During the tense hours of a solar #eclipse, the locals spend their time in a bar. One litre of vodka is the wager for he who can correctly guess a woman's dress size. Of course, tailor Józef Romanek (Kazimierz Kaczor) doesn't need to guess and that one litre later, finds himself walking through space. When he comes round from his coma, Józef builds an observatory in his house, where the tailor with his home-made telescope dreams of finding an unknown planet, and discovers the world around him.

 

Polish tailor Adam Giedrys is not only the subject of Planeta krawiec, but also served as the film's consultant. For his passion for and devotion to astronomy, Giedrys was the first Pole to receive Lunar soil from #NASA's 1969 Apollo 11 Moon mission.

A man murders another and meets a drunk sailor. The drunk then tells the murderer about his life on the sea. Les trois couronnes du matelot is of course never a straightforward crime film. It's Raúl Ruiz, it never is.

“I got nothing out of this crime except the ring he offered me many times; several hundred marks; a collection of old coins, of no value; and a long letter where he advised me to leave the country.”

– the student

The sailor drinks, celebrates and mourns the women and men of his past, we all get drunk on life while the dark water closes itself again above our heads.

A film crew from Calcutta arrives in a small Bengal town to make a film about the 1943 Bengal Famine. Initially, their arrival sparks joy and wonder but while filming, the participants – travelling back and forth between 1943 and 1980, Calcutta and rural Bengal, and reality and re-enactment – come to realise that #famine has many faces.

They say, the house always wins. In You the Better, the House is an unseen character. The other character – a constantly changing team of athletes wearing blue uniforms and caps and coached by artist Ashley Bickerton – play a baffling hybrid of craps, dodgeball, and roulette while arcade game noises and Brooke Halpin's catchy chants accompany the players. While You the Better suggests repetitiveness, a theme of winning, losing, and competitiveness reveals itself.

“HANDS UP PUT YOUR HANDS UP GIMME MORE GIMME GIMME MORE BETTER GIMME MORE”

– recurring chant

You the Better is part of Beckman's The Super-8 Trilogy, a multimedia art project that explores play in Western society.

The opera world is in mourning. Edmea Tetua, the greatest singer of all time, has passed away. On a grande ocean liner, her friends, colleagues, admirers have come together to scatter Edmea's ashes near Erimo, the island where she was born.

“This is the funny thing abut sea voyages. After a few days, you feel as if you'd been sailing forever. You feel you've always known your fellow voyagers.”

During a tour of the ship, the passengers visit the boiler room where – urged on by the engine room crew – an impromptu operatic competition unfolds, all to the pulsating rhythm of the steamliner's bloated belly.

John Hillcoat's deeply unpleasant debut is based on In the Belly of the Beast (1981), a collection of excerpts of letters between prisoner Jack Henry Abbott and author Norman Mailer. True to the book's format, Ghosts consists of disjointed vignettes of monologues, #CCTV footage, title cards, and prisoners' phone calls.

 

For the last 37 months, these filters inform the observer, the hypermodern #supermax Central Industrial Prison has been in permanent lockdown. The cast, a mix of professional actors and ex-cons, and the location, a clean factory-style hangar in the middle of the Australian desert, underscore the underlying raw brutality of the unfolding events.

 

“Officer, come here. I wanna spit in your fucking eye!”

– Maynard

The #industrial soundtrack is by Bad Seed Nick Cave (co-writer and starring as Maynard), Mick Harvey, and Blixa Bargeld from when they were still closer to being birthday boys than morose crooners.