* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.

A character who's a grouch for Oscar the Grouch Day (USA)

Voting, for the Representation of the People Act 1918, UK.

 

Made for the Czechoslovak Pavilion at #Expo67 in #Montréal, Kinoautomat was the world's first interactive film. During nine moments in the story, a moderator would appear on the stage, and ask the audience where the story should go now. Depending on the votes, one of two reels would play.

“The Kinoautomat in the Czechoslovak Pavilion is a guaranteed hit of the World Exposition, and the Czechs should build a monument to the man who conceived the idea, Radúz Činčera.”

– The New Yorker

After its very successful performance at Expo 67, and a one year run in Prague, Kinoautomat was banned by the Czechoslovakian government.

Le temps d'une chasse is the definition of unease. It starts at dawn, when two old friends pick up their buddy Richard (Marcel Sabourin) from the home he shares with his wife and son. The son, the wife insists, comes along. The men have planned a #hunting trip, in a cabin far away from #Montréal, far away from everything, with a beer-filled cooler at hand. The last they need is an underage kid towing along. But the boy comes along, she insists. With a trunk full of Dutch courage and a mouthful of boasting, the men find themselves at a hotel instead of the expected cabins.

“Tomorrow morning we'll get up early.”

Hotel days are short and its nights long and booze-filled, commanding their own temptation and regret.