settima

filmdinner

Os Fuzis [The Guns] (Ruy Guerra, 1964)

Aug

2

Os Fuzis (1964)

A bearded man in white eats from a simple, hand-carved wooden bowl using his hand. In his tangled up hair are small, silver devotional medals. DP: Ricardo Aronovich.

Canon City (Crane Wilbur, 1948)

Jul

31

grub

Canon City (1948)

A close-up of two prisoners' hands. One is handling grub with a spoon from a stainless steel soup bowl. DP: John Alton.

La ragazza con la pistola [The Girl with a Pistol] (Mario Monicelli, 1968)

Jul

28

La ragazza con la pistola (1968)

Assunta Patanè (Monica Vitti) seated between two dinner tables on a long, padded bench. She's clutching her purse and appears to be waiting for something. On the table to her right a sugar bowl and a branded ashtray. DP: Carlo Di Palma.

“Ah, well, if you love somebody, shoot!”

– Dr. Tom Osborne

L'homme qui ment [The Man Who Lies] (Alain Robbe-Grillet, 1968)

Jul

25

soup

L'homme qui ment (1968)

The titular man (Jean-Louis Trintignant) at a dinner table, observed by Sylvia (Sylvia Turbová) and Maria (Sylvie Bréal). The room is white and sparsely furnished. DP: Igor Luther.

The Sniper (Edward Dmytryk, 1952)

Jul

21

chow mein

The Sniper (1952)

Dr. James G. Kent (Richard Kiley) discussing the case during lunch at a Chinese restaurant. After scratching his temple with his chopsticks, he attempts to eat his noodles with the utensils' grip. DP: Burnett Guffey.

“You know how much coffee I've had today? 17 cups. The Brazilians ought to give me a medal.”

– ER doctor

Private Property (Leslie Stevens, 1960)

Jul

20

lemonade

Private Property (1960)

A blonde lady (Kate Manx) holds a wicker ray with a pitcher of lemonade and several glasses. Her anxious look contrast with the carefree promise of summer sky and cool drinks. DP: Ted D. McCord.

“I'm looking for the Hitchcock residence.”

– Duke

L'eclisse [The Eclipse] (Michelangelo Antonioni, 1962)

Jul

19

fruit

L'eclisse (1962)

Vitti as Vittoria in front of a fruit stand next to La Borsa, the Rome stock exchange located in the remnants of the Hadrianeum. The fruit in the middle is a Melone Mantovano, a type of cantaloupe. DP: Gianni Di Venanzo.

“I still can't figure out if it's an office, a market place, or a boxing ring. And maybe I don't even need to.”

– Vittoria

刺青 [Irezumi / The Tattoo] (Yasuzō Masumura, 1966)

Jul

18

刺青 (1966)

Otsuya (Ayako Wakao) and one of her samurai clients share sake and a small meal. Beautifully framed by cinematographer Kazuo Miyagawa there's all we need to see – Otsuya's facial expressions and the fiery, protective 籠目 (kagome, litt. eye) pattern – with not much more on display. DP: Kazuo Miyagawa.

Le temps d'une chasse [Once Upon a Hunt / The Time of a Hunt] (Francis Mankiewicz, 1972)

Jul

17

after hours coffee

Le temps d'une chasse (1972)

A Hopperesque glimpse through a corridor reveals a young woman (Frédérique Collin) sitting at a mostly empty dinner table. There are two coffee cups and a fruit bowl, and a bare bulb hanging from the ceiling. DP: Michel Brault.

Alphaville: Une étrange aventure de Lemmy Caution (Jean-Luc Godard, 1965)

Jul

16

petit déjeuner

Alphaville: Une étrange aventure de Lemmy Caution (1965)

In one of the very few daytime scenes, Natacha (Anna Karina) and Lemmy Caution (Eddie Constantine) share breakfast at a small table while awkwardly sitting on the armrests of two upholstered chairs. A large television is set up directly behind the table. DP: Raoul Coutard.

“Yes, I'm afraid of death… but for a humble secret agent that's a fact of life, like whisky. And I've drunk that all my life.”

– Lemmy Caution