settima

1980s

Der Stand der Dinge [The State of Things] (Wim Wenders, 1982)

Aug

13

1942

Der Stand der Dinge (1982)

Friedrich Munro's (Patrick Bauchau) Hollywood, Ca address and date of birth: August 13, 1942. DPs: Henri Alekan, Fred Murphy & Martin Schäfer.

– You know, I take pictures, photographs, but I never really thought in black and white before I saw our rushes. Do you know what I mean? You can see the shape of things.   – Life is in colour, but black and white is more realistic.

Seksmisja [Sexmission] (Juliusz Machulski, 1984)

Aug

9

Seksmisja (1984)

Two poor captured extinct men enjoying breakfast and cigarettes. DP: Jerzy Łukaszewicz.

– Men are extinct.

– They were not mammoths!

Czułe miejsca [Tender Spots] (Piotr Andrejew, 1981)

Jul

7

ice cream

Czułe miejsca (1981)

Ewa (Hanna Dunowska) licks melting ice cream with Janek (Michał Juszczakiewicz) looking on. DPs: Jerzy Zieliński & Ryszard Lenczewski.

Simone Barbès ou la vertu (Marie-Claude Treilhou, 1980)

Jun

19

pâté

Simone Barbès ou la vertu (1980)

Two female porn theatre ushers (Ingrid Bourgoin and Martine Simonet) looking bored. They sit under two large eye-shaped neon lights. Between them a small table with various half-consumed items, including part of a baguette with pâté. DP: Jean-Yves Escoffier.

– Ah, regarde, c'est Tati ! – Tati qui? – Tati, comme Mon Oncle.

Kontrakt [The Contract] (Krzysztof Zanussi, 1980)

Jun

4

Coca-Cola

Kontrakt (1980)

Two middle-aged men in discussion with a woman, semi off-screen, holding a drink. There's food covered with a napkin and a wineglass in front of the men. Behind the men, the maid – a tense woman cradling many small Coca-Cola bottles – looks on. DP: Slawomir Idziak.

Altered States (Ken Russell, 1980)

May

18

tea

Altered States (1980)

An almost monochrome man and woman in Edwardian costumes sit at a round table under a parasol. The couple looks out over a field with bright orange poppies. The flowers are filmed through a fisheye lens and appear to be on a grassy green planet.. DP: Jordan Cronenweth.

“She's still crazy about him. He's still crazy.”

Falfúró [Wall Driller] (György Szomjas, 1986)

Feb

17

Falfúró (1986)

Peeping through a window we see a woman at a gas stove, stirring something in a low enamel pan. She appears to speak to a large man with a big moustache who's standing close to her. DP: Ferenc Grunwalsky.

火まつり [Himatsuri / Fire Festival] (Mitsuo Yanagimachi, 1985)

Feb

16

water

火まつり (1985)

A man drinks from a small stream like an animal. DP: Masaki Tamura.

A Zed & Two Noughts [Z+00 / ZOO] (Peter Greenaway, 1985)

Dec

27

Visit The Zoo Day

A Zed & Two Noughts (1985)

A zebra in a cage with the word ZOO in large blue lit capitals in the background. In the background a man. All but the lettering is black-and-white. DP: Sacha Vierny.

A zoo for National Visit The Zoo Day (USA)

“In the land of the legless, the one-legged woman is queen.”

Mahagonny [Number 18] (Harry Smith, 1980)

Dec

22

राष्ट्रिय गणित दिवस

Mahagonny (1980)

A mathematics focused movie for National Mathematics Day (India)

 

Mahagonny is filmmaker, artist, musicologist, and alchemist Harry Smith's mathematical analysis of Marcel Duchamp's masterpiece La mariée mise à nu par ses célibataires, même [The Bride Stripped Bare by Her Bachelors, Even], aka Le Grand Verre [The Large Glass], which was completed in 1923. It is set to Brecht and Weill's opera Aufstieg und Fall der Stadt Mahagonny [Rise and Fall of the City of Mahagonny] from 1930, which was an opera Smith was obsessed with while living in New York's Chelsea Hotel.

“My cinematic excreta is of four varieties:–batiked abstractions made directly on film between 1939 and 1946; optically printed non-objective studies composed around 1950; semi-realistic animated collages made as part of my alchemical labors of 1957 to 1962; and chronologically superimposed photographs of actualities formed since the latter year. All these works have been organized in specific patterns derived from the interlocking beats of the respiration, the heart and the EEG Alpha component and they should be observed together in order, or not at all, for they are valuable works, works that will live forever—they made me gray.”

– Harry Smith, via

Read an interview with Jonas Mekas about Harry Smith and his Mahagonny.