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America America (Elia Kazan, 1963)
Feb
2
New Amsterdam
A film about New York to commemorate the incorporation of New Amsterdam. The official Bales' rule states the year 1624, but that is the year of settlement, and even that is one year off. To cut a long story short, New Amsterdam was incorporated as a city on February 2, 1653.
“My name is Elia Kazan. I am a Greek by blood, a Turk by birth and an American because my uncle made a journey.”
– Elia Kazan, voice-over
America America tells the story of director Kazan's grandfather through the life of the Greek Stavros Topouzoglou (Stathis Giallelis), who was adamant to start anew, in New York.
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Symbiopsychotaxiplasm: Take One (William Greaves, 1968)
Feb
1
Filmmaking
Don Fellows – testing as “Freddy” – and Patricia Ree Gilbert – testing as “Alice” –, the director (William Greaves), and a camera assistant holding up a light meter. Everyone is eyeing everyone and it's not clear who is playing what part. DPs: Stevan Larner & Terence Macartney-Filgate.
A film about filmmaking, or Hollywood, to celebrate the opening of Edison's Black Maria in 1893.
“You and I are going to be filming the actors. The two of us, see, are going to be filming the actors – continuously – and you will be filming me and the actors. I'm going to be filming the actors and Terry is going to be in charge of filming the whole thing. You see?”
– William Greaves – Director
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The Phantom of the Opera (Rupert Julian, Lon Chaney, Ernst Laemmle + Edward Sedgwick, 1925)
Jan
28
Gaslights
An enormous gaslit chandelier dangles over the Paris Opéra audience's heads. DPs: Milton Bridenbecker, Virgil Miller & Charles Van Enger.
Gaslights for the first recorded public street lighting powered by gas, demonstrated in Pall Mall, London, on 28 January, 1807. The introduction of gaslight had a major influence on theatre and opera, including the new Paris Opera (1875), which was lit by no less than 960 gas jets. Thanks to the brilliant light, stage actors could tone down their mannerisms and stage makeup.
“Feast your eyes. Glut your soul on my accursed ugliness.”
– The Phantom
However, in the dark dungeons under the Opéra lives a pitiful creature, doomed to dwell in darkness. His makeup, provided by The Man of a Thousand Faces, Lon Chaney, was both grotesque and eerily real .
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Blue Velvet (David Lynch, 1986)
Jan
19
lights
Ben (Dean Stockwell) miming Roy Orbison's In Dreams with a work light for a microphone. DP: Frederick Elmes.
“A candy-colored clown they call the sandman
Tiptoes to my room every night
Just to sprinkle stardust and to whisper
'Go to sleep, everything is alright'”
– Roy Orbison, In Dreams (1963)
David Lynch at his finest Anger, and Stockwell at his peak. The work light was improvised when Lynch noticed Stockwell handling it between shoots.
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All My Life (Bruce Baillie, 1966)
Jan
18
roses
Roses for the end of the Wars of the Roses (note: January 18 is when Henry VII married Elizabeth of York in 1486; the wars would continue until June 16 the following year).
“All my life, hold me close to your heart
But all else above
Hold my love, darling, just hold my love”
– Ella Fitzgerald, All My Life (Sidney D. Mitchell & Sammy Stept), 1936
In one continuous shot, the camera tracks a fence and rose bushes while Ella Fitzgerald's 1936 debut song All My Life is playing.
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Egged On (Charles R. Bowers, Harold L. Muller + Ted Sears, 1926)
Jan
17
inventions
An invention for Benjamin Franklin's birthday. Inventor Charley (Charles R. Bowers) comes up with an ingenious method to make eggs break-proof for transport by rubberizing them.
“… as we enjoy great advantages from the inventions of others, we should be glad of an opportunity to serve others by any invention of ours; and this we should do freely and generously.”
– Benjamin Franklin in his autobiography
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The Cameraman (Edward Sedgwick + Buster Keaton, 1928)
Jan
14
National Dress Up Your Pet Day
Buster (Buster Keaton) with Josephine the monkey on his shoulder. DPs: Reggie Lanning & Elgin Lessley.
– Now, see! You kill-a de monk!
– Pay him for that baboon… or I'll run you in!
After cameraman Buster accidentally knocks over a monkey, he has no choice but to take the sailor-suited simian along on his movie shoots.
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Space Is the Place (John Coney, 1974)
Jan
5
Space Shuttle
Ra's arrival. DP: Seth Hill.
“I came from a dream that the black man dreamed long ago. I’m actually a presence sent to you by your ancestors.”
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St. Louis Blues (Dudley Murphy, 1929)
Dec
20
Walter “Wolfman” Washington – 1943
Bessie “the Empress of Blues” Smith, singing her blues away. DP: Walter Strenge .
Featuring rhythm and blues, funk or blues, for Walter “Wolfman” Washington's birthday (1943)
“I hate to see the evening' sun go down
I hate to see the evening' sun go down
It makes me think I'm on my last go 'round
Feeling' tomorrow like I feel today
Feeling' tomorrow like I feel today
I'll pack my grip and make my getaway”
Saint Louis woman with her diamond rings
Pulls that man around by her apron strings
Wasn't for powder and the store-bought hair
The man I love wouldn't go nowhere, nowhere
I got them Saint Louis Blues; just as blue as I can be
He's got a heart like a rock cast in the sea
Or else he wouldn't have gone so far from me”
– Bessie Smith, St. Louis Blues (W. C. Handy)
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Lolita (Stanley Kubrick, 1962)
Dec
18
Daniel LaRusso's birthday
Lolita (Sue Lyon) twirling her hoola hoop in the yard in front of Prof. Humbert Humbert (James Mason). He pretends to read but is mostly ogling her.. DP: Oswald Morris .
A backyard, deck or fences for Daniel LaRusso's (the Karate Kid kid who, as part of his martial arts training, endlessly paints fences) birthday.
“What drives me insane is the twofold nature of this nymphet, of every nymphet perhaps, this mixture in my Lolita of tender, dreamy childishness and a kind of eerie vulgarity. I know it is madness to keep this journal, but it gives me a strange thrill to do so. And only a loving wife could decipher my microscopic script.”
– Prof. Humbert Humbert