<?xml version="1.0" encoding="UTF-8"?><rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/">
  <channel>
    <title>PieroPiccioni &amp;mdash; settima</title>
    <link>https://write.underworld.fr/settima/tag:PieroPiccioni</link>
    <description>@settima@zirk.us</description>
    <pubDate>Wed, 06 May 2026 09:34:05 +0200</pubDate>
    <item>
      <title>Il caso Mattei [The Mattei Affair] (Francesco Rosi, 1972)</title>
      <link>https://write.underworld.fr/settima/il-caso-mattei-1972</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Il caso Mattei [The Mattei Affair] (Francesco Rosi, 1972)/div&#xA;div class=&#34;month&#34;&#xA;Oct/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;27/div&#xA;div class=&#34;occasion&#34;&#xA;1962/div&#xA;div class=&#34;img&#34;&#xA;Il caso Mattei (1972)/div&#xA;div class=&#34;caption&#34;&#xA;A group of well-dressed men, somewhere in a field, with Enrico Mattei (Gian Maria Volontè) in the centre. DP: Pasqualino De Santis./div&#xA;div class=&#34;txt&#34;&#xA;&#34;IF they want to kill me, let them do it.&#34;&#xA;  ### – Enrico Mattei&#xA;&#xA;/div&#xA;div class=&#34;tags&#34;&#xA;##### #FilmDuJour #October #FrancescoRosi #GianMariaVolontè #GhigoAgosti #PieroPiccioni #PasqualinoDeSantis #drama #biography #Italy #1970s/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="il-caso-mattei-the-mattei-affair-francesco-rosi-1972-div" id="il-caso-mattei-the-mattei-affair-francesco-rosi-1972-div">Il caso Mattei [The Mattei Affair] (Francesco Rosi, 1972)</div></h4>

<p><div class="month"></p>

<h2 id="oct-div" id="oct-div">Oct</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="27-div" id="27-div">27</div></h1>

<p><div class="occasion"></p>

<h2 id="1962-div" id="1962-div">1962</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/7h3gMvrh/1027-Caso-Mattei.jpg" alt="Il caso Mattei (1972)"></div>
<div class="caption"></p>

<h6 id="a-group-of-well-dressed-men-somewhere-in-a-field-with-enrico-mattei-gian-maria-volontè-in-the-centre-dp-pasqualino-de-santis-div" id="a-group-of-well-dressed-men-somewhere-in-a-field-with-enrico-mattei-gian-maria-volontè-in-the-centre-dp-pasqualino-de-santis-div">A group of well-dressed men, somewhere in a field, with Enrico Mattei (Gian Maria Volontè) in the centre. DP: Pasqualino De Santis.</div></h6>

<p><div class="txt"></p>

<blockquote><p>“IF they want to kill me, let them do it.”</p>

<h3 id="enrico-mattei" id="enrico-mattei">– Enrico Mattei</h3>
</blockquote>

<h5 id="div" id="div"></div></h5>

<p><div class="tags"></p>

<h5 id="filmdujour-october-francescorosi-gianmariavolontè-ghigoagosti-pieropiccioni-pasqualinodesantis-drama-biography-italy-1970s-div" id="filmdujour-october-francescorosi-gianmariavolontè-ghigoagosti-pieropiccioni-pasqualinodesantis-drama-biography-italy-1970s-div"><a href="/settima/tag:FilmDuJour" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FilmDuJour</span></a> <a href="/settima/tag:October" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">October</span></a> <a href="/settima/tag:FrancescoRosi" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FrancescoRosi</span></a> <a href="/settima/tag:GianMariaVolont%C3%A8" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">GianMariaVolontè</span></a> <a href="/settima/tag:GhigoAgosti" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">GhigoAgosti</span></a> <a href="/settima/tag:PieroPiccioni" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">PieroPiccioni</span></a> <a href="/settima/tag:PasqualinoDeSantis" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">PasqualinoDeSantis</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:biography" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">biography</span></a> <a href="/settima/tag:Italy" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Italy</span></a> <a href="/settima/tag:1970s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1970s</span></a></div></h5>

<p></section></p>
]]></content:encoded>
      <guid>https://write.underworld.fr/settima/il-caso-mattei-1972</guid>
      <pubDate>Mon, 27 Oct 2025 10:00:00 +0100</pubDate>
    </item>
    <item>
      <title>Il demonio [The Demon] (Brunello Rondi, 1963)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-f2fh</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Il demonio [The Demon] (Brunello Rondi, 1963)/div&#xA;div class=&#34;month&#34;&#xA;Oct/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;6/div&#xA;div class=&#34;occasion&#34;&#xA;exorcism/div&#xA;div class=&#34;img&#34;&#xA;Il demonio (1963)/div&#xA;div class=&#34;caption&#34;&#xA;While several men hold her down, Purif (Daliah Lavi) sticks out her tongue to the crucifix held up to her. DP: Carlo Bellero./div&#xA;div class=&#34;txt&#34;&#xA;A favourite] [exorcism film&#xA;&#xA;  &#34;Blood of Christ. Demon. A curse upon this man. A curse that he will never forget me. Blood of my body. Until the grave. A curse that he will never forget me.&#34;&#xA;  ### – Purificazione&#xA;&#xA;When a rejected young woman puts a curse on her heart&#39;s desire, the locals see nothing less than witchcraft. It is decided that Purif must be possessed, and exorcised.&#xA;&amp;nbsp;&#xA;the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.&#xA;/div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2025FilmChallenge #exorcisms #BrunelloRondi #DaliahLavi #FrankWolff #AnnaMaríaAveta #TizianaCasetti #DarioDolci #FrancaMazzoni #PieroPiccioni #CarloBellero #drama #romance #horror #witches #witchcraft #possession #Italy #France #1960s ★★★★½/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
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<h4 id="il-demonio-the-demon-brunello-rondi-1963-div" id="il-demonio-the-demon-brunello-rondi-1963-div">Il demonio [The Demon] (Brunello Rondi, 1963)</div></h4>

<p><div class="month"></p>

<h2 id="oct-div" id="oct-div">Oct</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="6-div" id="6-div">6</div></h1>

<p><div class="occasion"></p>

<h2 id="exorcism-div" id="exorcism-div">exorcism</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/c1BRdMsN/1006-Demonio-1963-2.png" alt="Il demonio (1963)"></div>
<div class="caption"></p>

<h6 id="while-several-men-hold-her-down-purif-daliah-lavi-sticks-out-her-tongue-to-the-crucifix-held-up-to-her-dp-carlo-bellero-div" id="while-several-men-hold-her-down-purif-daliah-lavi-sticks-out-her-tongue-to-the-crucifix-held-up-to-her-dp-carlo-bellero-div">While several men hold her down, Purif (Daliah Lavi) sticks out her tongue to the crucifix held up to her. DP: Carlo Bellero.</div></h6>

<p><div class="txt"></p>

<h5 id="a-favourite-exorcism-https-en-wikipedia-org-wiki-exorcism-in-the-catholic-church-film" id="a-favourite-exorcism-https-en-wikipedia-org-wiki-exorcism-in-the-catholic-church-film">[A favourite] <a href="https://en.wikipedia.org/wiki/Exorcism_in_the_Catholic_Church" rel="nofollow">exorcism</a> film*</h5>

<blockquote><p>“Blood of Christ. Demon. A curse upon this man. A curse that he will never forget me. Blood of my body. Until the grave. A curse that he will never forget me.”</p>

<h3 id="purificazione" id="purificazione">– Purificazione</h3>
</blockquote>

<h5 id="when-a-rejected-young-woman-puts-a-curse-on-her-heart-s-desire-the-locals-see-nothing-less-than-witchcraft-it-is-decided-that-purif-must-be-possessed-and-exorcised" id="when-a-rejected-young-woman-puts-a-curse-on-her-heart-s-desire-the-locals-see-nothing-less-than-witchcraft-it-is-decided-that-purif-must-be-possessed-and-exorcised">When a rejected young woman puts a curse on her heart&#39;s desire, the locals see nothing less than witchcraft. It is decided that Purif must be possessed, and exorcised.</h5>

<p> </p>

<h6 id="the-bales-2025-film-challenge-for-october-is-horror-themed-as-opposed-to-date-based-and-is-all-about-favourites-expect-non-horror-and-films-i-believe-to-be-relevant-instead" id="the-bales-2025-film-challenge-for-october-is-horror-themed-as-opposed-to-date-based-and-is-all-about-favourites-expect-non-horror-and-films-i-believe-to-be-relevant-instead">* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.</h6>

<p></div>
<div class="tags"></p>

<h5 id="bales2025filmchallenge-exorcisms-brunellorondi-daliahlavi-frankwolff-annamaríaaveta-tizianacasetti-dariodolci-francamazzoni-pieropiccioni-carlobellero-drama-romance-horror-witches-witchcraft-possession-italy-france-1960s-½-div" id="bales2025filmchallenge-exorcisms-brunellorondi-daliahlavi-frankwolff-annamaríaaveta-tizianacasetti-dariodolci-francamazzoni-pieropiccioni-carlobellero-drama-romance-horror-witches-witchcraft-possession-italy-france-1960s-½-div"><a href="/settima/tag:Bales2025FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2025FilmChallenge</span></a> <a href="/settima/tag:exorcisms" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">exorcisms</span></a> <a href="/settima/tag:BrunelloRondi" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BrunelloRondi</span></a> <a href="/settima/tag:DaliahLavi" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">DaliahLavi</span></a> <a href="/settima/tag:FrankWolff" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FrankWolff</span></a> <a href="/settima/tag:AnnaMar%C3%ADaAveta" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AnnaMaríaAveta</span></a> <a href="/settima/tag:TizianaCasetti" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">TizianaCasetti</span></a> <a href="/settima/tag:DarioDolci" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">DarioDolci</span></a> <a href="/settima/tag:FrancaMazzoni" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FrancaMazzoni</span></a> <a href="/settima/tag:PieroPiccioni" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">PieroPiccioni</span></a> <a href="/settima/tag:CarloBellero" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">CarloBellero</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:romance" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">romance</span></a> <a href="/settima/tag:horror" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">horror</span></a> <a href="/settima/tag:witches" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">witches</span></a> <a href="/settima/tag:witchcraft" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">witchcraft</span></a> <a href="/settima/tag:possession" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">possession</span></a> <a href="/settima/tag:Italy" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Italy</span></a> <a href="/settima/tag:France" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">France</span></a> <a href="/settima/tag:1960s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1960s</span></a> ★★★★½</div></h5>

<p></section></p>
]]></content:encoded>
      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-f2fh</guid>
      <pubDate>Mon, 06 Oct 2025 19:00:00 +0200</pubDate>
    </item>
    <item>
      <title>Il boom [The Boom] (Vittorio De Sica, 1963)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-59cf</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Il boom [The Boom] (Vittorio De Sica, 1963)/div&#xA;div class=&#34;month&#34;&#xA;Jul/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;13/div&#xA;div class=&#34;occasion&#34;&#xA;espresso/div&#xA;div class=&#34;img&#34;&#xA;Il boom (1963).png)/div&#xA;div class=&#34;caption&#34;&#xA;A glum looking man holds a teeny espresso cup-and-saucer. DP: Armando Nannuzzi./div&#xA;div class=&#34;txt&#34;&#xA;&amp;nbsp;&#xA;/div&#xA;div class=&#34;tags&#34;&#xA;##### #FilmDinner #espresso #coffee #VittorioDeSica #AlbertoSordi #GiannaMariaCanale #ElenaNicolai #MariaGraziaBuccella #JohnKarlsen #AlfioVita #PieroPiccioni #ArmandoNannuzzi #comedy #satire #Italy #1960s ★★★★☆/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="il-boom-the-boom-vittorio-de-sica-1963-div" id="il-boom-the-boom-vittorio-de-sica-1963-div">Il boom [The Boom] (Vittorio De Sica, 1963)</div></h4>

<p><div class="month"></p>

<h2 id="jul-div" id="jul-div">Jul</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="13-div" id="13-div">13</div></h1>

<p><div class="occasion"></p>

<h2 id="espresso-div" id="espresso-div">espresso</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/RVpFzjyR/250713-Boom-(1963).png" alt="Il boom (1963)"></div>
<div class="caption"></p>

<h6 id="a-glum-looking-man-holds-a-teeny-espresso-cup-and-saucer-dp-armando-nannuzzi-div" id="a-glum-looking-man-holds-a-teeny-espresso-cup-and-saucer-dp-armando-nannuzzi-div">A glum looking man holds a teeny espresso cup-and-saucer. DP: Armando Nannuzzi.</div></h6>

<p><div class="txt"></p>

<p> </p>

<p></div>
<div class="tags"></p>

<h5 id="filmdinner-espresso-coffee-vittoriodesica-albertosordi-giannamariacanale-elenanicolai-mariagraziabuccella-johnkarlsen-alfiovita-pieropiccioni-armandonannuzzi-comedy-satire-italy-1960s-div" id="filmdinner-espresso-coffee-vittoriodesica-albertosordi-giannamariacanale-elenanicolai-mariagraziabuccella-johnkarlsen-alfiovita-pieropiccioni-armandonannuzzi-comedy-satire-italy-1960s-div"><a href="/settima/tag:FilmDinner" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FilmDinner</span></a> <a href="/settima/tag:espresso" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">espresso</span></a> <a href="/settima/tag:coffee" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">coffee</span></a> <a href="/settima/tag:VittorioDeSica" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">VittorioDeSica</span></a> <a href="/settima/tag:AlbertoSordi" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AlbertoSordi</span></a> <a href="/settima/tag:GiannaMariaCanale" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">GiannaMariaCanale</span></a> <a href="/settima/tag:ElenaNicolai" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ElenaNicolai</span></a> <a href="/settima/tag:MariaGraziaBuccella" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MariaGraziaBuccella</span></a> <a href="/settima/tag:JohnKarlsen" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JohnKarlsen</span></a> <a href="/settima/tag:AlfioVita" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AlfioVita</span></a> <a href="/settima/tag:PieroPiccioni" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">PieroPiccioni</span></a> <a href="/settima/tag:ArmandoNannuzzi" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ArmandoNannuzzi</span></a> <a href="/settima/tag:comedy" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">comedy</span></a> <a href="/settima/tag:satire" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">satire</span></a> <a href="/settima/tag:Italy" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Italy</span></a> <a href="/settima/tag:1960s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1960s</span></a> ★★★★☆</div></h5>

<p></section></p>
]]></content:encoded>
      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-59cf</guid>
      <pubDate>Sun, 13 Jul 2025 17:37:51 +0200</pubDate>
    </item>
    <item>
      <title>Le mépris [Contempt] (Jean-Luc Godard, 1963)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-41q7</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Le mépris [Contempt] (Jean-Luc Godard, 1963)/div&#xA;div class=&#34;month&#34;&#xA;May/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;5/div&#xA;div class=&#34;occasion&#34;&#xA;Europe Day/div&#xA;div class=&#34;img&#34;&#xA;Le mépris (1963)/div&#xA;div class=&#34;caption&#34;&#xA;Michel Piccoli, director Fritz Lang, Jack Palance, and director Jean-Luc Godard behind the scenes. The clapperboard held by Godard is for the movie that Lang&#39;s working on in Le Mépris, an adaption of Homer&#39;s Odyssey. DP: Raoul Coutard./div&#xA;div class=&#34;txt&#34;&#xA;A director from the EU for Europe Day&#xA;&#xA;  &#34;Producers are something I can easily do without&#34;&#xA;  ### – Fritz Lang&#xA;&#xA;A film in a film, the former directed by Fritz Lang, directed by Godard./div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2025FilmChallenge #EuropeDay #JeanLucGodard #AlbertoMoravia #BrigitteBardot #MichelPiccoli #JackPalance #GiorgiaMoll #FritzLang #RaoulCoutard #LindaVeras #GeorgesDelerue #PieroPiccioni #drama #philosophy #romance #mystery #BookAdaptation #Capri #France #Italy #1960s ★★★★½/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="le-mépris-contempt-jean-luc-godard-1963-div" id="le-mépris-contempt-jean-luc-godard-1963-div">Le mépris [Contempt] (Jean-Luc Godard, 1963)</div></h4>

<p><div class="month"></p>

<h2 id="may-div" id="may-div">May</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="5-div" id="5-div">5</div></h1>

<p><div class="occasion"></p>

<h2 id="europe-day-div" id="europe-day-div">Europe Day</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/d3Y73MhM/0505-M-pris-1963.jpg" alt="Le mépris (1963)"></div>
<div class="caption"></p>

<h6 id="michel-piccoli-director-fritz-lang-jack-palance-and-director-jean-luc-godard-behind-the-scenes-the-clapperboard-held-by-godard-is-for-the-movie-that-lang-s-working-on-in-le-mépris-an-adaption-of-homer-s-odyssey-https-en-wikipedia-org-wiki-odyssey-dp-raoul-coutard-div" id="michel-piccoli-director-fritz-lang-jack-palance-and-director-jean-luc-godard-behind-the-scenes-the-clapperboard-held-by-godard-is-for-the-movie-that-lang-s-working-on-in-le-mépris-an-adaption-of-homer-s-odyssey-https-en-wikipedia-org-wiki-odyssey-dp-raoul-coutard-div">Michel Piccoli, director Fritz Lang, Jack Palance, and director Jean-Luc Godard behind the scenes. The clapperboard held by Godard is for the movie that Lang&#39;s working on in <em>Le Mépris</em>, an adaption of Homer&#39;s <a href="https://en.wikipedia.org/wiki/Odyssey" rel="nofollow"><em>Odyssey</em></a>. DP: Raoul Coutard.</div></h6>

<p><div class="txt"></p>

<h5 id="a-director-from-the-eu-for-europe-day-https-european-union-europa-eu-principles-countries-history-symbols-europe-day-en" id="a-director-from-the-eu-for-europe-day-https-european-union-europa-eu-principles-countries-history-symbols-europe-day-en">A director from the EU for <a href="https://european-union.europa.eu/principles-countries-history/symbols/europe-day_en" rel="nofollow">Europe Day</a></h5>

<blockquote><p>“Producers are something I can easily do without”</p>

<h3 id="fritz-lang" id="fritz-lang">– Fritz Lang</h3>
</blockquote>

<h5 id="a-film-in-a-film-the-former-directed-by-fritz-lang-directed-by-godard-div" id="a-film-in-a-film-the-former-directed-by-fritz-lang-directed-by-godard-div">A film in a film, the former directed by Fritz Lang, directed by Godard.</div></h5>

<p><div class="tags"></p>

<h5 id="bales2025filmchallenge-europeday-jeanlucgodard-albertomoravia-brigittebardot-michelpiccoli-jackpalance-giorgiamoll-fritzlang-raoulcoutard-lindaveras-georgesdelerue-pieropiccioni-drama-philosophy-romance-mystery-bookadaptation-capri-france-italy-1960s-½-div" id="bales2025filmchallenge-europeday-jeanlucgodard-albertomoravia-brigittebardot-michelpiccoli-jackpalance-giorgiamoll-fritzlang-raoulcoutard-lindaveras-georgesdelerue-pieropiccioni-drama-philosophy-romance-mystery-bookadaptation-capri-france-italy-1960s-½-div"><a href="/settima/tag:Bales2025FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2025FilmChallenge</span></a> <a href="/settima/tag:EuropeDay" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">EuropeDay</span></a> <a href="/settima/tag:JeanLucGodard" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JeanLucGodard</span></a> <a href="/settima/tag:AlbertoMoravia" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AlbertoMoravia</span></a> <a href="/settima/tag:BrigitteBardot" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BrigitteBardot</span></a> <a href="/settima/tag:MichelPiccoli" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MichelPiccoli</span></a> <a href="/settima/tag:JackPalance" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JackPalance</span></a> <a href="/settima/tag:GiorgiaMoll" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">GiorgiaMoll</span></a> <a href="/settima/tag:FritzLang" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FritzLang</span></a> <a href="/settima/tag:RaoulCoutard" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">RaoulCoutard</span></a> <a href="/settima/tag:LindaVeras" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">LindaVeras</span></a> <a href="/settima/tag:GeorgesDelerue" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">GeorgesDelerue</span></a> <a href="/settima/tag:PieroPiccioni" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">PieroPiccioni</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:philosophy" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">philosophy</span></a> <a href="/settima/tag:romance" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">romance</span></a> <a href="/settima/tag:mystery" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">mystery</span></a> <a href="/settima/tag:BookAdaptation" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BookAdaptation</span></a> <a href="/settima/tag:Capri" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Capri</span></a> <a href="/settima/tag:France" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">France</span></a> <a href="/settima/tag:Italy" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Italy</span></a> <a href="/settima/tag:1960s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1960s</span></a> ★★★★½</div></h5>

<p></section></p>
]]></content:encoded>
      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-41q7</guid>
      <pubDate>Mon, 05 May 2025 19:22:00 +0200</pubDate>
    </item>
    <item>
      <title>Io la conoscevo bene [I Knew Her Well] (Antonio Pietrangeli, 1965)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-m7ck</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Io la conoscevo bene [I Knew Her Well] (Antonio Pietrangeli, 1965)/div&#xA;div class=&#34;month&#34;&#xA;Mar/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;5/div&#xA;div class=&#34;occasion&#34;&#xA;Crispus Attucks – 1770/div&#xA;div class=&#34;img&#34;&#xA;Io la conoscevo bene (1965)/div&#xA;div class=&#34;caption&#34;&#xA;Adriana (Stefania Sandrelli) seen through her apartment window. Rome is reflected in her face. DP: Armando Nannuzzi./div&#xA;div class=&#34;txt&#34;&#xA;A wasteful act: Crispus Attucks, (arguably) the first American victim in the American Revolution, dies on March 5supth/sup, 1770.&#xA;&#xA;  &#34;She&#39;s always happy. She desires nothing, envies no one, is curious about nothing. You can&#39;t surprise her. She doesn&#39;t notice the humiliations, though they happen to her every day. It all rolls off her back like some waterproof material. Zero ambition. No moral code. Not even a whore&#39;s love of money.&#34;&#xA;  ### – The Writer&#xA;&#xA;An ambitious but aimless girl – she wants to be loved, and to be a model, a proto-Edie – mills about her day.&#xA;&amp;nbsp;&#xA;Sublimely shot, we see Adriana through glass panes, in reflections, in an off-focal plane, in other people&#39;s words./div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2025FilmChallenge #CrispusAttucks #AntonioPietrangeli #StefaniaSandrelli #MarioAdorf #JeanClaudeBrialy #JoachimFuchsberger #NinoManfredi #EnricoMariaSalerno #UgoTognazzi #FrancoNero #PieroPiccioni #BenedettoGhiglia #ArmandoNannuzzi #drama #comedy #ComingOfAge #EUR #Rome #Italy #France #WestGermany #1960s ★★★½/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="io-la-conoscevo-bene-i-knew-her-well-antonio-pietrangeli-1965-div" id="io-la-conoscevo-bene-i-knew-her-well-antonio-pietrangeli-1965-div">Io la conoscevo bene [I Knew Her Well] (Antonio Pietrangeli, 1965)</div></h4>

<p><div class="month"></p>

<h2 id="mar-div" id="mar-div">Mar</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="5-div" id="5-div">5</div></h1>

<p><div class="occasion"></p>

<h2 id="crispus-attucks-1770-div" id="crispus-attucks-1770-div">Crispus Attucks – 1770</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/pLbr485N/0305-Io-la-conoscevo-bene-1965.png" alt="Io la conoscevo bene (1965)"></div>
<div class="caption"></p>

<h6 id="adriana-stefania-sandrelli-seen-through-her-apartment-window-rome-is-reflected-in-her-face-dp-armando-nannuzzi-div" id="adriana-stefania-sandrelli-seen-through-her-apartment-window-rome-is-reflected-in-her-face-dp-armando-nannuzzi-div">Adriana (Stefania Sandrelli) seen through her apartment window. Rome is reflected in her face. DP: Armando Nannuzzi.</div></h6>

<p><div class="txt"></p>

<h5 id="a-wasteful-act-crispus-attucks-https-en-wikipedia-org-wiki-crispus-attucks-arguably-the-first-american-victim-in-the-american-revolution-dies-on-march-5-sup-th-sup-1770" id="a-wasteful-act-crispus-attucks-https-en-wikipedia-org-wiki-crispus-attucks-arguably-the-first-american-victim-in-the-american-revolution-dies-on-march-5-sup-th-sup-1770">A wasteful act: <a href="https://en.wikipedia.org/wiki/Crispus_Attucks" rel="nofollow">Crispus Attucks</a>, (arguably) the first American victim in the American Revolution, dies on March 5<sup>th</sup>, 1770.</h5>

<blockquote><p>“She&#39;s always happy. She desires nothing, envies no one, is curious about nothing. You can&#39;t surprise her. She doesn&#39;t notice the humiliations, though they happen to her every day. It all rolls off her back like some waterproof material. Zero ambition. No moral code. Not even a whore&#39;s love of money.”</p>

<h3 id="the-writer" id="the-writer">– The Writer</h3>
</blockquote>

<h5 id="an-ambitious-but-aimless-girl-she-wants-to-be-loved-and-to-be-a-model-a-proto-edie-https-write-underworld-fr-settima-tag-ediesedgwick-mills-about-her-day" id="an-ambitious-but-aimless-girl-she-wants-to-be-loved-and-to-be-a-model-a-proto-edie-https-write-underworld-fr-settima-tag-ediesedgwick-mills-about-her-day">An ambitious but aimless girl – she wants to be loved, and to be a model, a proto-<a href="https://write.underworld.fr/settima/tag:EdieSedgwick" rel="nofollow">Edie</a> – mills about her day.</h5>

<p> </p>

<h5 id="sublimely-shot-we-see-adriana-through-glass-panes-in-reflections-in-an-off-focal-plane-https-en-wikipedia-org-wiki-focus-puller-focus-pulling-in-other-people-s-words-div" id="sublimely-shot-we-see-adriana-through-glass-panes-in-reflections-in-an-off-focal-plane-https-en-wikipedia-org-wiki-focus-puller-focus-pulling-in-other-people-s-words-div">Sublimely shot, we see Adriana through glass panes, in reflections, in an off-<a href="https://en.wikipedia.org/wiki/Focus_puller#Focus_pulling" rel="nofollow">focal plane</a>, in other people&#39;s words.</div></h5>

<p><div class="tags"></p>

<h5 id="bales2025filmchallenge-crispusattucks-antoniopietrangeli-stefaniasandrelli-marioadorf-jeanclaudebrialy-joachimfuchsberger-ninomanfredi-enricomariasalerno-ugotognazzi-franconero-pieropiccioni-benedettoghiglia-armandonannuzzi-drama-comedy-comingofage-eur-rome-italy-france-westgermany-1960s-½-div" id="bales2025filmchallenge-crispusattucks-antoniopietrangeli-stefaniasandrelli-marioadorf-jeanclaudebrialy-joachimfuchsberger-ninomanfredi-enricomariasalerno-ugotognazzi-franconero-pieropiccioni-benedettoghiglia-armandonannuzzi-drama-comedy-comingofage-eur-rome-italy-france-westgermany-1960s-½-div"><a href="/settima/tag:Bales2025FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2025FilmChallenge</span></a> <a href="/settima/tag:CrispusAttucks" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">CrispusAttucks</span></a> <a href="/settima/tag:AntonioPietrangeli" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AntonioPietrangeli</span></a> <a href="/settima/tag:StefaniaSandrelli" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">StefaniaSandrelli</span></a> <a href="/settima/tag:MarioAdorf" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MarioAdorf</span></a> <a href="/settima/tag:JeanClaudeBrialy" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JeanClaudeBrialy</span></a> <a href="/settima/tag:JoachimFuchsberger" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JoachimFuchsberger</span></a> <a href="/settima/tag:NinoManfredi" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">NinoManfredi</span></a> <a href="/settima/tag:EnricoMariaSalerno" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">EnricoMariaSalerno</span></a> <a href="/settima/tag:UgoTognazzi" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">UgoTognazzi</span></a> <a href="/settima/tag:FrancoNero" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FrancoNero</span></a> <a href="/settima/tag:PieroPiccioni" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">PieroPiccioni</span></a> <a href="/settima/tag:BenedettoGhiglia" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BenedettoGhiglia</span></a> <a href="/settima/tag:ArmandoNannuzzi" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ArmandoNannuzzi</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:comedy" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">comedy</span></a> <a href="/settima/tag:ComingOfAge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ComingOfAge</span></a> <a href="/settima/tag:EUR" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">EUR</span></a> <a href="/settima/tag:Rome" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Rome</span></a> <a href="/settima/tag:Italy" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Italy</span></a> <a href="/settima/tag:France" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">France</span></a> <a href="/settima/tag:WestGermany" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">WestGermany</span></a> <a href="/settima/tag:1960s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1960s</span></a> ★★★½</div></h5>

<p></section></p>
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      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-m7ck</guid>
      <pubDate>Wed, 05 Mar 2025 12:00:00 +0100</pubDate>
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      <title>Io la conoscevo bene [I Knew Her Well] (Antonio Pietrangeli, 1965)</title>
      <link>https://write.underworld.fr/settima/io-la-conoscevo-bene-1965</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Io la conoscevo bene [I Knew Her Well] (Antonio Pietrangeli, 1965)/div&#xA;div class=&#34;month&#34;&#xA;Apr/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;2/div&#xA;div class=&#34;occasion&#34;&#xA;cocktails/div&#xA;div class=&#34;img&#34;&#xA;Io la conoscevo bene (1965).png)/div&#xA;div class=&#34;caption&#34;&#xA;A lone Roberto (Enrico Maria Salerno) at a lively cocktail party in Rome&#39;s hypermodern EUR district. DP: Armando Nannuzzi./div&#xA;div class=&#34;txt&#34;&#xA;&#34;Trouble is, she likes everything. She&#39;s always happy. She desires nothing, envies no one, is curious about nothing. You can&#39;t surprise her. She doesn&#39;t notice the humiliations, though they happen to her every day. It all rolls off her back like some waterproof material. Zero ambition. No moral code. Not even a whore&#39;s love of money.&#34;&#xA;  ### – the writer\&#xA;&#xA;/div&#xA;div class=&#34;tags&#34;&#xA;##### #FilmDinner #AntonioPietrangeli #StefaniaSandrelli #MarioAdorf #EnricoMariaSalerno #FrancoNero #PieroPiccioni #BenedettoGhiglia #ArmandoNannuzzi #drama #comedy #ComingOfAge #cocktails #EUR #Rome #Italy #France #WestGermany #1960s ★★★½/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="io-la-conoscevo-bene-i-knew-her-well-antonio-pietrangeli-1965-div" id="io-la-conoscevo-bene-i-knew-her-well-antonio-pietrangeli-1965-div">Io la conoscevo bene [I Knew Her Well] (Antonio Pietrangeli, 1965)</div></h4>

<p><div class="month"></p>

<h2 id="apr-div" id="apr-div">Apr</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="2-div" id="2-div">2</div></h1>

<p><div class="occasion"></p>

<h2 id="cocktails-div" id="cocktails-div">cocktails</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/4NDncCs3/240402_Io_la_conoscevo_bene_(1965).png" alt="Io la conoscevo bene (1965)"></div>
<div class="caption"></p>

<h6 id="a-lone-roberto-enrico-maria-salerno-at-a-lively-cocktail-party-in-rome-s-hypermodern-eur-https-en-wikipedia-org-wiki-eur-rome-district-dp-armando-nannuzzi-div" id="a-lone-roberto-enrico-maria-salerno-at-a-lively-cocktail-party-in-rome-s-hypermodern-eur-https-en-wikipedia-org-wiki-eur-rome-district-dp-armando-nannuzzi-div">A lone Roberto (Enrico Maria Salerno) at a lively cocktail party in Rome&#39;s hypermodern <a href="https://en.wikipedia.org/wiki/EUR,_Rome" rel="nofollow">EUR</a> district. DP: Armando Nannuzzi.</div></h6>

<p><div class="txt"></p>

<blockquote><p>“Trouble is, she likes everything. She&#39;s always happy. She desires nothing, envies no one, is curious about nothing. You can&#39;t surprise her. She doesn&#39;t notice the humiliations, though they happen to her every day. It all rolls off her back like some waterproof material. Zero ambition. No moral code. Not even a whore&#39;s love of money.”</p>

<h3 id="the-writer" id="the-writer">– the writer</h3>
</blockquote>

<h5 id="div" id="div"></div></h5>

<p><div class="tags"></p>

<h5 id="filmdinner-antoniopietrangeli-stefaniasandrelli-marioadorf-enricomariasalerno-franconero-pieropiccioni-benedettoghiglia-armandonannuzzi-drama-comedy-comingofage-cocktails-eur-rome-italy-france-westgermany-1960s-½-div" id="filmdinner-antoniopietrangeli-stefaniasandrelli-marioadorf-enricomariasalerno-franconero-pieropiccioni-benedettoghiglia-armandonannuzzi-drama-comedy-comingofage-cocktails-eur-rome-italy-france-westgermany-1960s-½-div"><a href="/settima/tag:FilmDinner" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FilmDinner</span></a> <a href="/settima/tag:AntonioPietrangeli" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AntonioPietrangeli</span></a> <a href="/settima/tag:StefaniaSandrelli" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">StefaniaSandrelli</span></a> <a href="/settima/tag:MarioAdorf" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MarioAdorf</span></a> <a href="/settima/tag:EnricoMariaSalerno" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">EnricoMariaSalerno</span></a> <a href="/settima/tag:FrancoNero" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FrancoNero</span></a> <a href="/settima/tag:PieroPiccioni" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">PieroPiccioni</span></a> <a href="/settima/tag:BenedettoGhiglia" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BenedettoGhiglia</span></a> <a href="/settima/tag:ArmandoNannuzzi" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ArmandoNannuzzi</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:comedy" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">comedy</span></a> <a href="/settima/tag:ComingOfAge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ComingOfAge</span></a> <a href="/settima/tag:cocktails" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">cocktails</span></a> <a href="/settima/tag:EUR" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">EUR</span></a> <a href="/settima/tag:Rome" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Rome</span></a> <a href="/settima/tag:Italy" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Italy</span></a> <a href="/settima/tag:France" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">France</span></a> <a href="/settima/tag:WestGermany" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">WestGermany</span></a> <a href="/settima/tag:1960s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1960s</span></a> ★★★½</div></h5>

<p></section></p>
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      <guid>https://write.underworld.fr/settima/io-la-conoscevo-bene-1965</guid>
      <pubDate>Tue, 02 Apr 2024 13:47:07 +0200</pubDate>
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      <title>Lo straniero [The Stranger] (Luchino Visconti, 1967)</title>
      <link>https://write.underworld.fr/settima/lo-straniero-1967</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Lo straniero [The Stranger] (Luchino Visconti, 1967)/div&#xA;div class=&#34;month&#34;&#xA;Jul/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;3/div&#xA;div class=&#34;occasion&#34;&#xA;soup/div&#xA;div class=&#34;img&#34;&#xA;Lo straniero (1967)/div&#xA;div class=&#34;caption&#34;&#xA;Arthur Meursault (Mastroianni) eating from a cracked bowl. DP: Giuseppe Rotunno./div&#xA;div class=&#34;txt&#34;&#xA;&#xA;/div&#xA;div class=&#34;tags&#34;&#xA;##### #FilmDinner #LuchinoVisconti #AlbertCamus #MarcelloMastroianni #AnnaKarina #PieroPiccioni #GiuseppeRotunno #drama #crime #BookAdaptation #soup #Italy #France #Algeria #1960s ★★★½/div&#xA;/section ]]&gt;</description>
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<div class="title"></p>

<h4 id="lo-straniero-the-stranger-luchino-visconti-1967-div" id="lo-straniero-the-stranger-luchino-visconti-1967-div">Lo straniero [The Stranger] (Luchino Visconti, 1967)</div></h4>

<p><div class="month"></p>

<h2 id="jul-div" id="jul-div">Jul</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="3-div" id="3-div">3</div></h1>

<p><div class="occasion"></p>

<h2 id="soup-div" id="soup-div">soup</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/rwkxX02M/230703-Straniero-1967.webp" alt="Lo straniero (1967)"></div>
<div class="caption"></p>

<h6 id="arthur-meursault-mastroianni-eating-from-a-cracked-bowl-dp-giuseppe-rotunno-div" id="arthur-meursault-mastroianni-eating-from-a-cracked-bowl-dp-giuseppe-rotunno-div">Arthur Meursault (Mastroianni) eating from a cracked bowl. DP: Giuseppe Rotunno.</div></h6>

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<h5 id="filmdinner-luchinovisconti-albertcamus-marcellomastroianni-annakarina-pieropiccioni-giusepperotunno-drama-crime-bookadaptation-soup-italy-france-algeria-1960s-½-div" id="filmdinner-luchinovisconti-albertcamus-marcellomastroianni-annakarina-pieropiccioni-giusepperotunno-drama-crime-bookadaptation-soup-italy-france-algeria-1960s-½-div"><a href="/settima/tag:FilmDinner" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FilmDinner</span></a> <a href="/settima/tag:LuchinoVisconti" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">LuchinoVisconti</span></a> <a href="/settima/tag:AlbertCamus" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AlbertCamus</span></a> <a href="/settima/tag:MarcelloMastroianni" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MarcelloMastroianni</span></a> <a href="/settima/tag:AnnaKarina" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AnnaKarina</span></a> <a href="/settima/tag:PieroPiccioni" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">PieroPiccioni</span></a> <a href="/settima/tag:GiuseppeRotunno" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">GiuseppeRotunno</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:crime" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">crime</span></a> <a href="/settima/tag:BookAdaptation" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BookAdaptation</span></a> <a href="/settima/tag:soup" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">soup</span></a> <a href="/settima/tag:Italy" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Italy</span></a> <a href="/settima/tag:France" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">France</span></a> <a href="/settima/tag:Algeria" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Algeria</span></a> <a href="/settima/tag:1960s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1960s</span></a> ★★★½</div></h5>

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      <guid>https://write.underworld.fr/settima/lo-straniero-1967</guid>
      <pubDate>Mon, 03 Jul 2023 15:55:21 +0200</pubDate>
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