thriller &mdash; settima https://write.underworld.fr/settima/tag:thriller @settima@zirk.us Thu, 21 May 2026 05:23:17 +0200 Una libélula para cada muerto [A Dragonfly for Each Corpse] (León Klimovsky,... https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-kg3r <![CDATA[section class="boxinfo" markdown="1" div class="title" Una libélula para cada muerto [A Dragonfly for Each Corpse] (León Klimovsky, 1975)/div div class="month" May/div div class="dont-fill" /div div class="daynr" 14/div div class="occasion" Martedi/div div class="img" Una libélula para cada muerto (1975).png)/div div class="caption" Grimy looking Inspector Paolo Scaporella (Paul Naschy) in intense phone conversation. The wall calendar reads Maggio 29 Martedi. DP: Miguel Fernández Mila./div div class="txt" &nbsp; /div div class="tags" ##### #FilmDuJour #May #LeónKlimovsky #PaulNaschy #ErikaBlanc #ÁngelAranda #MaríaKosty #RicardoMerino #StelvioCipriani #CarloRustichelli #MiguelFernándezMila #SerialKillers #Movember #giallo #crime #mystery #thriller #Spain #1970s ★★★½/div /section ]]>

Una libélula para cada muerto [A Dragonfly for Each Corpse] (León Klimovsky, 1975)

May

14

Martedi

Una libélula para cada muerto (1975)

Grimy looking Inspector Paolo Scaporella (Paul Naschy) in intense phone conversation. The wall calendar reads Maggio 29 Martedi. DP: Miguel Fernández Mila.

 

#FilmDuJour #May #LeónKlimovsky #PaulNaschy #ErikaBlanc #ÁngelAranda #MaríaKosty #RicardoMerino #StelvioCipriani #CarloRustichelli #MiguelFernándezMila #SerialKillers #Movember #giallo #crime #mystery #thriller #Spain #1970s ★★★½

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-kg3r Thu, 14 May 2026 11:00:00 +0200 The Appointment (Lindsey C. Vickers, 1982) https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-0cdn <![CDATA[section class="boxinfo" markdown="1" div class="title" The Appointment (Lindsey C. Vickers, 1982)/div div class="month" May/div div class="dont-fill" /div div class="daynr" 14/div div class="occasion" Tue/div div class="occasion" /div div class="img" The Appointment (1982)/div div class="caption" A schoolgirl with long brown hair seen from the back. She's taking the popular shortcut through the fields. DP: Brian West./div div class="txt" "Subject, Sandy Fremont. The last positive sighting of the child was on her way home from a school orchestra rehearsal. This was on Tuesday May 14th at approximately 6:30 in the evening." ### /div div class="tags" ##### #FilmDuJour #May #LindseyCVickers #EdwardWoodward #JaneMerrow #SamanthaWeysom #JohnJudd #AlanStuart #TrevorJones #BrianWest #thriller #drama #animals #revenge #horror #mystery #UK #1980s ★★★★☆ /div /section ]]>

The Appointment (Lindsey C. Vickers, 1982)

May

14

Tue

The Appointment (1982)

“Subject, Sandy Fremont. The last positive sighting of the child was on her way home from a school orchestra rehearsal. This was on Tuesday May 14th at approximately 6:30 in the evening.”

#FilmDuJour #May #LindseyCVickers #EdwardWoodward #JaneMerrow #SamanthaWeysom #JohnJudd #AlanStuart #TrevorJones #BrianWest #thriller #drama #animals #revenge #horror #mystery #UK #1980s ★★★★☆

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-0cdn Thu, 14 May 2026 09:00:00 +0200 My Name Is Julia Ross (Joseph H. Lewis, 1945) https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-c3bh <![CDATA[section class="boxinfo" markdown="1" div class="title" My Name Is Julia Ross (Joseph H. Lewis, 1945)/div div class="month" May/div div class="dont-fill" /div div class="daynr" 5/div div class="X" /div div class="img" My Name Is Julia Ross (1945)/div div class="caption" Nina Foch as Julia Ross… or is she… Julia's lying on a made bed, looking over her shoulder at two middle-aged men and an elderly woman standing in the doorway to her room. DP: Burnett Guffey./div div class="txt" – You haven't forgotten us again, have you, Marion? – You know perfectly well I'm Julia Ross! ### /div div class="tags" ##### #FilmDuJour #May #JosephHLewis #NinaFoch #AnthonyGilbert #BurnettGuffey #crime #suspense #drama #mystery #thriller #BookAdaptation #1940s #USA ★★★★☆ /div /section ]]>

My Name Is Julia Ross (Joseph H. Lewis, 1945)

May

5

My Name Is Julia Ross (1945)

Nina Foch as Julia Ross… or is she… Julia's lying on a made bed, looking over her shoulder at two middle-aged men and an elderly woman standing in the doorway to her room. DP: Burnett Guffey.

– You haven't forgotten us again, have you, Marion?

– You know perfectly well I'm Julia Ross!

#FilmDuJour #May #JosephHLewis #NinaFoch #AnthonyGilbert #BurnettGuffey #crime #suspense #drama #mystery #thriller #BookAdaptation #1940s #USA ★★★★☆

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-c3bh Tue, 05 May 2026 09:00:00 +0200 The Kirlian Witness (Jonathan Sarno, 1978) https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-kzmb <![CDATA[section class="boxinfo" markdown="1" div class="title" The Kirlian Witness (Jonathan Sarno, 1978)/div div class="month" Apr/div div class="dont-fill" /div div class="daynr" 27/div div class="X" /div div class="img" The Kirlian Witness (1978)/div div class="caption" A ficus hooked up to a polygraph. DP: João Fernandes./div div class="txt" "Based on a true occult event" ### – tagline /div div class="tags" ##### #FilmDuJour #April #JonathanSarno #NancySnyder #NancyBoykin #JoelColodner #HarryManfredini #JoãoFernandes #occultism #paranormal #telekinesis #KirlianPhotography #plants #thriller #crime #USA #1970s ★★★★☆/div /section ]]>

The Kirlian Witness (Jonathan Sarno, 1978)

Apr

27

The Kirlian Witness (1978)

A ficus hooked up to a polygraph. DP: João Fernandes.

“Based on a true occult event”

– tagline

#FilmDuJour #April #JonathanSarno #NancySnyder #NancyBoykin #JoelColodner #HarryManfredini #JoãoFernandes #occultism #paranormal #telekinesis #KirlianPhotography #plants #thriller #crime #USA #1970s ★★★★☆

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-kzmb Mon, 27 Apr 2026 09:00:00 +0200 Una farfalla con le ali insanguinate [The Bloodstained Butterfly] (Duccio... https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-nm3d <![CDATA[section class="boxinfo" markdown="1" div class="title" Una farfalla con le ali insanguinate [The Bloodstained Butterfly] (Duccio Tessari, 1971)/div div class="month" Apr/div div class="dont-fill" /div div class="daynr" 26/div div class="occasion" Fri/div div class="img" Una farfalla con le ali insanguinate (1971)/div div class="caption" Sarah Marchi (Wendy D'Olive) with Giorgio (Helmut Berger) in the background, just out of focus behind her. DP: Carlo Carlini./div div class="txt" "Because, in the way I see it, the killer could only be one of two types. Either a person who was seized by a sudden impulse and in all probability has no police record, or else, a sex maniac." ### /div div class="tags" ##### #FilmDuJour #April #DuccioTessari #HelmutBerger #WendyDOlive #GianniFerrio #CarloCarlini #giallo #thriller #Italy #WestGermany #1970s ★★★½/div /section ]]>

Una farfalla con le ali insanguinate [The Bloodstained Butterfly] (Duccio Tessari, 1971)

Apr

26

Fri

Una farfalla con le ali insanguinate (1971)

Sarah Marchi (Wendy D'Olive) with Giorgio (Helmut Berger) in the background, just out of focus behind her. DP: Carlo Carlini.

“Because, in the way I see it, the killer could only be one of two types. Either a person who was seized by a sudden impulse and in all probability has no police record, or else, a sex maniac.”

#FilmDuJour #April #DuccioTessari #HelmutBerger #WendyDOlive #GianniFerrio #CarloCarlini #giallo #thriller #Italy #WestGermany #1970s ★★★½

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-nm3d Sun, 26 Apr 2026 09:00:00 +0200 Notorious (Alfred Hitchcock, 1946) https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-hzvg <![CDATA[section class="boxinfo" markdown="1" div class="title" Notorious (Alfred Hitchcock, 1946)/div div class="month" Apr/div div class="dont-fill" /div div class="daynr" 24/div div class="X" /div div class="img" Notorious (1946)/div div class="caption" Devlin (Cary Grant) and Alicia Huberman (Ingrid Bergman). DP: Ted Tetzlaff./div div class="txt" And January 9.\ "Dry your eyes, baby; it's out of character." ### – Devlin\ /div div class="tags" ##### #FilmDuJour #April #AlfredHitchcock #CaryGrant #IngridBergman #ClaudeRains #RoyWebb #TedTetzlaff #thriller #mystery #romance #USA #1940s ★★★½/div /section ]]>

Notorious (Alfred Hitchcock, 1946)

Apr

24

Notorious (1946)

Devlin (Cary Grant) and Alicia Huberman (Ingrid Bergman). DP: Ted Tetzlaff.

And January 9.

“Dry your eyes, baby; it's out of character.”

– Devlin

#FilmDuJour #April #AlfredHitchcock #CaryGrant #IngridBergman #ClaudeRains #RoyWebb #TedTetzlaff #thriller #mystery #romance #USA #1940s ★★★½

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-hzvg Fri, 24 Apr 2026 09:00:00 +0200 みな殺しの霊歌 [Minagoroshi no reika / I, the Executioner] (Tai Katō, 1968) https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-7hcf <![CDATA[section class="boxinfo" markdown="1" div class="title" みな殺しの霊歌 [Minagoroshi no reika / I, the Executioner] (Tai Katō, 1968)/div div class="month" Apr/div div class="dont-fill" /div div class="daynr" 3/div div class="occasion" 1968/div div class="img" しの霊歌 (1968)/div div class="caption" A newspaper headline for April 3, 1968: "COMPANY DIRECTOR'S WIFE NEWEST VICTIM". DP: Keiji Maruyama./div div class="txt" "With bar hostesses, there's a type who are likely to be murdered." ### /div div class="tags" ##### #FilmDuJour #April #TaiKatō #MakotoSatō #HajimeKaburagi #KeijiMaruyama #crime #thriller #rape #revenge #SerialKillers #Japan #1960s ★★★★★/div /section ]]>

みな殺しの霊歌 [Minagoroshi no reika / I, the Executioner] (Tai Katō, 1968)

Apr

3

1968

しの霊歌 (1968)

A newspaper headline for April 3, 1968: “COMPANY DIRECTOR'S WIFE NEWEST VICTIM”. DP: Keiji Maruyama.

“With bar hostesses, there's a type who are likely to be murdered.”

#FilmDuJour #April #TaiKatō #MakotoSatō #HajimeKaburagi #KeijiMaruyama #crime #thriller #rape #revenge #SerialKillers #Japan #1960s ★★★★★

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-7hcf Fri, 03 Apr 2026 09:00:00 +0200 The Man Who Knew Too Much (Alfred Hitchcock, 1934) https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-rrvw <![CDATA[section class="boxinfo" markdown="1" div class="title" The Man Who Knew Too Much (Alfred Hitchcock, 1934)/div div class="month" Mar/div div class="dont-fill" /div div class="daynr" 21/div div class="X" /div div class="img" The Man Who Knew Too Much (1934)/div div class="caption" Abbott (Peter Lorre). DP: Curt Courant./div div class="txt" "Stand by, there's trouble coming soon." ### – Bob Lawrence\ /div div class="tags" ##### #FilmDuJour #March #AlfredHitchcock #Hitchcock #PeterLorre #LeslieBanks #ArthurBenjamin #CurtCourant #crime #thriller #UK #1930s ★★★★☆/div /section ]]>

The Man Who Knew Too Much (Alfred Hitchcock, 1934)

Mar

21

The Man Who Knew Too Much (1934)

Abbott (Peter Lorre). DP: Curt Courant.

“Stand by, there's trouble coming soon.”

– Bob Lawrence

#FilmDuJour #March #AlfredHitchcock #Hitchcock #PeterLorre #LeslieBanks #ArthurBenjamin #CurtCourant #crime #thriller #UK #1930s ★★★★☆

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-rrvw Sat, 21 Mar 2026 09:00:00 +0100 Paranoia [A Quiet Place to Kill] (Umberto Lenzi, 1970) https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-ky1l <![CDATA[section class="boxinfo" markdown="1" div class="title" Paranoia [A Quiet Place to Kill] (Umberto Lenzi, 1970)/div div class="month" Feb/div div class="dont-fill" /div div class="daynr" 13/div div class="occasion" J&B/div div class="img" Paranoia (1970).png)/div div class="caption" Carroll Baker as Helen pours herself a stiff drink while a guy in lettuce-coloured pants struts in. She's deserves it. Damn it, we ALL deserve it! DP: Guglielmo Mancori./div div class="txt" "You represent everything I detest in a man." ### – Lily Harmer /div div class="tags" ##### #FilmDinner #JandB #whisky #UmbertoLenzi #CarrollBaker #JeanSorel #LuisDávila #AlbertoDalbés #GregorioGarcíaSegura #NinoRota #GuglielmoMancori #giallo #crime #thriller #Italy #France #Spain #1970s ★★★½/div /section ]]>

Paranoia [A Quiet Place to Kill] (Umberto Lenzi, 1970)

Feb

13

J&B

Paranoia (1970)

Carroll Baker as Helen pours herself a stiff drink while a guy in lettuce-coloured pants struts in. She's deserves it. Damn it, we ALL deserve it! DP: Guglielmo Mancori.

“You represent everything I detest in a man.”

– Lily Harmer

#FilmDinner #JandB #whisky #UmbertoLenzi #CarrollBaker #JeanSorel #LuisDávila #AlbertoDalbés #GregorioGarcíaSegura #NinoRota #GuglielmoMancori #giallo #crime #thriller #Italy #France #Spain #1970s ★★★½

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-ky1l Fri, 13 Feb 2026 16:03:47 +0100 Night Must Fall (Karel Reisz, 1964) https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-n6qg <![CDATA[section class="boxinfo" markdown="1" div class="title" Night Must Fall (Karel Reisz, 1964)/div div class="month" Feb/div div class="dont-fill" /div div class="daynr" 2/div div class="occasion" roast/div div class="img" Night Must Fall (1964).png)/div div class="caption" A man mostly off screen carves meat of some sort. Surely it's symbolic. DP: Freddie Francis./div div class="txt" &nbsp; /div div class="tags" ##### #FilmDinner #roast #meat #KarelReisz #EmlynWilliams #AlbertFinney #MonaWashbourne #SusanHampshire #SheilaHancock #RonGrainer #FreddieFrancis #theatre #drama #crime #thriller #UK #1960s ★★★½/div /section ]]>

Night Must Fall (Karel Reisz, 1964)

Feb

2

roast

Night Must Fall (1964)

A man mostly off screen carves meat of some sort. Surely it's symbolic. DP: Freddie Francis.

 

#FilmDinner #roast #meat #KarelReisz #EmlynWilliams #AlbertFinney #MonaWashbourne #SusanHampshire #SheilaHancock #RonGrainer #FreddieFrancis #theatre #drama #crime #thriller #UK #1960s ★★★½

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-n6qg Mon, 02 Feb 2026 16:11:49 +0100