– Is there anything I can do for you?

– You could make a film about my suffering.

Dita e Verës, a pagan spring celebration from Albania, celebrated in March: a spring scene*

 

The restless anticipation of spring. Iran as it was before and after the 1979 toppling of the Shah. While the snow melts away, the Revolution takes place, and fresh buds appear on the rose bushes. A poem.

 

* the Bales 2025 Film Challenge for August is not date-related.

Sibling love or strife on Brothers and Sisters Day (USA)

 

Brothers Hojjat and Zeini live in peace in the forest. When strangers cut down the trees, a city woman joins the couple. Despite the comfort she brings with structure, food, and a warm body, the men come to realise that she's a disturbance of their peace.

The White House, or set in Washington, DC, in commemoration of the first inauguration of George Washington in 1789.

 

Hajji Hossein-Gholi Noori was Iran's first ambassador to the United States in 1889. Stuck in DC, homesick, and without any US-based Iranians to serve, he slowly unravels

Someone gives blood for National Blood Donor Month (USA). A young man who accompanies his sick father to a hospital decides to donate blood for much needed money.

“I'm not Hassan. I'm his cow.”

کلوزآپ ، نمای نزدیک is visual narrative illustrating a crime. A cinephile, Hossain Sabzian, pretends to be filmmaker Mohsen Makhmalbaf and slowly extorts a family into believing to star in the director's next film.

“Prison is good for the good and bad for the wicked. It teaches the good a lesson but only makes the wicked worse.”

– Hossain Sabzian

An article about the case intrigued director #Kiarostami so much that he decided to film the court case against Sabzian, and ask the accused, Makhmalbaf, and the Ahankhah family to reenact some of the events.

Vérités et Mensonges is what it's actually called, but you may know it as F for Fake. Orson Welles and three uncredited fellow conspirators – Gary Graver, Oja Kodar, and François Reichenbach – delve into the world of #art forger Elmyr de Hory by way of his biographer Clifford Irving.

“Back to the old tricks.”

– Orson Welles

Welles et al free-associate with concepts of art, lies, #deception, and #authenticity. #Houdin, Welles, #Picasso and Hughes, hoaxers, hucksters and artists in their own right. And then it's over: this work of art, this sleight of hand, this demonstration of factuality, an exposé.