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Jaanipäev [St. John's Day] (Andres Sööt, 1978)
Nov
5
Bonfire Night
The neatly stacked pyre on jaanipäev with Tallinn's dreary socialist Plattenbau on the horizon. DP: Andres Sööt.
As long as they can remember, jaaniõhtu is when Estonians gather to celebrate midsummer. It started, they'll tell you, 4000 years ago when Kaali appeared. Ever since, come rain or shine, come socialism or capitalism, the people gather and light bonfires in its remembrance. Some sing the songs of the elders, memory willing. Others see this as their moment to shine. As a great musician perhaps. A faithful worker. Or a lover, for jaanipäev; #midsummer night.
“Come, this party is for hard-working people!”
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Медвежья свадьба [Medvezhya svadba / The Bear's Wedding] (Konstantin Eggert + Vladimir Gardin, 1925)
Sep
28
In preparation of the bear's wedding, a cook – wearing not much more than an apron and a toque blanche – stirs a huge kettle over a roaring fire. DPs: Eduard Tisse & Pyotr Yermolov.
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Броненосец Потёмкин [Bronenosets Potyomkin / Battleship Potemkin] (Sergei Eisenstein, 1925)
Jun
8
Bounty Day
A closeup of a sailor. DPs: Eduard Tisse & Vladimir Popov.
“Shoulder to shoulder. The land is ours. Tomorrow is ours.”
– sailor
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Аэлита [Aelita / Aelita: Queen of Mars] (Yakov Protazanov, 1924)
Apr
29
International Astronomy Day
Queen Aelita (Yuliya Solntseva) peering through her telescope. DPs: Emil Schünemann & Yuri Zhelyabuzhsky.
Like in Enrico Novelli's Un matrimonio interplanetario [A Marriage in the Moon] (1910), interplanetary romance blooms in Аэлита.
Through her #telescope, Queen Aelita spots engineer Los, a handsome Earth man, and he promptly travels to #Mars to be with her. There, Los uncovers an uprising by the Elders against his beloved queen that he vows to – in good proletarian fashion – stomp down.
Aelita*'s constructivist stage and costume design had an enormous influence on science fiction, as far as the late 20th century.
