ტარიელ მკლავაძის მკვლელობის საქმე [Tariel Mklavadzis mkvlelobis saqme / The Hero of Our Time] (Ivane Perestiani, 1925)
Sep
21
wine
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A dark eyed woman lurks from behind a white horse, while holding a glass of wine. DP: Aleksandr Digmelov.
ტარიელ მკლავაძის მკვლელობის საქმე [Tariel Mklavadzis mkvlelobis saqme / The Hero of Our Time] (Ivane Perestiani, 1925)
Sep
21
wine
.png)
A dark eyed woman lurks from behind a white horse, while holding a glass of wine. DP: Aleksandr Digmelov.
“I am Cuba. Why are you running away? You came here to have fun? Go ahead, have fun! Is this a happy picture? Don't avert your eyes. Look! I am Cuba. For you, I am the casino, the bar, the hotels. But the hands of these children and old people, are also me.”Soy Cuba [I Am Cuba] (Mikhail Kalatozov, 1964)
Jul
10

The rich and beautiful spend a lazy day at a grand rooftop pool. DP: Sergey Urusevskiy.
Someone in poolside vacation clothing*
– the voice of Cuba
* the Bales 2025 Film Challenge for July is, for unknown reasons, mostly not date-related and follows some sort of vacation narrative.
“Time will pass. Towns and villages will be rebuilt. Our wounds will heal. But our fierce hatred of war will never diminish.” Летят журавли [Letyat zhuravli / The Cranes Are Flying] (Mikhail Kalatozov, 1957)
May
8
VE Day

A young woman standing in what was a room in a building, looks out over the ruins of a city. A broken lampshade and a grandfather's clock whisper of other times. DP: Sergey Urusevskiy.
A non-battlefield war movie on VE Day. It had to be a Soviet film, on this date. Thank you, Russia.
– Stepan
When the cranes fly over Moscow, a young couple learns about the war. Now separated, one day, when it is over, if, they'll reunite
The hand-held cinematography, groundbreaking at the time, came from former war cameraman Sergey Urusevskiy.