settima

USA

America America (Elia Kazan, 1963)

Feb

2

New Amsterdam

America America (1963)

Stavros (Stathis Giallelis) and other passengers on the ship. Their faces are reflected in a glass pane, showing dozens waiting at what appears to be Ellis Island. DP: Haskell Wexler.

A film about New York to commemorate the incorporation of New Amsterdam. The official Bales' rule states the year 1624, but that is the year of settlement, and even that is one year off. To cut a long story short, New Amsterdam was incorporated as a city on February 2, 1653.

“My name is Elia Kazan. I am a Greek by blood, a Turk by birth and an American because my uncle made a journey.”

– Elia Kazan, voice-over

America America tells the story of director Kazan's grandfather through the life of the Greek Stavros Topouzoglou (Stathis Giallelis), who was adamant to start anew, in New York.

Symbiopsychotaxiplasm: Take One (William Greaves, 1968)

Feb

1

Filmmaking

Symbiopsychotaxiplasm: Take One (1968)

Don Fellows – testing as “Freddy” – and Patricia Ree Gilbert – testing as “Alice” –, the director (William Greaves), and a camera assistant holding up a light meter. Everyone is eyeing everyone and it's not clear who is playing what part. DPs: Stevan Larner & Terence Macartney-Filgate.

A film about filmmaking, or Hollywood, to celebrate the opening of Edison's Black Maria in 1893.

“You and I are going to be filming the actors. The two of us, see, are going to be filming the actors – continuously – and you will be filming me and the actors. I'm going to be filming the actors and Terry is going to be in charge of filming the whole thing. You see?”

– William Greaves – Director

During a screentest for a documentary in a documentary in a film, director William Greaves attempts to cast the leads for his upcoming piece Over the Cliff, while a documentary crew records their progress.

The Phantom of the Opera (Rupert Julian, Lon Chaney, Ernst Laemmle + Edward Sedgwick, 1925)

Jan

28

Gaslights

The Phantom of the Opera (1925)

An enormous gaslit chandelier dangles over the Paris Opéra audience's heads. DPs: Milton Bridenbecker, Virgil Miller & Charles Van Enger.

Gaslights for the first recorded public street lighting powered by gas, demonstrated in Pall Mall, London, on 28 January, 1807. The introduction of gaslight had a major influence on theatre and opera, including the new Paris Opera (1875), which was lit by no less than 960 gas jets. Thanks to the brilliant light, stage actors could tone down their mannerisms and stage makeup.

“Feast your eyes. Glut your soul on my accursed ugliness.”

– The Phantom

However, in the dark dungeons under the Opéra lives a pitiful creature, doomed to dwell in darkness. His makeup, provided by The Man of a Thousand Faces, Lon Chaney, was both grotesque and eerily real .

Blue Velvet (David Lynch, 1986)

Jan

19

lights

Blue Velvet (1986)

Ben (Dean Stockwell) miming Roy Orbison's In Dreams with a work light for a microphone. DP: Frederick Elmes.

Lights on the date in 1883 that #ThomasEdison first switched on overhead electric lighting.

“A candy-colored clown they call the sandman Tiptoes to my room every night Just to sprinkle stardust and to whisper 'Go to sleep, everything is alright'”

– Roy Orbison, In Dreams (1963)

David Lynch at his finest Anger, and Stockwell at his peak. The work light was improvised when Lynch noticed Stockwell handling it between shoots.

All My Life (Bruce Baillie, 1966)

Jan

18

roses

All My Life (1966)

A still of a red rose bush next to a fence. Image via à pala de walsh. DP: Bruce Baillie.

Roses for the end of the Wars of the Roses (note: January 18 is when Henry VII married Elizabeth of York in 1486; the wars would continue until June 16 the following year).

“All my life, hold me close to your heart But all else above Hold my love, darling, just hold my love”

– Ella Fitzgerald, All My Life (Sidney D. Mitchell & Sammy Stept), 1936

In one continuous shot, the camera tracks a fence and rose bushes while Ella Fitzgerald's 1936 debut song All My Life is playing.

Egged On (Charles R. Bowers, Harold L. Muller + Ted Sears, 1926)

Jan

17

inventions

Egged On (1926)

Charley working his Rube Goldberger-esque egg-rubberizing contraption.

An invention for Benjamin Franklin's birthday. Inventor Charley (Charles R. Bowers) comes up with an ingenious method to make eggs break-proof for transport by rubberizing them.

“… as we enjoy great advantages from the inventions of others, we should be glad of an opportunity to serve others by any invention of ours; and this we should do freely and generously.”

– Benjamin Franklin in his autobiography

Bowers was an almost-forgotten silent era comedian, filmmaker, and animator. In more recent years, his groundbreaking stop-motion comedy has found a new, well-deserved, interest.

The Cameraman (Edward Sedgwick + Buster Keaton, 1928)

Jan

14

National Dress Up Your Pet Day

The Cameraman (1928)

Buster (Buster Keaton) with Josephine the monkey on his shoulder. DPs: Reggie Lanning & Elgin Lessley.

A funnily dressed pet for National Dress Up Your Pet Day (USA) (please don't!).

– Now, see! You kill-a de monk! – Pay him for that baboon… or I'll run you in!

After cameraman Buster accidentally knocks over a monkey, he has no choice but to take the sailor-suited simian along on his movie shoots.

Space Is the Place (John Coney, 1974)

Jan

5

Space Shuttle

Space Is the Place (1974)

Ra's arrival. DP: Seth Hill.

A film about space travel on the day Nixon announced the Space Shuttle program in 1972.

“I came from a dream that the black man dreamed long ago. I’m actually a presence sent to you by your ancestors.”

Sun Ra

St. Louis Blues (Dudley Murphy, 1929)

Dec

20

Walter “Wolfman” Washington – 1943

St. Louis Blues (1929)

Bessie “the Empress of Blues” Smith, singing her blues away. DP: Walter Strenge .

Featuring rhythm and blues, funk or blues, for Walter “Wolfman” Washington's birthday (1943)

“I hate to see the evening' sun go down I hate to see the evening' sun go down It makes me think I'm on my last go 'round

Feeling' tomorrow like I feel today Feeling' tomorrow like I feel today I'll pack my grip and make my getaway”

Saint Louis woman with her diamond rings Pulls that man around by her apron strings Wasn't for powder and the store-bought hair The man I love wouldn't go nowhere, nowhere

I got them Saint Louis Blues; just as blue as I can be He's got a heart like a rock cast in the sea Or else he wouldn't have gone so far from me”

– Bessie Smith, St. Louis Blues (W. C. Handy)

Lolita (Stanley Kubrick, 1962)

Dec

18

Daniel LaRusso's birthday

Lolita (1962)

Lolita (Sue Lyon) twirling her hoola hoop in the yard in front of Prof. Humbert Humbert (James Mason). He pretends to read but is mostly ogling her.. DP: Oswald Morris .

A backyard, deck or fences for Daniel LaRusso's (the Karate Kid kid who, as part of his martial arts training, endlessly paints fences) birthday.

“What drives me insane is the twofold nature of this nymphet, of every nymphet perhaps, this mixture in my Lolita of tender, dreamy childishness and a kind of eerie vulgarity. I know it is madness to keep this journal, but it gives me a strange thrill to do so. And only a loving wife could decipher my microscopic script.”

– Prof. Humbert Humbert