Someone goes to work*

“Du, Wolf, nächsten Sonntag — ?”

– title card

Berliners rest on Sunday, we still do. People lounge in the many parks, and on the shores of the city's many lakes. And then, it's Monday.

 

Released in 1929, according to Atlas Film, who restored this important Weimar classic long before Criterion put their grubby hands on it.

 

* the Bales 2025 Film Challenge for July is, for unknown reasons, mostly not date-related and follows some sort of vacation narrative.

“It's a good story today. Tomorrow, they'll wrap a fish in it.”

– Charles Tatum

A movie about romance, of the Mafia, for St. Valentine's Day.

 

Musicians Joe (Tony Curtis) and Jerry (Jack Lemmon) witness a killing by the Mob at the St. Valentine's Dance where they were hired to perform. In an attempt to escape the Chicagoan gangsters, they go overcover as Josephine and Daphne (“Well, I never did like the name Geraldine.”) in an all-gall jazz band, and fall head over heels for ukelele player Sugar Kane (Marilyn Monroe).

“Real diamonds! They must be worth their weight in gold!”

– Sugar Kane Kowalczyk

The opening shootout was directly inspired by the February 14 1929 Saint Valentine's Day Massacre (graphic), and shares an actor from one of its most famous adaptations, Scarface (1932); George Raft as the wonderfully named Spats Colombo.

“I can handle big news and little news. And if there's no news, I'll go out and bite a dog.”

– Charles Tatum

The main character is a “short girl” [I do not agree with the infantilizing wording] on Short Girl Appreciation Day (USA)

 

The great Gloria Swanson (4'11” – 5ft 2 / 1,49 m) – fabulously decked out by Edith Head (5'1” / 1,55 m) with an endless parade of platform shoes – in Billy Wilder's Sunset Blvd. (1950).

“I am big. It's the pictures that got small.”

– Norma Desmond

Also starring, Buster Keaton, who was 5'5” / 1,65 m.