The two-page story this film is based on – Jorge Luis Borges' Tema del traidor y del héroe [Theme of the Traitor and Hero] (1944) – takes place on January 3 and August 2.

“Instead of leaving this morning, I'm still here. Among friends.”

– Athos Magnani

Watched on January 24 and 25 respectively.

Midnight: it's Hogmanay in Scotland.

“There's no clue to the identify of Franz Kindler; except one little thing. He has a hobby that almost amounts to a mania: clocks.”

– Mr. Wilson

The Clock takes place over – and lasts – 24 hours, with each moment either being shown in a film still or mentioned by characters during a scene. In total, there are over 12 000 scenes edited into Marclay's tour de force.

A clock face on Tick Tock Day (USA)

 

After World War II, the Japanese martial arts of #kendo was banished by the occupying forces in an attempt to “remove and exclude militaristic and ultra-nationalistic persons from life”. With that in mind, it makes complete sense that nationalist author and former kendo practitioner Yukio Mishima wrote a short story – Sword, originally published in literary magazine Shincho in 1963 – about the art.

– So what is your goal in life then?

– Satisfaction of the present. The sword, and nothing else.

Both the story and Kenji Misumi's 1964 film adaptation follow arrogant kendo student Jiro, played by sublime kabuki actor Raizō Ichikawa who also appears in an earlier Mishima adaptation, 炎上 [Enjō / The Temple of the Golden Pavilion / Conflagration] (1958).