settima

filmnoir

Black Friday (Arthur Lubin, 1940)

Jun

13

Black Friday (1940)

Karloff as Dr. Ernest Sovac. DP: Elwood Bredell.

Strangers on a Train (Alfred Hitchcock, 1951)

May

16

doubles

Strangers on a Train (1951)

Guy Haines (Farley Granger) and Bruno Anthony (Robert Walker), two strangers on a train. DP: Robert Burks.

“I still think it would be wonderful to have a man love you so much he'd kill for you.”

Beyond a Reasonable Doubt (Fritz Lang, 1956)

May

7

Beyond a Reasonable Doubt (1956)

Susan Spencer (Joan Fontaine) lighting Tom Garrett's (Dana Andrews) cigarette. DP: William E. Snyder.

“It's a weird, crazy idea, but that's the reason it intrigues me.”

– Tom Garrett

Sweet Smell of Success (Alexander Mackendrick, 1957)

April 20

20

oysters

Sweet Smell of Success (1957)

J.J. Hunsecker (Burt Lancaster) pulling Sidney Falco's (Tony Curtis) tie over cocktails and oysters. DP: James Wong Howe.

“I'd hate to take a bite outta you. You're a cookie full of arsenic.”

– J.J. Hunsecker

Les yeux cernés [Marked Eyes] (Robert Hossein, 1964)

Apr

2

1964

Les yeux cernés (1964)

A typed request on official stationary dated April 2, requesting to show up at the police precinct on April 4, 1964. DP: Jean Boffety.

Crime Wave [The City Is Dark] (André De Toth, 1953)

Jan

29

dinner for two

Crime Wave (1953)

Ellen Lacey (Phyllis Kirk) serving a bunch of punks (Bronson (2nd from the left, and Ted de Corsia (right) the food she prepared for herself and her husband Steve (Gene Nelson). DP: Bert Glennon.

“You know, it isn't what a man wants to do, Lacey, but what he has to do. Now take me – I love to smoke cigarettes, but the doctors say I can't have them. So what do I do? I chew toothpicks, tons of them.”

– Det. Lt. Sims

Les yeux cernés [Marked Eyes] (Robert Hossein, 1964)

Jan

11

baguette

Les yeux cernés (1964)

A young woman with big eyes and a dark bob (Marie-France Pisier) picks crumbs out of a fresh baguette. She's somewhere in a dreary small town. The snow's almost gone. DP: Jean Boffety.

Ο Δράκος [O Drakos / The Ogre of Athens / The Ogre / The Vampire] (Nikos Koundouros, 1956)

Jan

2

Martini

Ο Δράκος (1956)

The boss, Hondros (Giannis Argyris), pours out a stiff drink on the floor of his cabaret with Mr Tomas (Dinos Iliopoulos) in the background. DP: Kostas Theodoridis.

The first film dinner of 2024.

Ο Δράκος [O Drakos / The Ogre of Athens / The Ogre / The Vampire] (Nikos Koundouros, 1956)

Dec

31

New Year's Eve

Ο Δράκος (1956)

Men in identical white shirts and dark slacks dancing in the club during after hours. Their upper bodies seem top-heavy, tending to lunge towards the ground. DP: Kostas Theodoridis.

New Year's Eve celebrations.
A mousy bank clerk (Dinos Iliopoulos), who bears an uncanny resemblance to a criminal on the run, finds himself hiding in a shady cabaret on New Year's Eve instead of spending a quiet evening alone. During his forced stay at the nightclub, he comes to enjoy and identify more and more with his newfound persona and assumes the role of the notorious “Drago”.

 

An initial box office dud, it is now considered one of the top ten all-time best Greek films.

 

Happy new year, everyone! On to many more cinematic discoveries!

Si muero antes de despertar [If I Should Die Before I Wake] (Carlos Hugo Christensen, 1952)

Dec

19

National Hard Candy Day

Si muero antes de despertar (1952)

Lucio (Néstor Zavarce) and his new friend sharing one of her fancy 10¢ lollipop​s. DP: Pablo Tabernero.

Eating hard candy on National Hard Candy Day.

 

Lucio is the class clown, a ne'er-do-well relying on his police-dad's rank and classmates' homework. One of these classmates, a smart little girl, promises him fancy lollipops in exchange for protection. And she has a secret for him too, about the origin of the candy, and the nice man giving her those and other nice things. Under oath, she tells Lucio everything and then promptly disappears. With his friend gone, killed as he later finds out, and an oath weighing on his heart, what can Lucio do when another girl goes missing?

“Only a child can kill the monster.”

– narrator

Cornell Woolrich's haunting tales of childhood lost leaped from Ireland to Argentina. With some similarities with Fritz Lang's M (1931), this fairy-tale feels more oppressive; due to the helplessness of a boy's power in an adult world and his understanding of grown-up responsibilities. A restored version in wider circulation is long overdue.