“I first noticed it in Spring last year. […] It was from [my home] that I first saw it—its crest protruding over the roofs on the other side of the road. Surprised that I hadn’t noticed it before, I wondered what it was and then forgot about it for several weeks.” The Black Tower (John Smith, 1985—1987)
Aug
22
black
The black tower, visible from behind a brick wall (via)..
Black: a building or structure*
– narrator
A man becomes aware of a formerly unnoticed black tower. Surely it's nothing, yet as the weeks pass, its looming presence takes over.
The black tower was a real structure, first noticed by filmmaker John Smith when he moved to East London. The building, actually the upper part of a hospital's water tower, was painted pitch black, and on sunny days appeared to be a cutout in the sky. By framing the shots in such a way that only part of the surroundings is visible, and editing them in a narrative framework, Smith creates a new context suggesting movement. This style of montage called creative geography, or artificial landscape, was developed by Lev Kuleshov and enables filmmakers to expand existing material and narrative into something that usually is only available to prose poetry.
* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.