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La Chinoise, ou plutôt à la Chinoise: un film en train de se faire [La chinoise] (Jean-Luc Godard, 1967)
Mar
19
Howard University Protest
Yvonne (Juliet Berto) holed up behind piles of Mao's Little Red Book, wielding a machine gun. DP: Raoul Coutard.
“One must confront vague ideas with clear images”
– slogan on a wall
Five Maoist students theorise, then practice a radical overthrow via terrorism.
Loosely based on Dostoyevsky's Бѣсы [The Possessed] (1871–72).
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Alphaville: Une étrange aventure de Lemmy Caution (Jean-Luc Godard, 1965)
Jul
16
petit déjeuner
In one of the very few daytime scenes, Natacha (Anna Karina) and Lemmy Caution (Eddie Constantine) share breakfast at a small table while awkwardly sitting on the armrests of two upholstered chairs. A large television is set up directly behind the table. DP: Raoul Coutard.
“Yes, I'm afraid of death… but for a humble secret agent that's a fact of life, like whisky. And I've drunk that all my life.”
– Lemmy Caution
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Alphaville: Une étrange aventure de Lemmy Caution (Jean-Luc Godard, 1965)
Jul
16
AI Appreciation Day
Natacha von Braun (Anna Karina) and Lemmy Caution (Eddie Constantine). Lights reflected in the windowpane that shields the two characters suggest “the existence of an obscure reality” (after Baudrillard). DP: Raoul Coutard..
Science fiction, of course, doesn't have to be driven by grandes effects, by superstar names and monumental backdrops. It can be cool, dry, colourless even. The hero, in trenchcoat and fedora, traverses a lightless city. There are few others at this time of night. The familiar landmarks of the City of Light become the voice of 𝛼-60, an artificial intelligence that presides over Alphaville.
𝛼-60: “Do you know what illuminates the night?”
Lemmy Caution: “Poetry.”
Based on a poem by Paul Éluard, #Godard's Alphaville bears similarities with Jean #Cocteau's Orphée (1950), transported to a mirror world of sorts. It also foreshadows not only our time, but also M. Hulot's, whose #Tativille could be the simulacra of 𝛼-60's simulated, dehumanised world.
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Vivre sa vie: Film en douze tableaux (Jean-Luc Godard, 1962)
Feb
11
Global Movie Day
Nana (Anna Karina) crying in a dark movie theatre while watching Carl Theodor Dreyer's La passion de Jeanne d'Arc (1928). DP: Raoul Coutard.
A fascinating overlap with The Savage Eye (1959), a film #Godard must have been familiar with in 1962.
“Maybe I'll get into the movies.”
– Nana
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Z (Costa-Gavras, 1969)
Jan
1
Z Day
Hélène (Irene Papas) and Z (Yves Montand). DP: Raoul Coutard.
“A single cannon is fired and a teacher's monthly salary goes up in smoke.”
– Z