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Skammen [Shame] (Ingmar Bergman, 1968)
Jun
12
Loving Day
Eva (Liv Ullmann) and Jan Rosenberg (Max von Sydow) (via). DP: Sven Nykvist.
“Sometimes everything seems just like a dream. It's not my dream, it's somebody else's. But I have to participate in it. How do you think someone who dreams about us would feel when he wakes up. Feeling ashamed?”
– Eva
After Vargtimmen (1968), the second of Bergman's Ullmann/Von Sydow cycle. It was followed by En passion (1969).
Against the backdrop of war, a violinist couple tends a garden – and marriage – on the island of Fårö.
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L'uomo più velenoso del cobra [The Man More Venomous Than the Cobra / Human Cobras] (Bitto Albertini, 1971)
May
19
Leslie (Erika Blanc) and Tony Garden (George Ardisson). DP: Emilio Foriscot.
“For a handful of coins!”
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Den vita väggen [The White Wall] (Stig Björkman, 1975)
May
17
från Sverige
Monika (Harriet Andersson) (via). DP: Petter Davidson.
Monika – in spirit the Monika from Bergman's Sommaren med Monika (1953) – is middle-aged, unemployed, and in limbo. We follow her life for a single day.
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Yngsjömordet [Woman of Darkness] (Arne Mattsson, 1966)
May
11
Mother's Day
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Anna Månsdotter (Gunnel Lindblom). DP: Lasse Björne.
A good or bad mother for Mother's Day
Arranged by his widowed mother, Per Nilsson marries the wealthy judge's daughter Hanna. The wedlock remains unfulfilled as son and mother find satisfaction in each other. Hanna suspects something.
Based on the Yngsjö murder case, which at the time was considered more noteworthy for the mother/son relationship than the resulting tragedy.
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En kärlekshistoria [A Swedish Love Story] (Roy Andersson, 1970)
May
7
National Hug Holiday Week
Pär (Rolf Sohlman) and Annika (Ann-Sofie Kylin) hug on a deserted barren soccer pitch. DP: Jörgen Persson.
Two teenagers in love become increasingly oblivious of the grey world around them.
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Nattlek [Night Games] (Mai Zetterling, 1966)
Mar
8
International Women's Day
Jan (Jörgen Lindström) and his mother (Ingrid Thulin) share a bed while she reads him a bedtime story. DP: Rune Ericson.
When returning home to the castle he grew up in, Jan attempts to free himself from the suffocating clutches of his neurotic mother.
This film was the final straw for Shirley Temple; she resigned from the board of the San Francisco Film Festival calling Zetterling's film “pornography for profit”.
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Ole dole doff [Eeny Meeny Miny Moe / Who Saw Him Die?] (Jan Troell, 1968)
Feb
10
Scholastica
A reaction shot shows the pupils' faces. While the girls show some sort of remorse, the boys are deadpan. DP: Jan Troell .
A film about teaching on the day of Saint Scholastica, patron saint of Benedictine nuns, education, and convulsive children.
Companion piece to Vilgot Sjöman's 491 (1964). An anti-authoritarian teacher who is plagued by nightmares, slowly unravels.
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Ormen: Berättelsen om Iréne [Ormen / The Serpent] (Hans Abramson, 1966)
Jan
29
Lunar New Year – 巳
The German poster. An illustration of a nude woman with a serpent's head. DP: Mac Ahlberg.
Snakes (巳) in celebration of Lunar New Year.
Ormen is an adaptation of the first two chapters of the novel Berättelsen om Iréne (Stig Dagerman, 1945).
In an army barrack, a sergeant is bitten by a snake. A soldier hides the animal in his bag in order to blackmail his superior. Iréne – who works in the same barrack's mess and is the soldier's lover – pushes her mother off a train during a quarrel about the daughter's lack of morals.
Dagerman's novel is a metaphor of Sweden's uncomfortable position in a post-WW2 world (it had declared itself neutral, which by default made it complicit in helping the Nazis). Due to its violence and nudity, outside its homecountry the film adaptation mostly played porn theatres.
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Les créatures [The Creatures] (Agnès Varda, 1966)
Aug
29
Mylène (Catherine Deneuve) and Edgar (Michel Piccoli) Piccoli playing checkers at a small table. DPs: Willy Kurant, William Lubtchansky & Jean Orjollet.
“Everything is rotten. Decadence is everywhere. Why fight it?”
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Ansiktet [The Face / The Magician] (Ingmar Bergman, 1958)
Jul
14
Granny Vogler (Naima Wifstrand) telling a sobbing Sara (Bibi Andersson) that yes, she may indeed be a witch. DP: Gunnar Fischer.
“I see what I see, and I know what I know. But nobody believes me.”
– Granny Vogler