settima

ComingOfAge

Matinée (Jaime Humberto Hermosillo, 1977)

Aug

19

free candy

Matinée (1977)

Best friends Aarón (Rodolfo Chávez Martínez) and Jorge (Armando Martín) helping out in Aarón's parents' convenience store while helping themselves to a snack or two. DP: Jorge Stahl Jr..

Sedmi kontinent [Sedmý kontinent / The Seventh Continent] (Dušan Vukotić, 1966)

Aug

12

teevee dinner

Sedmi kontinent (1966)

A little blond boy on a red tricycle driving past his TV-ish dinner in an empty house. DP: Karol Krška.

Where the Boys Are (Henry Levin, 1960)

Jul

21

Where the Boys Are (1960)

While chatting up TV Thompson (Jim Hutton), Tuggle Carpenter (Paula Prentiss) presents a fake ID to prove that with her “25” years of age she's old enough to drink. The ID also states that despite her 5'10” (1,78m) frame, she's a petite 5'2” (1,57m). DP: Robert J. Bronner.

Where the Boys Are is chock-full of characters whose names appear to be straight space-travel-lifted from various #JohnWaters' movies: Tuggle Carpenter! TV Thompson! Lola Fandango! Dr. Raunch for Chrissakes!

“The boys come to soak up the sun, and a few carloads of beer. The girls come, very simply, because this is where the boys are.”

– narrator

We follow four female midwestern college students on #SpringBreak in Fort Lauderdale. Their objective is boys boys boys (and an even tan) and nothing, including being too young to drink, can stop them. This was one of the first post-Hayes Hollywood movies to address teenage sex yet despite all the innuendo (“What's your shoe size?” “13.” “Get in the car!”), it's all pretty clean. But without these girls, there wouldn't be any Dawn Davenport. And that would've ruined everybody's Christmas.

Whistle Down the Wind (Bryan Forbes, 1961)

Jul

9

white bread

Whistle Down the Wind (1961)

A child grabs a thick slice of white bread while the cutlery on her plate indicates she's finished eating. DP: Arthur Ibbetson.

“It isn't Jesus. It's just a fella.”

– Charlie Bostock

Whistle Down the Wind (Bryan Forbes, 1961)

Jul

9

Barn Day

Whistle Down the Wind (1961)

The man (Alan Bates) in the barn surrounded by little children. The older girl in the light coat, Kathy, is played by Hayley Mills, author Mary Hayley Bell's daughter. DP: Arthur Ibbetson.

In the barn of a remote Lancashire farmhouse, three children stumble upon a stranger. Confused, they conclude that the fellow must be the Second Coming of Christ. In the world of the adults, a man is wanted by the police.

“Good night, Gentle Jesus. Sleep well.”

– Charlie Bostock

Padre padrone [My Father My Master / Father and Master] (Paolo + Vittorio Taviani, 1977)

May

23

freebie: National Sons Day

Padre padrone (1977)

Father (Omero Antonutti) and son (Saverio Marconi). The son, an adult here, kneels and rests his head on his father's knee. The father, perched on the edge of a bed, looks down on the young man. DP: Mario Masini.

Not a film you can be prepared for, Padre padrone. The author, Gavino Ledda, hands a stick – that stick – to the actor who plays his part. There we are, in Sardinia, beautiful Sardinia. A boy in class, learning. His father barges in: the boy must attend the sheep, or else. From that moment on we become that boy Gavino. Life's cruel on the island, but his father, his master, is worse. But that's how it is, there's sheep to herd. When Gavino enlist in the army, he encounters a new world. The precise world of electronics, other people, other sounds, the Italian #language. When he returns home, he finds his father a small man.

“Don't laugh at Gavino. Hands on your desks! Today is Gavino's turn. Tomorrow will be yours.”

– father

In a 1977 New York Times article the Taviani's are cited as seeing Gavino in the same light as #Truffaut's L'Enfant sauvage (1970) and #Herzog's Kaspar Hauser (Jeder für sich und Gott gegen alle) (1974). However, the Sardinian boy's outsiderness is not caused by estrangement, but an immense loneliness that cannot be put into words. This is why Ledda's newfound language is such an important tool. It's not a stick, or a fist, or a dead snake. It's the foundation of his Home.

Ladybug Ladybug (Frank Perry, 1963)

May

21

the End Of The World

Ladybug Ladybug (1963)

In a scene evoking Ingmar Bergman's Det sjunde inseglet [The Seventh Seal] (1957), one of the older girls leads the younger children in dance on top of a hill. Their teacher Mrs Andrews (Nancy Marchand) plus two of her students walk along. DP: Leonard Hirschfield.

It's another school day in rural America when the #NuclearAttack alarm starts ringing. A teacher, instructed to calmly walk the kids home, tries to keep the youngest ones oblivious of the impending doom.

“Ladybug, ladybug, Fly away home”

children's song

While the children walk, talk and sing, this thing up there, in the sky and in the mind, grows bigger.

Yanco (Servando González + Mohy Quandour, 1961)

Apr

21

Fiddlers Frolic

Yanco (1961)

Juanito (Ricardo Ancona), seen in silhouette, playing his violin in the chinampas. DP: Álex Phillips Jr..

In Mayan worldview, mortals move along the horizontal, gods along the vertical plane. A boy travels both worlds, united by music and wonder.

 

Juanito, a #Mixquic boy with hypersensitive hearing, finds solace from the hustle of #MexicoCity in the silence of the chinampas – the pre-Hispanic man-made agricultural plots in lake #Xochimilco. There he plays his cardboard fiddle for the nature around him, until the sound from a real violin reaches him. The violinist, an old hermit who lives on one of the chinampas, takes the boy in and teaches him how to master Yanco, his hand-built instrument. When the man dies, the boy goes out at night to be able to play Yanco. In a changing world where the living and the dead used to naturally cross paths, the strings stir different to some.

 

The #Nahuatl film Yanco is a small cinematic miracle that begs for a beautiful restoration akin to how Govindan Aravindan's കുമ്മാട്ടി [Kummatty] (1979) opened up the world to indigenous filmmaking.

Il posto [The Job] (Ermanno Olmi, 1961)

Apr

3

World Party Day

Il posto (1961)

Two office workers awkwardly dancing cheek to cheek at the company Christmas party. She's in her finest cocktail dress and pearls, he listlessly wears a mock sheriff's hat. DP: Lamberto Caimi.

To support his family, small-town boy Domenico moves to Milan in the hope to find a job. Eventually he's employed, as a clerk in a drab office replacing a senior worker who died. While the days drag on, only interrupted by coffee shop small talk with fellow teenager Antonietta, the Christmas office #party draws nearer.

“My wife gave me a big kiss this morning. I only get kisses once a month, on payday.”

– Sartori

With the dark absurdity of coming out of fascism and having to run a real-world country with a naive ineptitude – represented by the too-large-borrowed-from-father-suits – and pretence childlike bureaucratic procedures, Olmi's Il posto is a wonderfully sharp observation of postwar Italy.

Last Summer (Frank Perry, 1969)

Mar

25

Walk In The Sand Day

Last Summer (1969)

One of the boys striking a threatening pose with a stick aimed at Sandy (Barbara Hershey aka Barbara Seagull). In the foreground a brooding Rhoda (the fantastic Catherine Burns). DPs: Enrique Bravo & Gerald Hirschfeld.

During a #summer #vacation on #FireIsland, two young men come across Sandy, an attractive young woman with an injured #seagull. While nursing the bird back to life, the relationship between the three deepens. A second girl, the much younger Rhoda (the breathtaking Catherine Burns) is taken in by the trio.

“What are you going to do with the rest of your life? Sit on the shore and watch?”

– Sandy

Set almost entirely on a sunny #beach, Frank Perry's Last Summer may be one of the most claustrophobic films you'll ever watch.