settima

Berlin

Stroszek (Werner Herzog, 1977)

Sep

9

German Language Day

Stroszek (1977)

A warm Railroad Flats, Wis. “Willcomen” [sic] for (LtR) Scheitz, Eva, and Bruno, with Mr Scheitz's nephew (Clayton Szalpinski) squeezed between his “Onkellein” and Eva. DP: Thomas Mauch.

Bruno Stroszek (Bruno S.), his friends Eva (Eva Mattes) and Scheitz (Clemens Scheitz, responsible for the fairy-tale music you hear in this film) decide to leave dreary #Berlin behind and move to #Wisconsin where the latter's nephew lives. A new life, with dreams of music and animal magnetism, awaits them there.

“Was ist loos? Der Hund is loose.”

– Clayton

As so oft with #Herzog, the story behind Stroszek is as engrossing as the resulting film. Documentary maker Errol Morris and Herzog were fascinated by Wisconsin's own Ed Gein and wondered if Gein had dug up his own mother, as was rumoured at the time. As they would, they decided to open the poor woman's grave. Morris never showed up, and neither did Herzog but only because his car broke down en route to Plainfield, Wisconsin. Trying to get the vehicle fixed, Herzog entered the workshop of a Clayton Szalpinski.

 

A character in his own right, and a non-actor to boot, Clayton ended up in Stroszek as Scheitz's nephew; a MacGuffin odder than a dancing chicken.

Nicht der Homosexuelle ist pervers, sondern die Situation, in der er lebt [It Is Not the Homosexual Who Is Perverse, But the Society in Which He Lives] (Rosa von Praunheim, 1971)

Jul

6

National Daniel Day

Nicht der Homosexuelle ist pervers, sondern die Situation, in der er lebt (1971)

A gay couple kissing on the street in front of a black-tiled Berlin bar. A third gay man nearby looks away. DP: Robert van Ackeren.

Daniel (Bernd Feuerhelm) is a young man in #WestBerlin exploring his homosexuality. Initially he opts for a spießbürgerlich, petit-bourgeois, almost heterosexual affair. He then probes further, swings by Berlin's public toilets and pools. Only when he encounters a leftwing gay commune he finds that pride, not conformity, is his way of living his life.

“Werdet stolz auf eure Homosexualität! Raus aus den Toiletten, rein in die Strassen! Freiheit für die Schwulen!”

Von Praunheim's Nicht der Homosexuelle ist pervers is a plea for rebellion and visibility. For revolt and love. A wakeup call for gays and straights alike. Such a stir this film pamphlet made it became the blueprint for West-Germany's gay liberation movement.

Ein Bild von Sarah Schumann [A Picture of Sarah Schumann] (Harun Farocki, 1978)

Jun

26

National Sarah Day

Ein Bild von Sarah Schumann (1978)

A close-up of the artist's hand at work. More stills and details about this film on Frieze. DP: Ingo Kratisch.

Commissioned for a West-German TV series called Kunstgeschichten (litt. both “art stories” and “#art histories”), filmmaker Harun Farocki visits artist Sarah Schumann in her #Berlin studio.

“An diesem Tag war das Bild, drei Monate nach Beginn und 67 Arbeitstagen fertig.”

– narrator

The resulting documentary shows the process of creating one art piece over the course of nine weeks. Schumann's work in that period consists of collage portraits of women important in her life.

Germania anno zero [Germany Year Zero] (Roberto Rossellini, 1948)

Feb

6

National Sickie Day

Germania anno zero (1948)

Edmund (Edmund Köhler) walking through rubble in a post-apocalyptic Berlin. DP: Robert Juillard.

Twelve-year-old Edmund – the oldest kid to survive – works to support his whole family including his sick bedridden father while the remains of what was a thousand-year empire lies in rubbles around them.

– I don't go to school anymore.

– Why not? You don't like the new teachers?

– I have to work now.

Following Roma città aperta (1945) and Paisà (1946) of #Rossellini's unofficial war trilogy.