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In the Heat of the Night (Norman Jewison, 1967)
Sep
13
“They call me MISTER TIBBS.”
– Det. Virgil Tibbs
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The Black Cat (Harold Hoffman, 1966)
Sep
9
A sad blonde (Robyn Baker) with her perfectly coiffured head on a perfectly set table. DP: Walter Schenk.
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Homicidal (William Castle, 1961)
Sep
6
Man's hands hold a picture of Emily (Joan Marshall). DP: Burnett Guffey.
“We've been to Haunted Hills, and through Tinglers, and even Ghosts... but now we're going to meet a group of people who just happen to be… Homicidal.”
– William Castle, introduction
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Shock Corridor (Samuel Fuller, 1963)
Aug
30
1954
Inpatient Stuart (James Best) in one of the many scenes that appear to bear some of the seeds of Mark Frost & David Lynch's Twin Peaks (1990–1991). DPs: Stanley Cortez & Samuel Fuller.
“Life is a messy weapon.”
– Pagliacci
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Dog Day Afternoon (Sidney Lumet, 1975)
Aug
22
1972
Sal (John Cazale) and Sonny (Al Pacino) in the bank, holding out with their increasingly impatient hostages. DP: Victor J. Kemper.
“Sal? Ready to go?”
– Sonny
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Top of the Heap (Christopher St. John, 1972)
Aug
16
10 A.M.
An invitation via telegram dated August 10 for astronaut George Lattimer to Waltersville Alabama on August 16 at 10 A.M.. DP: Richard A. Kelley.
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The Beast with Five Fingers (Robert Florey, 1946)
Aug
15
Hilary Cummins (Peter Lorre). DP: Wesley Anderson.
“Eight bones has the carpus, five the metacarpus, fourteen the phlanges, all in all, all in all, twenty-seven all in all. Abracadabra.”
– Donald Arlington
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X [The Man with the X-Ray Eyes] (Roger Corman, 1963)
Aug
14
“The city… as if it were unborn. Rising into the sky with fingers of metal, limbs without flesh, girders without stone. Signs hanging without support. Wires dipping and swaying without poles. A city unborn. Flesh dissolved in an acid of light. A city of the dead.”
– Dr. James Xavier
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Der Stand der Dinge [The State of Things] (Wim Wenders, 1982)
Aug
13
1942
Friedrich Munro's (Patrick Bauchau) Hollywood, Ca address and date of birth: August 13, 1942. DPs: Henri Alekan, Fred Murphy & Martin Schäfer.
– You know, I take pictures, photographs, but I never really thought in black and white before I saw our rushes. Do you know what I mean? You can see the shape of things.
– Life is in colour, but black and white is more realistic.
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The Lady from Shanghai (Orson Welles, 1947)
Aug
9
Elsa Bannister (Rita Hayworth) and husband Arthur Bannister (Everett Sloane) in the dizzying modernist finale. DP: Charles Lawton Jr..
“You need more than luck in Shanghai.”
– Elsa Bannister
