settima

1980s

Taxi zum Klo (Frank Ripploh, 1980)

Sep

2

Christa McAuliffe 1948 – 1986

Taxi zum Klo (1980)

Frank (Frank Ripploh) teaching kids about the human body on an anatomy dummy. DP: Horst Schier.

A teacher for what would have been Christa McAuliffe's birthday.

“Ich mag Männer, bin 30 Jahre alt, von Beruf Lehrer.”

– Frank Ripploh

Frank Ripploh is a sexual ethics and biology teacher by day, and hedonistic gay man and aspiring pornographer by night. When Frank Ripploh, the man, publicly came out in 1978 in the tabloid Stern, he lost his teaching job and did become that filmmaker. Taxi zum Klo – litt. taxi to the john/loo – is his story. A frank pre-AIDS pre-Internet pre-victimhood depiction of male gay culture in West Germany. Maybe raw, possibly misogynist, definitely true to life.

The Black Tower (John Smith, 1985—1987)

Aug

22

black

The Black Tower (1987)

The black tower, visible from behind a brick wall (via)..

Black: a building or structure*

“I first noticed it in Spring last year. […] It was from [my home] that I first saw it—its crest protruding over the roofs on the other side of the road. Surprised that I hadn’t noticed it before, I wondered what it was and then forgot about it for several weeks.”

– narrator

A man becomes aware of a formerly unnoticed black tower. Surely it's nothing, yet as the weeks pass, its looming presence takes over.

 

The black tower was a real structure, first noticed by filmmaker John Smith when he moved to East London. The building, actually the upper part of a hospital's water tower, was painted pitch black, and on sunny days appeared to be a cutout in the sky. By framing the shots in such a way that only part of the surroundings is visible, and editing them in a narrative framework, Smith creates a new context suggesting movement. This style of montage called creative geography, or artificial landscape, was developed by Lev Kuleshov and enables filmmakers to expand existing material and narrative into something that usually is only available to prose poetry.

 

آداب بهاری [Adab-e Bahari / Rites of Spring] (Ali Asghar Agahbanaei, 1982)

Aug

11

spring

Adab-e Bahari (1982)

In a dewdrop hanging from a rose, the face of a smiling woman appears.

Dita e Verës, a pagan spring celebration from Albania, celebrated in March: a spring scene*

 

The restless anticipation of spring. Iran as it was before and after the 1979 toppling of the Shah. While the snow melts away, the Revolution takes place, and fresh buds appear on the rose bushes. A poem.

 

L'argent [Money] (Robert Bresson, 1983)

Jul

22

L'argent (1983)

A man at an ATM holds on to a Visa credit card with tweezers. DPs: Pasqualino De Santis & Emmanuel Machuel.

Everything's expensive: someone is a at bank or ATM*

 

Zig-Zag – le jeu de l'oie (Une fiction didactique à propos de la cartographie) [Snakes and Ladders] (Raúl Ruiz, 1980)

Jul

5

Zig-Zag (1980)

An anthropomorphic map with contour lines sketching out a man's head (via). DP: Alain Montrobert.

Traveling to my vacation destination, a map or globe*

“It appears obvious that the territory is the sum of all the maps, the result of an infinite addition. Or a contrary, the territory is what is left when we remove all the sets of lines, drawings, traces and colors which are covering it. Its existence becomes doubtful.”

– H., via

A man, H., joins two others playing jeu de l'oie (Game of the Goose), a board game associated with labyrinths and pilgrimage. While the three play, the game opens up maps and new roads to explore.

 

Following my own Bales' rules, I cannot pick a title twice. See Zig-Zag as an avatar of Raúl Ruiz's O Território [The Territory] from 1981.

 

Лісова пісня. Мавка [Lisova pisnya. Mavka / A Story of the Forest: Mavka] (Yuri Ilyenko, 1981)

Jun

7

National Trails Day

Лісова пісня. Мавка (1981)

Mavka (Lyudmila Efimenko) and the Spirit of the Forest (Boris Khmelnitskiy). DP: Yuri Ilyenko.

A movie that takes place in nature for National Trails Day (USA)

 

Mavka, a forest nymph, falls in love with mortal Lukash, who in his turn is punished by the Spirit of the Forest for marrying another mortal instead. Curse upon curse, Lukash is turned into a wolf, and Mavka into a weeping willow.

 

The colours, mood and impact of the four seasons on mortal and sprite alike is there, not only made visible by Ilyenko's ethereal, spiralling camera, but somewhere blooming deep inside us, observing.

ビリィ★ザ★キッドの新しい夜明け [Birī za kiddo no atarashii yoake / The New Morning of Billy the Kid] (Naoto Yamakawa, 1986)

May

31

National Utah Day

Birī za kiddo no atarashii yoake (1986)

Director Naoto Yamakawa directing Billy the Kid (Hiroshi Mikami) on site in Utah (via) DP: Kenji Takama.

An actor, director or character from Utah – National Utah Day (USA)

 

Billy the Kid steps out of a huge poster of Monument Valley right into a Tokyo bar and becomes its bar keeper. Together with a samurai, a WW2 G.I, Marx-Engels (not a typo), the Japanese weather service number 177 and others, he keeps the tavern safe from various thugs roaming the streets.

Angst [Fear] (Gerald Kargl, 1983)

May

23

National Title Track Day

Angst (1983)
Klaus Schulze (1983)

1: K. Out. Out. DP: Zbigniew Rybczynski.
2: Klaus Schulze at work in 1983 (via)

A killer title track for National Title Track Day (USA)

“The fear in her eyes and the knife in the chest. That's my last memory of my mother. That's why I had to go to prison for four years, even though she survived.”

– opening lines

What stabs you harder in the chest than Klaus Schulze's synth-driven killing spree?

Anayurt Oteli [Motherland Hotel] (Ömer Kavur, 1987)

May

14

Receptionist Day

Anayurt Oteli (1987)

Receptionist Zebercet. DP: Orhan Oğuz.

A receptionist or secretary for Receptionist Day

 

The proprietor and receptionist of a small hotel welcomes a new guest. The woman, her name she doesn't tell, stays for only one night with the promise to return the following week. The receptionist waits.

Παραγγελιά! [Parangelia! / Request for a Song] (Pavlos Tasios, 1980)

May

13

Top Gun Day

Παραγγελιά! (1980)

A man dances the Zeibekiko, with another close to him. DPs: Sakis Maniatis & Kostas Papagiannakis.

Testosterone! for Top Gun Day (USA)

 

The Ζεϊμπέκικο (Zeibekiko) is a Greek dance, improvised by one man, alone. It's a dance that shows the performer's manliness, both his pride and his sorrows. Out of respect for the dancer, the others sit down, watch, and relate to him.

 

When the police enters the establishment – and this is 1973, the colonels ruled the naton – and interrupt the dancer, his older brother steps in.