view
Mélodie en sous-sol [Any Number Can Win] (Henri Verneuil, 1963)
Nov
22
banquet
Backstage at the Cannes casino, stars and stagehands enjoy their well-deserved end-of-season banquet. Just walking in front of the showgirls is piano player Sam (Jimmy Davis). DP: Louis Page.
view
Plein soleil [Purple Noon] (René Clément, 1960)
Aug
20
1959
A contract for Marge, a sailboat, dated August 20, 1959. DP: Henri Decaë.
“Marge, my love, my angel.”
view
L'eclisse [The Eclipse] (Michelangelo Antonioni, 1962)
Jul
10
Mon
Vittoria (Monica Vitti, bottom left) at the Borsa – the Rome Stock Exchange. A clock top-right indicates it's Monday, July 10, 12:31 pm.. DP: Gianni Di Venanzo.
“Everything's crashing here.”
– Vittoria's mother
view
Plein soleil; Die Konsequenz
Jun
15
passports
Top to bottom: Plein soleil (René Clément, 1960), Die Konsequenz (Wolfgang Petersen, 1977).
Watched on June 15 and 17 respectively.
“I might not look it, but I've got lots of imagination.”
– Alain Delon as Tom Ripley in Plein soleil (1960)
view
Plein soleil [Purple Noon] (René Clément, 1960)
Jun
15
croissants
Tom Ripley (Alain Delon) going though his passport over breakfast. Multiple passport photos, a fountain pen, and a magnifying glass take precedence over his fresh croissants. DP: Henri Decaë.
“Why bother having money when you can spend other people's?”
– Philippe Greenleaf
view
L'eclisse [The Eclipse] (Michelangelo Antonioni, 1962)
Jul
19
fruit
“I still can't figure out if it's an office, a market place, or a boxing ring. And maybe I don't even need to.”
– Vittoria
view
La piscine [The Swimming Pool] (Jacques Deray, 1969)
Jul
13
“Chinese food”
The two couples (Delon and Schneider, and Ronet and Birkin) awkwardly sharing dinner. There's wine in red glasses and the food, plated on rustic French dinnerware, is handled with chopsticks. DP: Jean-Jacques Tarbès.
“Change your dreams, not the world.”
– Harry
view
Le Samouraï [The Samurai] (Jean-Pierre Melville, 1967)
Apr
25
License Plates Day
A pair of hands switching license plates on the front of a Citroën DS. The scene is almost black-and-white. DP: Henri Decaë.
Hitman Jef Costello (Alain Delon) coolly drives a #Citroën DS 21 to his garagiste (André Salgues), who routinely switches the license plates in a beautifully wordless, efficiently lit scene.
“I never lose. Never really.”