“Back to the old tricks.”Vérités et Mensonges [F for Fake] (Orson Welles, Gary Graver, Oja Kodar + François Reichenbach, 1973)
March
29
Smoke And Mirrors Day
A wide shot of Orson Welles in his black cape and wide rimmed hat. His corpulence and black outfit sharply contrast with the bright, white background. The background is a white plane, held up by two assistants. The wide shot reveals that Welles, the white plane, and the assistants are on the platform of a train station, obscuring a passenger train if in close-up. DP: François Reichenbach.
Vérités et Mensonges is what it's actually called, but you may know it as F for Fake. Orson Welles and three uncredited fellow conspirators – Gary Graver, Oja Kodar, and François Reichenbach – delve into the world of #art forger Elmyr de Hory by way of his biographer Clifford Irving.
– Orson Welles
Welles et al free-associate with concepts of art, lies, #deception, and #authenticity. #Houdin, Welles, #Picasso and Hughes, hoaxers, hucksters and artists in their own right. And then it's over: this work of art, this sleight of hand, this demonstration of factuality, an exposé.
michellegrand
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“Maybe I'll get into the movies.”
Vivre sa vie: Film en douze tableaux (Jean-Luc Godard, 1962)
Feb
11
Global Movie Day
Nana (Anna Karina) crying in a dark movie theatre while watching Carl Theodor Dreyer's La passion de Jeanne d'Arc (1928). DP: Raoul Coutard.
A fascinating overlap with The Savage Eye (1959), a film #Godard must have been familiar with in 1962.
– Nana