“For a handful of coins!”

An actor, director, or character from Sweden for OP Bramble Jim's Swedish grandma's birthday (happy birthday, Grandma!).

 

Monika – in spirit the Monika from Bergman's Sommaren med Monika (1953) – is middle-aged, unemployed, and in limbo. We follow her life for a single day.

A good or bad mother for Mother's Day

 

Arranged by his widowed mother, Per Nilsson marries the wealthy judge's daughter Hanna. The wedlock remains unfulfilled as son and mother find satisfaction in each other. Hanna suspects something.  

Based on the Yngsjö murder case, which at the time was considered more noteworthy for the mother/son relationship than the resulting tragedy.

A hug (romantic or platonic) on the first day of National Hug Holiday Week (USA)

 

Two teenagers in love become increasingly oblivious of the grey world around them.

A mother for International Women's Day

 

When returning home to the castle he grew up in, Jan attempts to free himself from the suffocating clutches of his neurotic mother.

 

This film was the final straw for Shirley Temple; she resigned from the board of the San Francisco Film Festival calling Zetterling's film “pornography for profit”.

A film about teaching on the day of Saint Scholastica, patron saint of Benedictine nuns, education, and convulsive children.

 

Companion piece to Vilgot Sjöman's 491 (1964). An anti-authoritarian teacher who is plagued by nightmares, slowly unravels.

Snakes (巳) in celebration of Lunar New Year.

 

Ormen is an adaptation of the first two chapters of the novel Berättelsen om Iréne (Stig Dagerman, 1945).

 

In an army barrack, a sergeant is bitten by a snake. A soldier hides the animal in his bag in order to blackmail his superior. Iréne – who works in the same barrack's mess and is the soldier's lover – pushes her mother off a train during a quarrel about the daughter's lack of morals.

 

Dagerman's novel is a metaphor of Sweden's uncomfortable position in a post-WW2 world (it had declared itself neutral, which by default made it complicit in helping the Nazis). Due to its violence and nudity, outside its homecountry the film adaptation mostly played porn theatres.

“Everything is rotten. Decadence is everywhere. Why fight it?”

“I see what I see, and I know what I know. But nobody believes me.”

– Granny Vogler