– Dont raise your voice! I'll kill you if you make a sound. – Would you please? 聖母観音大菩薩 [Seibo Kannon daibosatsu / Eros Eterna] (Kōji Wakamatsu, 1977)
Mar
7
immortality
The yao bikuni (Eiko Matsuda) rises from the ocean. DP: Hideo Itō.
An immortal character on the date Highlander (1986) was released.
When a woman eats the flesh of a 人魚 (ningyo, litt. “human fish” but in Western context commenly translated as “mermaid”), she may become a 八百比丘尼 [yao bikuni], an 800 year* old Buddhist nun granted youth and longevity.
*The number 8 symbolises growth and prosperity. Larger numbers starting with 8 indicate that the amount is endless, comparable to saying “hundreds/thousands/millions of […]” in English. Therefore, 800 years can be understood as immortal.
atg
”'I know how you feel,' Reiko says quietly. 'And I will follow you wherever you go.'”憂國 [Yūkoku / Patriotism or the Rite of Love and Death] (Yukio Mishima, 1966)
Feb
26
1936
Reiko (Yoshiko Tsuruoka) walking through her lover's blood, her kimono drenched. DP: Kimio Watanabe.
Covers February 26–28, 1936.
– intertitles
燃えつきた地図 [Moetsukita chizu / The Man Without a Map / The Ruined Map] (Hiroshi Teshigahara, 1968)
Feb
2
Shintarō Katsu and Etsuko Ichihara as the detective and the missing man's wife, their faces and gestures warped by a paned window. DP: Akira Uehara.
儀式 [Gishiki / The Ceremony] (Nagisa Ōshima, 1971)
Jan
1
A boy in school uniform has his ear pressed against the ground. DP: Tōichirō Narushima.
鴎よ、きらめく海を見たか めぐり逢い [Kamome-yo, kirameku umi o mitaka/meguri ai / Oh Seagull, Have You Seen the Sparkling Ocean? An Encounter] (Kenji Yoshida, 1975)
May
30
Pokkī
A young woman in a red-and-white striped sweater (Yōko Takahashi) leafs through fashion magazines strewn out before her on a grass-green carpeted floor while chewing a Pokkī. On a small stove close to her a fire truck red coffee pot. DP: Kōshirō Ōtsu.
少年 [Shōnen / Boy] (Nagisa Ōshima, 1969)
May
6
The boy in his school uniform (Bin Amatsu) at a table in a traditional Japanese room with his meal untouched. A man eats next to the kid who glances at someone or something offscreen. The table is set for three. DPs: Seizō Sengen & Yasuhiro Yoshioka.
少年 [Shōnen / Boy] (Nagisa Ōshima, 1969)
Dec
17
Freebie: National Insurance Awareness Day
The boy waiting next to a buzy road. DPs: Seizō Sengen & Yasuhiro Yoshioka.
A boy (Bin Amatsu), helps out his father and stepmother's insurance money scam by pretending to be injured in traffic.
儀式 [Gishiki / The Ceremony] (Nagisa Ōshima, 1971)
Nov
11
World Origami Day
A man kneeled in front of a Shintō altar. Ceremonial origami, known as origata or girei origami can be seen hanging from the altar. This is 幣帛 [heihaku], an offering made of cloth or paper. DP: Tōichirō Narushima.
新宿泥棒日記 [Shinjuku Dorobō Nikki / Diary of a Shinjuku Thief] (Nagisa Ōshima, 1969)
Aug
14
Love Your Bookshop Day
Umeko (Rie Yokoyama) in a bookstore. In the foreground a large fallen pile of books. DPs: Seizō Sengen & Yasuhiro Yoshioka.
Umeko (Rie Yokoyama) believes to have caught Torio redhanded (Tadanori Yokoo, whose character has been renamed “Birdey” in the English translation), shoplifting from her bookstore. Torio however is a performance actor – and real-world Art Theatre Guild performer – and the act of stealing is part of his research. The young people's encounter sets something in motion. Together them embark on committing crimes in #Tokyo's labyrinthine #Shinjuku neighbourhood and find their mirror images in a #kabuki play.
新宿泥棒日記 is a playful, dangerous exploration of youth and rebellion in a rapidly shifting Japan.
憂國 [Yūkoku / Patriotism or the Rite of Love and Death] (Yukio Mishima, 1966)
May
1
Loyalty Day
Shinji Takeyama (Yukio Mishima) and Reiko (Yoshiko Tsuruoka). In a quiet framed still, Shinji lays on a tatami mat in full uniform. Reiko rests her head on his chest. Both have their eyes closed. DP: Kimio Watanabe.
Japanese author Yukio Mishima was, besides an aesthete, a fierce proponent of Japanese nationalism. In 憂國, based on his short 1960 story, Mishima plays palace guard Lt. Shinji Takeyama. Despite being one of the instigators of an ultra-nationalist coup, Takeyama decides he cannot overthrow the government as it would mean having to kill his friends and be disloyal to the Emperor. Returning home, he and his bride Reiko (Yoshiko Tsuruoka) perform #切腹 (#seppuku / #HaraKiri), as in line with Takeyama's #samurai heritage.
Yūkoku is a #SilentFilm that plays out like #Noh #theatre, with an extreme emphasis on the beauty and love of death and loyalty respectively.
After Mishima's own seppuku in 1970, his widow ordered all copies of Yūkoku to be destroyed. In 2005, in Mishima's house, a pristine copy was uncovered in a tea box.