Mélodie en sous-sol [Any Number Can Win] (Henri Verneuil, 1963)
Sep
6
Tue
Mario (Henri Virlojeux), bathhouse proprietor. A nearby wall calendar reads mardi, septembre 6. DP: Louis Page.
Flic Story [Cop Story] (Jacques Deray, 1975)
Sep
3
1947
A close-up of a man's feet hastily walking along a corridor. Superimposed it reads 3 SEPTEMBRE 1974. DP: Jean-Jacques Tarbès.
“Marge, my love, my angel.”
Plein soleil [Purple Noon] (René Clément, 1960)
Aug
20
1959
A contract for Marge, a sailboat, dated August 20, 1959. DP: Henri Decaë.
“I thought you'd be hungry, maybe.”
La piscine [The Swimming Pool] (Jacques Deray, 1969)
Jul
20
Marianne (Romy Schneider) and Harry (Maurice Ronet) shopping. Note the plethora of atypical-for-France ingredients, and how the packaging hasn't changed up to today. DP: Jean-Jacques Tarbès.
Shopping for food*
Schneider and Ronet's characters go get their groceries in a tiny, surprisingly well-stocked-with-Asian-food-items French corner shop, ánd manage to find all the ingredients needed. One rookie mistake: Uncle Ben's. Of all the rice in the world…
* the Bales 2025 Film Challenge for July is, for unknown reasons, mostly not date-related and follows some sort of vacation narrative.
“Everything's crashing here.”
L'eclisse [The Eclipse] (Michelangelo Antonioni, 1962)
Jul
10
Mon
Vittoria (Monica Vitti, bottom left) at the Borsa – the Rome Stock Exchange. A clock top-right indicates it's Monday, July 10, 12:31 pm.. DP: Gianni Di Venanzo.
– Vittoria's mother
Les félins [Joy House / The Love Cage] (René Clément, 1964)
May
14
Barbara Hill (Lola Albright) going through Marc Borel's (Alain Delon) passport, which states Marc's date of birth as May 14. On Barbara's desk several curiosities, including a shrunken head in a glass case. DP: Henri Decaë.
“There was a silence different from all other silences, an ashen light, and then darkness – total stillness. I thought that during an eclipse even our feelings stop. Out of this came part of the idea for L'eclisse.”
L'eclisse [The Eclipse] (Michelangelo Antonioni, 1962)
Mar
20
natural phenomena
Vitti's blond hair shifts in front of Delon's dark coupe, quietly mimicking the eclipse. DP: Gianni Di Venanzo.
A natural phenomenon for this year's March equinox, three supermoons, and the March 25 solar eclipse.
– Michelangelo Antonioni talking about experiencing a solar eclipse, possibly the total eclipse of 1961 which showed up in the film Barabbas (1961).
During several moments in the film, the main characters' mannerisms foreshadow the looming solar eclipse.
Mélodie en sous-sol [Any Number Can Win] (Henri Verneuil, 1963)
Nov
22
banquet
Backstage at the Cannes casino, stars and stagehands enjoy their well-deserved end-of-season banquet. Just walking in front of the showgirls is piano player Sam (Jimmy Davis). DP: Louis Page.
“I might not look it, but I've got lots of imagination.”
Plein soleil; Die Konsequenz
Jun
15
passports
Top to bottom: Plein soleil (René Clément, 1960), Die Konsequenz (Wolfgang Petersen, 1977).
Watched on June 15 and 17 respectively.
– Alain Delon as Tom Ripley in Plein soleil (1960)
“Why bother having money when you can spend other people's?”
Plein soleil [Purple Noon] (René Clément, 1960)
Jun
15
croissants
Tom Ripley (Alain Delon) going though his passport over breakfast. Multiple passport photos, a fountain pen, and a magnifying glass take precedence over his fresh croissants. DP: Henri Decaë.
– Philippe Greenleaf