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Lola Montès (Max Ophüls, 1955)
Aug
14
Bavaria
Celebrating Oktoberfest [in September/October] and the Bavarian royals [rip]: a royal character or family*
“The painter takes his time. He doesn't like her dress. He doesn't like her gloves. One day he asks her if she dares pose for him – all in pink. She dares! And the king, enraptured by her pose, offers her a palace!”
– circus master
Maria Dolores Porriz y Montez, Countess von Landsfeld, Lola Montès for short, now a circus attraction, once the mistress to Ludwig I, King of Bavaria. While her fellow circus performers play Lola's former lovers, the ringmaster tells her story.
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La carrière de Suzanne [Suzanne's Career] (Éric Rohmer, 1963)
Aug
13
thé
A woman reaches for a silver teapot. We only see her hand. DP: Daniel Lacambre.
“I know. I know you. I know you very well.”
– Suzanne
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Il fiore delle mille e una notte [Arabian Nights] (Pier Paolo Pasolini, 1974)
Aug
13
cerulean
Cerulean, or blue: a building or structure*
“Eh, i sogni a volte insegnano male, Dùnya, perché la verità intera non è mai in un solo sogno, la verità intera è in molti sogni.”
One of the many exotic locations is the مسجد شاه, [Masjed-e Shah, or Shah Mosque] in Iran with its otherworldly blue and blue-adjacent tiles.
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Der Stand der Dinge [The State of Things] (Wim Wenders, 1982)
Aug
13
1942
Friedrich Munro's (Patrick Bauchau) Hollywood, Ca address and date of birth: August 13, 1942. DPs: Henri Alekan, Fred Murphy & Martin Schäfer.
– You know, I take pictures, photographs, but I never really thought in black and white before I saw our rushes. Do you know what I mean? You can see the shape of things.
– Life is in colour, but black and white is more realistic.
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Il deserto rosso [Red Desert] (Michelangelo Antonioni, 1964)
Aug
12
green
Valerio (Valerio Bartoleschi) and his mother Giuliana (Monica Vitti) in an arid industrial landscape. Giuliana wears a brilliant green coat, its shade between pea and moss, depending on the drabness of her surroundings. DP: Carlo Di Palma.
Green, in food or fashion*
“She'd discovered a small beach far from town, with crystal-clear water and pink sand. She loved that spot. The colors of nature were so beautiful, and there was no noise. She'd leave only when the sun did too.”
– Giuliana
Antonioni's first film in colour beautifully utilises Vitti's brilliance – of her auburn hair, her porcelain teint, her vivid costumes (by Paola Carloni) – against the drab landscape.
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E-clip-se (Chris Marker, 1999)
Aug
11
1999
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Du côté de la côte [Along the Coast] (Agnès Varda, 1958)
Aug
9
yellow
Yellow, in food or fashion*
“Tourists prefer the trendy colors, yellow and blue. Pacing fancies, hotels are painted yellow and blue. Blue wins. All women want to be fashionable. All women wear blue, except the English, those learning to swim, and the Germans, who are dedicated to green.”
– narrator
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La baie des anges [Bay of Angels] (Jacques Demy, 1963)
Aug
6
mercredi
The bank where Jean Fournier (Claude Mann) works. A wall calendar, slightly tilted, reads Août 6 Mercredi. DP: Jean Rabier.
“Life has its tricks. Its oddities.”
– Jackie Demaistre
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Paparazzi (Jacques Rozier, 1963/1964)
Jul
29
A character has a camera or takes photos*
It buzzes on the set of Le mépris. These mosquitos, the Italians say paparazzi, swarm La Bardot, make it merely impossible for anyone – themselves included – to do their job. But Bardot knows them, too well, and gives them what they want, when she wants it.
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La boulangère de Monceau [The Bakery Girl of Monceau] (Éric Rohmer, 1963)
Jul
28
un gâteau
A young woman in an apron grabs a French cookie. DPs: Bruno Barbey & Jean-Michel Meurice.