A mother for International Women's Day.

 

When returning home to the castle he grew up in, Jan attempts to free himself from the suffocating clutches of his neurotic mother.

 

This film was the final straw for Shirley Temple; she resigned from the board of the San Francisco Film Festival calling Zetterling's film “pornography for profit”.

A film about teaching on the day of Saint Scholastica, patron saint of Benedictine nuns, education, and convulsive children.

 

Companion piece to Vilgot Sjöman's 491 (1964). An anti-authoritarian teacher who is plagued by nightmares, slowly unravels.

Snakes (巳) in celebration of Lunar New Year.

 

Ormen is an adaptation of the first two chapters of the novel Berättelsen om Iréne (Stig Dagerman, 1945).

 

In an army barrack, a sergeant is bitten by a snake. A soldier hides the animal in his bag in order to blackmail his superior. Iréne – who works in the same barrack's mess and is the soldier's lover – pushes her mother off a train during a quarrel about the daughter's lack of morals.

 

Dagerman's novel is a metaphor of Sweden's uncomfortable position in a post-WW2 world (it had declared itself neutral, which by default made it complicit in helping the Nazis). Due to its violence and nudity, outside its homecountry the film adaptation mostly played porn theatres.

“Everything is rotten. Decadence is everywhere. Why fight it?”

“I see what I see, and I know what I know. But nobody believes me.”

– Granny Vogler

“For a handful of coins!”