A memorable fire or fireplace scene*

“Oh, my God, Gerald! Shall I die?”

– Gudrun Brangwen

Oddly, one barely remembers the fireplace.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

“The house takes care of itself.”

– Roz Allardyce

Partying on Fat Tuesday*

– Let's keep this party going till Sunday. – Why Sunday? – The Hindus say the world comes to an end on Sunday. – But, how will we know when it happens? – Graves will gape and the shrouded dead will run gibbering and shrieking in the streets. – Sounds like any other Sunday.

*which isn't until March 4 this year.

A sickly #GustavMahler (Robert Powell) and his wife Alma (Georgina Hale) dwell on their shared lives while travelling to Vienna by train. Storylines – circular like a journey, rondo like #Mahler's compositions – drift from the ordinary to the grotesque.

“I don't want to imitate nature. I want to capture its very essence. As if all the birds and the beasts die tomorrow and the world became a desert, when people heard my music – they would still know, feel, what nature was.”

– Gustav Mahler

This would be the composer's final tour. A train took him to a Vienna sanatorium where not much later he'd succumb to #pneumonia.

An American tourist visiting Dorset is tricked by a prostitute, then falls victim to a youth gang controlled by volatile con King – a still very green Oliver Reed at his meanest. The trickster is King's sister, who confides in the American hoping to escape her brother's incestuous advances.

“I'm strange, all right! I'll show you just how strange I am!”

– King

The couple elopes to a nearby island, closely followed by King and his gang, where they find a group of #children, all contently living in an underground lab, with #AutomaticDoors only they can control.

 

They are the damned.