settima

london

The Black Tower (John Smith, 1985—1987)

Aug

22

black

The Black Tower (1987)

The black tower, visible from behind a brick wall (via)..

Black: a building or structure*

“I first noticed it in Spring last year. […] It was from [my home] that I first saw it—its crest protruding over the roofs on the other side of the road. Surprised that I hadn’t noticed it before, I wondered what it was and then forgot about it for several weeks.”

– narrator

A man becomes aware of a formerly unnoticed black tower. Surely it's nothing, yet as the weeks pass, its looming presence takes over.

 

The black tower was a real structure, first noticed by filmmaker John Smith when he moved to East London. The building, actually the upper part of a hospital's water tower, was painted pitch black, and on sunny days appeared to be a cutout in the sky. By framing the shots in such a way that only part of the surroundings is visible, and editing them in a narrative framework, Smith creates a new context suggesting movement. This style of montage called creative geography, or artificial landscape, was developed by Lev Kuleshov and enables filmmakers to expand existing material and narrative into something that usually is only available to prose poetry.

 

Wholly Communion (Peter Whitehead, 1966)

Jun

11

1965

Wholly Communion (1966)

Allen Ginsberg reciting in front of an enraptured audience at the Royal Albert Hall. DP: Peter Whitehead.

“Love! Love!”

– anonymous poet interrupting Harry Fainlight

The Moon Over the Alley (Joseph Despins, 1976)

Mar

21

End Racism Day

The Moon Over the Alley (1976)

Ronnie Gusset (Patrick Murray), Sherry (Bill Williams), and Belinda (Sharon Forester) at a kitchen table, chatting and laughing. DP: Peter Hannan.

Diversity for the International Day for the Elimination of Racial Discrimination.

 

Today marks the anniversary of the Sharpeville massacre (1960), when police butchered dozens of people gathered to protest the pass law, one of Apartheid's many cruel segregation measurements.

“In a short while you'll see that the moon won't be so bright as it is. Clouds will cover it… it'll get broken up there. I hope it won't break us.”

– Sybil

The multicultural residents of a Notting Hill boarding house go about their day – listening to the radio, humming, singing – with the local council's imminent demolition of their home looming over them.

 

A kitchen sink drama, yes. But also a catchy musical, written by no other than Galt MacDermot, who brought the world the musical Hair (1967) and the blaxploitation neo-noir Cotton Comes to Harlem (1970).

The Party's Over (Guy Hamilton, 1965)

Feb

13

party

The Party's Over (1965)

The party crowd staggers its way home at dawn across Albert Bridge. DP: Mike Pratt.

Partying on Fat Tuesday*.

– Let's keep this party going till Sunday. – Why Sunday? – The Hindus say the world comes to an end on Sunday. – But, how will we know when it happens? – Graves will gape and the shrouded dead will run gibbering and shrieking in the streets. – Sounds like any other Sunday.

*which isn't until March 4 this year.