Sisters, for one of the OPs' sister's birthday.

 

Expelled prostitute Maddalena returns to her home island Vulcano (Salina in disguise) and moves in with her sister Maria. A handsome fisherman becomes first Maria's, then Maddalena's catch.

 

A revenge film à la lettre, but not as you may think. Anna Magnani was cast as the lead for her lover Rossellini's Stromboli (Terra di Dio) (1950), and – after him having set eyes on Ingrid Bergman – was ditched in the latter's favour. While Rossellini fawned over the blonde, Magnani shot “her” film on a neighbouring volcanic island, blowing her former beau's efforts out of the water.

Siblings as main characters for Siblings Day (USA/Canada)

– “Nous sommes deux sœurs jumelles, nées sous le signe des gémeaux   – Mi fa sol la mi ré, ré mi fa sol sol sol ré do   – Aimant la ritournelle, les calembours et les bons mots   – Mi fa sol la mi ré, ré mi fa sol sol sol ré do”

– Delphine & Solange

– Why are we making pancakes?

– Monsieur likes them. Besides, what else is there?

Sisters for [OP's] sister's birthday.

#Sisters Ester and Anna arrive with Anna's son Johan in the small Central European town of Timoka. The country verges on the brink of war. Unwell Ester is confined to her hotel room, Anna roams Timoka's establishments, Johan wanders the hotel corridors.

“You need to watch your step among all the ghosts and memories.”

– Ester

It's hard to watch #Bergman's Tystnaden without #StanleyKubrick's ghosts sidling in. Tystnaden however doesn't need consternation to cause dread. The interaction and lack thereof between the three leads and the few extras translate into something merely tangible and evermore frightful.