settima

sovietunion

Медвежья свадьба [Medvezhya svadba / The Bear's Wedding] (Konstantin Eggert + Vladimir Gardin, 1925)

Sep

28

Медвежья свадьба (1925)

In preparation of the bear's wedding, a cook – wearing not much more than an apron and a toque blanche – stirs a huge kettle over a roaring fire. DPs: Eduard Tisse & Pyotr Yermolov.

Броненосец Потёмкин [Bronenosets Potyomkin / Battleship Potemkin] (Sergei Eisenstein, 1925)

Jun

8

Bounty Day

Броненосец Потёмкин (1925)

A closeup of a sailor. DPs: Eduard Tisse & Vladimir Popov.

“Shoulder to shoulder. The land is ours. Tomorrow is ours.”

– sailor

Аэлита [Aelita / Aelita: Queen of Mars] (Yakov Protazanov, 1924)

Apr

29

International Astronomy Day

Аэлита (1924)

Queen Aelita (Yuliya Solntseva) peering through her telescope. DPs: Emil Schünemann & Yuri Zhelyabuzhsky.

Like in Enrico Novelli's Un matrimonio interplanetario [A Marriage in the Moon] (1910), interplanetary romance blooms in Аэлита.
Through her #telescope, Queen Aelita spots engineer Los, a handsome Earth man, and he promptly travels to #Mars to be with her. There, Los uncovers an uprising by the Elders against his beloved queen that he vows to – in good proletarian fashion – stomp down.

 

Aelita*'s constructivist stage and costume design had an enormous influence on science fiction, as far as the late 20th century.