settima

USA

Santa and the Ice Cream Bunny (Richard Winer + Barry Mahon, 1972)

Dec

20

Santa and the Ice Cream Bunny (1972)

A bunch of screaming children on top of a red firetruck stand right behind the driver, a stoic person in a pink bunny costume. DPs: William Tobin & Richard Winer.

“What is that? What is that I hear? Where's it coming from? I hear a siren, but I don't see any fire, I don't see any smoke. Whenever there's a siren, it means there's a fire, but I don't see any smoke. That siren. Where is it coming from? Where's that sound coming from?”

– Santa Claus

Children's Party (Joseph Cornell, c. 1938/1969)

Dec

18

Las Posadas

Children's Party (1938)

Exuberant dancers at the children's party.

A festive child for Las Posadas

“Shadow boxes become poetic theaters or settings wherein are metamorphosed the element of a childhood pastime.”

– Joseph Cornell

Children of all ages are entertained by a menagerie of dancers, acrobats, talented fauna and bobbing apples in this exhilarating found-footage party. Part of The Children's Trilogy, together with Cotillion (c. 1938/1969) and The Midnight Party (c. 1938/1969).

The Last Broadcast (Stefan Avalos + Lance Weiler, 1998)

Dec

15

1995

The Last Broadcast (1998)

An anxious looking camera man in the woods on grainy VHS stock. DP: Lance Weiler.

“At 10 PM, in what will be the last broadcast, Fact or Fiction goes live.”

– David Leigh, the filmmaker

Panic in the Streets (Elia Kazan, 1950)

Dec

13

Panic in the Streets (1950)

A bunch of tough-looking guys at a table with what may be a sandwich. Even the sandwich is up to no good.. DP: Joseph MacDonald.

 

Psycho (Alfred Hitchcock, 1960)

Dec

11

Psycho (1960)

Norman Bates (Anthony Perkins) in front of the family motel. DP: John L. Russell.

“The mattress is soft and there're hangers in the closet and stationary with “Bates' Motel” printed on it in case you want to make your friends back home envious.”

– Norman Bates

December 7th (John Ford + Gregg Toland, 1943)

Dec

7

1941

December 7th (1943)

A Japanese person paints over the Japanese characters on their store's sign. AZUMA PHONE and SUS[HI obscured] can stay. DP: Gregg Toland.

“If that's Americanism, it's very hyphenated.”

– narrator

Careful, Soft Shoulders [Lady in a Quandry] (Oliver H.P. Garrett, 1942)

Dec

7

1941

Careful, Soft Shoulders (1942)

Thomas Aldrich (James Ellison) and Connie Mathers (Virginia Bruce). DP: Charles G. Clarke.

The Lickerish Quartet (Radley Metzger, 1970)

Dec

5

The Lickerish Quartet (1970)

A 70s couple in a grainy black-and-white still. The frame looks damaged, suggesting a stag reel. The seemingly nude blonde pours a drink for her dark-haired man. She holds the cork between her teeth, seducingly. DP: Hans Jura.

– I've never seen a film like this before.

– Oh, it's different, alright.

A Face in the Crowd (Elia Kazan, 1957)

Aug

22

milkshake

A Face in the Crowd (1957)

A young woman with an impressive coif, a fur stole and a large milkshake peeks from around a corner with a surprised look on her face. DPs: Gayne Rescher & Harry Stradling Sr..

“Shucks, I could take chicken fertilizer and sell it to them as caviar. I could make them eat dog food and think it was steak. Sure, I got 'em like this…”

– Lonesome Rhodes

Silent Running (Douglas Trumbull, 1972)

Jul

24

cantaloupe

Silent Running (1972)

Bruce Dern as peace-loving Freeman Lowell aggressively eating a cantaloupe in space. DP: Charles F. Wheeler.

“It calls back a time when there were flowers all over the Earth… and there were valleys. And there were plains of tall green grass that you could lie down in – you could go to sleep in. And there were blue skies, and there was fresh air… and there were things growing all over the place, not just in some domed enclosures blasted some millions of miles out in to space.”

– Freeman Lowell