– Men are extinct. – They were not mammoths!Seksmisja [Sexmission] (Juliusz Machulski, 1984)
Aug
9

Two poor captured extinct men enjoying breakfast and cigarettes. DP: Jerzy Łukaszewicz.
– Men are extinct. – They were not mammoths!Seksmisja [Sexmission] (Juliusz Machulski, 1984)
Aug
9

Two poor captured extinct men enjoying breakfast and cigarettes. DP: Jerzy Łukaszewicz.
“The entire world is rotten and corrupt… to us they're dead people who refuse to lay down, they're cadavers”8-8-88 Church of Satan Mansonite Rally (Boyd Rice, 1988)
Aug
8
1988

The marquee of the San Francisco Strand Theater. Mentioned are two films: animation A Bitter Message of Hopeless Grief by Jonathan Reiss (1988), and excellent Mansonsploitation drama The Other Side of Madness aka The Helter Skelter Murders by Frank Howard (1971). Also billed (what a night!) are NON and Secret Chiefs 3.Still (via). DP: ?.
Provocateur Boyd Rice and friends perform a Satanic rite on August 8, 1988; exactly 20 years minus one year minus one day after the Tate-LaBianca murders.
– Boyd Rice speaking to Geraldo Rivera (via)
Please note that the linked article is written by an dimwitted ignoramus completely oblivious of Boyd Rice's, and Anton LaVey's, prankster background.
“On the night of July 25, 1958 I killed Ladislaw Zukarevitch, antique dealer, my mentor, my master in the art of polishing diamonds, my tutor at Warsaw Theological School.”Les trois couronnes du matelot [Three Crowns of the Sailor] (Raúl Ruiz, 1983)
Jul
25
1958

Prostitute María (Nadège Clair) sitting on her bed. The bed is covered in dolls. DP: Sacha Vierny.
– the student
L'argent [Money] (Robert Bresson, 1983)
Jul
22

A man at an ATM holds on to a Visa credit card with tweezers. DPs: Pasqualino De Santis & Emmanuel Machuel.
Everything's expensive: someone is a at bank or ATM*
* the Bales 2025 Film Challenge for July is, for unknown reasons, mostly not date-related and follows some sort of vacation narrative.
“It appears obvious that the territory is the sum of all the maps, the result of an infinite addition. Or a contrary, the territory is what is left when we remove all the sets of lines, drawings, traces and colors which are covering it. Its existence becomes doubtful.” Zig-Zag – le jeu de l'oie (Une fiction didactique à propos de la cartographie) [Snakes and Ladders] (Raúl Ruiz, 1980)
Jul
5

An anthropomorphic map with contour lines sketching out a man's head (via). DP: Alain Montrobert.
Traveling to my vacation destination, a map or globe*
– H., via
A man, H., joins two others playing jeu de l'oie (Game of the Goose), a board game associated with labyrinths and pilgrimage. While the three play, the game opens up maps and new roads to explore.
Following my own Bales' rules, I cannot pick a title twice. See Zig-Zag as an avatar of Raúl Ruiz's O Território [The Territory] from 1981.
* the Bales 2025 Film Challenge for July is, for unknown reasons, mostly not date-related and follows some sort of vacation narrative.
Farewell, Etaoin Shrdlu (David Loeb Weiss, 1980)
Jul
1
1978

All set for the July 2, 1978 edition of The New York Times, hot off the press.
Production of the last hot type copy of The New York Times on the nigh of July 1, 1978. The ETAOIN SHRDLU in the title refers to the accidental string of letters that sometimes would end up in print when using the hot type method.
That Linotype setting, and narration, was provided by Carl Schlesinger. That same old, but now digitally set New York Times, provided a lovely farewell when the man passed. Read it here
Лісова пісня. Мавка [Lisova pisnya. Mavka / A Story of the Forest: Mavka] (Yuri Ilyenko, 1981)
Jun
7
National Trails Day

Mavka (Lyudmila Efimenko) and the Spirit of the Forest (Boris Khmelnitskiy). DP: Yuri Ilyenko.
A movie that takes place in nature for National Trails Day (USA)
Mavka, a forest nymph, falls in love with mortal Lukash, who in his turn is punished by the Spirit of the Forest for marrying another mortal instead. Curse upon curse, Lukash is turned into a wolf, and Mavka into a weeping willow.
The colours, mood and impact of the four seasons on mortal and sprite alike is there, not only made visible by Ilyenko's ethereal, spiralling camera, but somewhere blooming deep inside us, observing.
ビリィ★ザ★キッドの新しい夜明け [Birī za kiddo no atarashii yoake / The New Morning of Billy the Kid] (Naoto Yamakawa, 1986)
May
31
National Utah Day

Director Naoto Yamakawa directing Billy the Kid (Hiroshi Mikami) on site in Utah (via) DP: Kenji Takama.
An actor, director or character from Utah – National Utah Day (USA)
Billy the Kid steps out of a huge poster of Monument Valley right into a Tokyo bar and becomes its bar keeper. Together with a samurai, a WW2 G.I, Marx-Engels (not a typo), the Japanese weather service number 177 and others, he keeps the tavern safe from various thugs roaming the streets.
“The fear in her eyes and the knife in the chest. That's my last memory of my mother. That's why I had to go to prison for four years, even though she survived.”Angst [Fear] (Gerald Kargl, 1983)
May
23
National Title Track Day


1: K. Out. Out. DP: Zbigniew Rybczynski.
2: Klaus Schulze at work in 1983 (via)
A killer title track for National Title Track Day (USA)
– opening lines
What stabs you harder in the chest than Klaus Schulze's synth-driven killing spree?
Anayurt Oteli [Motherland Hotel] (Ömer Kavur, 1987)
May
14
Receptionist Day

Receptionist Zebercet. DP: Orhan Oğuz.
A receptionist or secretary for Receptionist Day
The proprietor and receptionist of a small hotel welcomes a new guest. The woman, her name she doesn't tell, stays for only one night with the promise to return the following week. The receptionist waits.