settima

1960s

Les créatures [The Creatures] (Agnès Varda, 1966)

Aug

14

Les créatures (1966)

Edgar (Michel Piccoli) and Mylène (Catherine Deneuve) all dressed up for a home-cooked meal. On the wall behind them a huge framed mounted crab. DPs: Willy Kurant, William Lubtchansky & Jean Orjollet.

新宿泥棒日記 [Shinjuku Dorobō Nikki / Diary of a Shinjuku Thief] (Nagisa Ōshima, 1969)

Aug

14

Love Your Bookshop Day

新宿泥棒日記 (1969)

Umeko (Rie Yokoyama) in a bookstore. In the foreground a large fallen pile of books. DPs: Seizō Sengen & Yasuhiro Yoshioka.

Umeko (Rie Yokoyama) believes to have caught Torio redhanded (Tadanori Yokoo, whose character has been renamed “Birdey” in the English translation), shoplifting from her bookstore. Torio however is a performance actor – and real-world Art Theatre Guild performer – and the act of stealing is part of his research. The young people's encounter sets something in motion. Together them embark on committing crimes in #Tokyo's labyrinthine #Shinjuku neighbourhood and find their mirror images in a #kabuki play.

 

新宿泥棒日記 is a playful, dangerous exploration of youth and rebellion in a rapidly shifting Japan.

Sedmi kontinent [Sedmý kontinent / The Seventh Continent] (Dušan Vukotić, 1966)

Aug

12

teevee dinner

Sedmi kontinent (1966)

A little blond boy on a red tricycle driving past his TV-ish dinner in an empty house. DP: Karol Krška.

Le lit de la vierge (1969)

Marie/M. Magdalène (Zouzou) embracing a lost Jesus (Pierre Clémenti). She's wears a black tunic with a black headscarf, he a white outfit (long johns?) and a crown of thorns. She appears to speak to him. DP: Michel Fournier.

Le lit de la vierge (1969)

August 10: a Mary for #NationalMaryDay

Le lit de la vierge [The Virgin's Bed] (Philippe Garrel, 1969)

After the dust of May 68 had settled and it became clear that the promised revolution would never be, the young were lost. Filmed in an unscripted haze of drugs and dimmed hope, Le lit de la vierge brings back Jesus [Pierre Clémenti] – now mocked as an astray, confused man and representing the many once-hopeful of '68 – to the desert where he meets Marie, his mother the virgin and the prostitute Marie Magdalène, 60s scene girl Zouzou la twisteuse in a double role.

The mother/whore and hippie aspire a new revolution of sorts, exposing the beach under the pavement as a desert of contemplation.

A gif of Tina Aumont during the filming of “Le lit de la vierge”. From Frédéric Pardo's short psychedelic documentary “Home Movie, autour du 'Lit de la vierge” (1968). DP: Frédéric Pardo.

Home Movie, autour du 'Lit de la vierge' (1968)

#Bales2023FilmChallenge #PhilippeGarrel #Zouzou #PierreClémenti #TinaAumont #GroupeZanzibar #JohnCale #Nico #MichelFournier #France #Mai68 #drugs #religion #hippies #Morocco #1960s

#todo

Drak sa vracia [Dragon's Return / The Return of Dragon] (Eduard Grečner, 1968)

Aug

9

Smokey Bear Day

Drak sa vracia (1968)

Drak (Radovan Lukavský), a Caucasian man with a rough looking face and an eyepatch over his left eye. The landscape behind him is mere blurs. DP: Vincent Rosinec.

Drak [“dragon” or “devil”] returns to his village. No one understands why he came back, or where he has been. The villagers postulate smugglers and there's other drunk nefarious thoughts, but for sure they know that with the potter, the draught returned. In an unspoken ritual sung in old tongues, the grey women summon the rain. The forest, dry as tinder, has taken the cattle, all there is. Drak knows where the animals went and a deal is struck.

“Don't you recognise me?”

– Drak

Drak sa vracia speaks in mere whispers and smoky greys. The main characters – the #fire, smoke, pottery, and composer Ilja Zeljenka's often silent motif – weave their wordless presence throughout the ancient landscape; that same landscape that carved itself into the locals' being.

L'œil du malin [The Eye of Evil / The Third Lover] (Claude Chabrol, 1962)

Aug

8

L'œil du malin (1962)

A table covered with a neatly ironed table cloth and on it, several stacks of flat and soup plates, plus silverware and nesting aluminium pans. DP: Jean Rabier.

Drak sa vracia [Dragon's Return] (Eduard Grečner, 1968)

Aug

6

Drak sa vracia (1968)

Eva (Emília Vášáryová) stares into the fire on which a small anthropomorphic cooking vessel is mounted. DP: Vincent Rosinec.

Os Fuzis [The Guns] (Ruy Guerra, 1964)

Aug

2

Os Fuzis (1964)

A bearded man in white eats from a simple, hand-carved wooden bowl using his hand. In his tangled up hair are small, silver devotional medals. DP: Ricardo Aronovich.

Dillinger è morto (1969)

Glauco (Michel Piccoli) finishing his copious dinner with half a watermelon. In his right hand the copy of the July 25, 1934 Chicago Daily Tribune with the headline CLEAR UP DILLINGER MYSTERY. DP: Mario Vulpiani.

Dillinger è morto (1969)

July 31: watermelon on #NationalWatermelonDay

Dillinger è morto [Dillinger Is Dead] (Marco Ferreri, 1969)

Pow!

Industrial designer Glauco (Michel Piccoli) arrives home after a long long, tedious day. His wife Ginette (Anita Pallenberg) – in bed high on painkillers – cooked dinner but the dish is bland and long cold, and the maid (Annie Girardot) is already sleeping. Glauco decides to cook himself a gourmet meal. Looking for ingredients he finds a 1934 newspaper reporting the dead of Chicago gangster John Dillinger with inside of it a rusty 1930s revolver. Fascinated, he meticulously restores the handgun while preparing his meal.

Dillinger è morto is a story of food and alienation. Piccoli's Glauco, bored of his successful career, bored of his beautiful wife, bored of his beautiful house, finds sudden vigour in the act of preparing food and restoring an item that shouldn't be where it is and with that, essentially recreates John Dillinger's escape from Crown Point.

John Dillinger posing with a Tommy gun and the hand-carved wooden gun that he used to escape inescapable Crown Point jail on March 3, 1934. Crudely carved into the dupe's barrel are the words COLT 38. John Dillinger

#Bales2023FilmChallenge #MarcoFerreri #MichelPiccoli #AnitaPallenberg #AnnieGirardot #TeoUsuelli #MarioVulpiani #Italy #drama #crime #satire #food #1960s ★★★★☆

#todo

La ragazza con la pistola [The Girl with a Pistol] (Mario Monicelli, 1968)

Jul

28

La ragazza con la pistola (1968)

Assunta Patanè (Monica Vitti) seated between two dinner tables on a long, padded bench. She's clutching her purse and appears to be waiting for something. On the table to her right a sugar bowl and a branded ashtray. DP: Carlo Di Palma.

“Ah, well, if you love somebody, shoot!”

– Dr. Tom Osborne